CD

Since 2011, ÚLFARR have stood for uncompromising, antisocial UK black metal - or, under their own banner of Cumbrian Black Metal. Helmed by Dominus, AKA Hrafn - who counts the equally prolific THY DYING LIGHT amongst his activities, as well as fellow labelmates NEFARIOUS DUSK and MORTE LUNE - ÚLFARR released a handful of demos, a couple splits, and most uniquely, a couple live albums before their debut mini-album, Hate & Terror - The Rise of Pure Evil, in 2019 and then another mini-album, The Ruins of Human Failure, two years later. Most recently, they released a split album with fellow UK horde MALFEITOR. Across these caustic recordings, ÚLFARR stoked the fires of old - namely, classic Craft, Darkthrone, Mayhem, One Head One Tail, and Death Cult.

Now ÚLFARR return with a revamped lineup and a revamped sound on their long-awaited debut album, Orlegsceaft. Joining Dominus here are erstwhile Exvoidxist / Forvitnast vocalist Játvarðr, HELVELLYN's Burns on bass, and MALFEITOR maiman Nosdrahcir on drums. As no doubt forecasted by its title, Orlegsceaft is written almost entirely in Old English, and most suitably do ÚLFARR shift gears toward a grim & ancient style of black metal. Whereas their sound of yore spit forth a hateful primitivism both punkish and headbanging, this older & bolder ÚLFARR take that hate toward more desolate and hypnotic ends; atmosphere is heightened, ghoulish and GRIM in aspect. In effect, Orlegsceaft undeniably sounds OLD(e), like a long-lost recording from 1995 given undead life through ghostly means. It's still recognizably ÚLFARR, but their attack cruises more cooly here and the vocals of Játvarðr raise the hackles with full-throated terror. And fucking RIFFS forever!

Against the modern world, more than ever, ÚLFARR take UKBM back to the dark ages with Orlegsceaft.

After the success of “Vobiscum Satanas”, released in 1998, Dark Funeral went through some lineup
changes and released an interlude, in 2002, which has become a classic EP. Contains a new track -
“An Apprentice Of Satan” - and four covers of King Diamond, Slayer, Sodom and Mayhem! This new
reissue, for the first time in digipak format, will bring back memories and the glory of the black metal
years!

HARKANE returns after four years, from “FALLEN KING SIMULACRUM”, with an ambitious and complex work. “ARGO” is a concept album based on the Argonautica by Apollonius Rhodius. The adventures of Jason, Medea and the conquest of the Golden Fleece are not only an immortal classical epopee, but they are the paradigm of the human being, of his feelings and weaknesses, true protagonists of this picaresque journey. Furthermore, this album marks an evolution in the band's sound and in its approach to music itself, a new stageofajourneythatbegantenyearsago and that perhaps will never end!

Following on from last year’s bleak and disconsolate Wounds single, Finland’s purveyors of
‘Anti-Life Black Metal Misery’, Grave With A View, have returned with their most powerful and
harrowing release to date – Raw Illumination. A full length album steeped in isolation, violence, self
destruction and death, Raw Illumination is not an album for the faint of heart or the fragile of spirit.
Recorded and mixed by O.H.R and mastered by Haldor Grunberg at Satanic Audio (Behemoth,
Dopelord, Christ Agony etc), Raw Illumination is the sonic distillation of caustic chaos and grim,
unmitigated despair – every malicious note cutting straight to the bone – and its aura of desperate
degradation has been perfectly captured in the cover imagery; the artwork and layout by Danny The
Destroyer, utilising powerful, unsettling images of model Anna Iivana Julma, captured by the band.
When it crawls from the crypts of label Dusktone on November 29th, Raw Illumination will hunt down
the broken and the flawed, the outcasts and the lepers and swallow them into its maw of ice and
pain.

Established by two girls from the Dresden area, Satyra and Melpomene, both heavily involved in
the rich local underground, ALTAR OV ASTERIA was envisioned and formed through its members'
shared influence of black metal. The goal of the band's material, embodied in their "Éna" debut, is to
balance visceral energy with enveloping atmosphere and dark melody, creating a sound both
rooted in black metal tradition and expansive new avantgarde sounds.
"Imagine you would wake up in a world full of mysteries and realities woven into each other, like in a
story book of the past centuries of Dante Alighieri or Homer. Two black-robed mysteries in
gold-snake masks wake you up from the heavy dorm with blackened sirens crushing your ears,
mesmerizing your mind to sense the allegories of humankind existence. You’ve got an invitation to a
storybook of hellish Sodom, chapter by chapter illustrating thy and foreign dystopia".

One with the Riverbed is a five-piece post-metal band from Kalamazoo, Michigan. Since forming in 2017, the band has strived to push the boundaries of the genre by incorporating elements of atmospheric black metal with dissonant textures and dynamic shifts. Succumb, the band's second full-length album, shows the band embracing their core musical identity while venturing into previously unexplored realms. With a distinct fusion of haunting melodies, visceral riffs, and enveloping soundscapes, the album is a testament to One with the Riverbed's continuous sonic evolution. Lyrical themes include nostalgia, temporality, and the human condition.

Born and raised along the rural shores of the Danube river, the element of water has always had a shaping impact on Marrok's perception of nature and life in general. Throughout the new Anomalie album „Riverchild“ he drew a musical portrait of an entity still present around this immense stream which had always nurtured and taken lifes equally, a force able of spending hope and wisdom but also possesses the strength and wrath to destroy and destruct.Comparable to the multiple faces of a colossal river like the Danube, the music on „Riverchild“ provides a diverse range of facets taking the listener on a journey full of profound and honest emotions expressed through aggressive outbursts of pure Black Metal dissonance as well as fragile moments of introspectivecalmness. Anomalie once again asks for focus and patience, but offers a wider range of rewarding layers than ever before!

Limited A5 Digi CD in a Leather Box 

“Never Arrive, Never Return” marks a return to Cadaverous Condition‘s ferocious death metal roots. The album is a relentless assault on the senses, featuring a mix of epic tracks alongside haunting half-ballads, brutal eruptions and groove-laden songs interwoven with the band’s signature cryptic lyrics, all delivered with crisp production.
Formed in Austria during the early 90s, Cadaverous Condition carved a unique path in extreme metal. While their vocals remained rooted in death metal, they experimented with diverse influences, covering artists like The Sisters of Mercy and collaborating with acts like Nurse With Wound, Thighpaulsandra, Tobias Nathaniel (The Black Heart Procession) and Herr Lounge Corps. They also did an art project with Bill Drummond (The KLF) involving a specially made CD and sending a message in a bottle from the shores of Iceland. Despite these explorations, Cadaverous Condition never strayed from their core: extreme metal with a distinct and reflective style. They return in 2024 with “Never Arrive, Never Return“, a fitting title for a band known for their relentless sonic journey.