CD

Originally recorded in 2013 during the "Kriegserklärung" sessions and released in 2017 as a split with Kommandant. These tracks convey the aftermath of the Great War in early 1919 by covering the brutal street fighting of factions in the early Weimar Republic. Some of the fastest and most intense songs of the band's early period are here, as well as the first experimentation with neofolk.

Re-issue, CD booklet 4 page on 135g art paper, re-mastered specially for CD.

Released in 1992, "Abject offerings" represents today an incredible masterpiece of esoteric, mystical and blasphemous death metal. It has been a classic for more than 30 years and will forever be part of history.

A quality production that has stood the test of time, complex melodies, dark and memorable, powerful riffs, make this album an ode to violence, hatred and everything that hides in the depths of darkness.
UNHOLY DEATH METAL SHALL NO LONGER WAIT!

CD in deluxe Digipak with gold foil and 16-page booklet.

Hailing from the heart of French black metal, SETH presents a grim and haunting narrative with their relentless musical fury. Glazed with elements from the French Revolution, new opus ‘La France des Maudits’ takes inspiration from the very streets that bled under the guillotine’s kiss.
With ‘La France des Maudits’ SETH carve out the anthem for those rising from the ruins, the unyielding, the eternal rebels. This black metal revival offers a narrative of relentless fury, invoking the spirit of insurrection, liberation, and defiance against divine oppression. With tracks such as “Paris des Maléfices” and “Et Que Vive le Diable!”, they weave a dark tapestry of sound, showcasing their unique niche in atmospheric black metal. Anthems of resistance that echo the cries of a new age unwilling to kneel before divine decay.
Dive into the tumultuous serenade of ‘La France des Maudits’, an album that roars in the key of revolution.

For fans of ENTHRONED, ABIGOR, ANCIENT, AETERNUS.

After two records out in 2021 and 2022, SadoMaster of Morcolac is back with a vengeance with the new maxi-EP (30 minutes of music) “Drawbridge To Citadel Of No More Dawn”, prelude to a forth-coming and bombastic third new record.

Morcolac draws inspiration from the late 90’s Nordic black metal, in particular from the symphonic side and - geographically - the finnish scene, a tradition continuing today with names such a Satanic Warmaster, Vargrav, Warmoon Lord. Listeners can feel a balance in Morcolac music: on one side the gloom of symphonic black metal while on the other the aggression and the malignancy of old-school black metal.

If you are into black metal and you want to experience dark forests, evil creatures and the grim side of fantasy worlds through their lyrics, Morcolac is for you!

Norwegian dissonant death black metal unit Zustand Null is hailing from Oslo and formed in 2009 by Max Engvik and Ion Solounias

The music they offer could be described as simultaneously chaotic and refined; dissonant, punchy, and melodious. Blending blackened metal with thrash and industrial undertones..

After two amazing singles Zustand Null has finally released the highly anticipated full length album titled "Beyond the Limite of sanity" which is a forward-thinking venture through the realms of black/death and industrial metal with progressive touch far beyond the usual confines of the genre

Jewel Case CD + booklet

Since their previous albums "Mass Grave" and "Death Siege" - both released via Season of Mist - Hierophant paved their way into the extreme metal scene in Europe, with a relentless and furious approach.

Following the conquest of the most prestigious stages (Hellfest, MetalDays,
Party.San), the Death Siege ranks pushed the limit to the extreme and ultimately crafted the first live album in the band's career.
Recorded at Hellfest 2023, "Gateway to the Abyss" (released via Dusktone) is the feral representation of what Hierophant is about: Hatred, blood, nihility.
FIRE WILL RISE!

