Known for his massive productivity over the last few decades, this goes to show the well isn’t empty quite yet.

Two new releases in the by now well known KÊRES vein; Finnish Black Metal straight to the point of a freshly sharpened knife. Effective in its primitivity, these albums is a pure questionable delight in their harshness. For those who know what to expect: you get what you expect.

Known for his massive productivity over the last few decades, this goes to show the well isn’t empty quite yet.

Two new releases in the by now well known KÊRES vein; Finnish Black Metal straight to the point of a freshly sharpened knife. Effective in its primitivity, these albums is a pure questionable delight in their harshness. For those who know what to expect: you get what you expect.

AETERNUS was formed by Ares in 1993 in Bergen, Norway, and pioneered the genre known as Dark Metal; combining Black Metal and Death Metal with elements of classical and folk music. The band creates its trademark sound by layering superlative guitar playing and haunting, melodic interludes. Its current line-up comprises guitarist/vocalist Ares, guitarist Gorm, bassist Eld and drummer Phobos (amongst whom are present and former members of Gorgoroth, Immortal (live) and Gaahls Wyrd).

Compilation of the songs from the Split CDs with Oprich (2005) and Velimor (2006).

In 2020, NÔIDVA arrived with the full-length Windseller. A then-brand-new entity, the Finns featured members of labelmates SACRIFICIUM CARMEN and RIIVAUS. Although detectably Finnish black metal in sound and style, NÔIDVA uniquely focused on Laplandish shamanism - and now they return to further flesh out that vision.

Tellingly titled Lappish Shatanism, NÔIDVA's second album bears many of the same traits as its predecessor: a mysticism both magickal and more so folkloric, and a melodicism that stirs the more courageous side of one's spirit rather than immediate and irrevocable bloodlust. However, despite featuring the same four-piece lineup, Lappish Shatanism heads toward rougher, daresay-