Through 4 tracks mixing funeral doom with ambient and darkwave, Until Death Overtakes Me explores the idea of life being incomplete unless it passes death's threshold.
Antemortem (before death) is not a glorification of death, but focusses on the path to it. Life with its pains and terrors might long for the end, but could just as well explore the freedom that comes with accepting the inevitable.
The contrast between heavy distorted guitars and ethereal ambient melodies mirrors life, but offers an open ending - is life a pained struggle, where one is shoved forwards, closer to death all the time, forcing one to blindly squeeze as much meaning out of every moment, or is it rather a calm stream that gently carries one to the completion of a journey that's best experienced with eyes wide open, regardless of what may come after? More likely, both aspects remain at play : primal instincts balanced by intelligent rationality.

Antemortem is the first Until Death Overtakes Me album after a long hiatus, and forms a bridge between the periods before and after this break.
The track 'Before' dates back to late 2003, 'Days Without Hope' is based on a track that's even older by several years, and best marks the point in time where Until Death Overtakes Me went from darkwave/doom to ambient funeral doom. On the other hand there are the tracks 'The Wait' and 'Inevitability', both from 2016. 'The Wait' is more a experimental, almost mechanical sounding epic, while 'Inevitability' is an instrumental marking the acceptance of the concept of 'Antemortem', as well as its conclusion. 

Missing. What if the searchers falter, pass away? When none are left that hope to find even something to bury, to mourn.
To be missing, to be never found. To never return, and fade away in the shadows of time. To become forgotten beyond all hope of recovery.

Until Death Overtakes Me's 2018 album contains over one hour of mournful funeral doom mixed with orchestral ambient. Missing, named after the song from Until Death Overtakes Me's earlier years, continues the story of that old epic. In four tracks the concepts of loss and being lost are explored.

There's the tragedy on a personal level, of searchers that fail, grow old and find no closure. Of the one lost, stuck in nothingness, wanting to be found. But tragedy grows, touches all, and the music becomes the soundtrack to the funeral of mankind. Empty tones drifting over the desolation, echoing through empty canyons. All the searchers have gone, all those missing are forgotten. There's no one left to remember, there's no hope left.
And when the proof and all remembrance of our existence is gone too, then have we truly been here at all? We're already missing.

After one EP and a full-length record (and the orchestral versions of both, released in between), Italian occult extreme metallers OBSCURA QALMA are back with a new opus.

OBSCURA QALMA is going to unleash a sonic storm with their new EP 'Veils Of Transcendence', blending the relentlessness of death metal with the grandeur of an increasingly barbed orchestra. The band delves once again into the realms of esoteric mysticism, conveying Aleister Crowley's opera. Your OST to the end of the world.

If you are into acts such as Septic Flesh, Hypocrisy and Dimmu Borgir and you are fascinated by the impact of modern death metal and the power of orchestrations, you should really take a listen to “Veils Of Transcendence”.

Norwegian black metal band Enthral has shared members with Dimmu Borgir and The Flesh and their resumé includes four full-lengths.

Having been around since 1996, they've had some style changes -- from a more classical sound with cello and soprano vocals, they moved towards a style reminiscent of earlier Covenant and Satyricon.

Dusktone is now extremely excited to announce the reissue of their third album " Subterranean Movement" originally released in 2003 and out of print for more than 10 years now.

Dusktone is proudly presenting a new album of Canadian ritual doom act Ego Depths.
On his fifth full-length album, the mastermind Stigmatheist melts down into an amalgam his dissonant guitar marches, monstrous growls and throat singing chants; fuses ritual atmospheres with a slow paced doom metal, raging with rare black explosions. Following the conception of his previous releases, Stigmatheist continues to improve his sound, finding new spaces for expanding and transformation, filling the conquered emptiness with ultra black hole heaviness. Extensive use of various ritual instruments, including a signature dan moi (Vietnamese jaw harp) and newly included Aztec death whistle, Stigmatheist manages to create an even deeper atmosphere of an endless doom ritual, inducing a paralytic embracing of the listener with its almost 70 minutes plunge into the abyss. Highly recommended for fans of the genre, looking for a ritual trip to be immersed into!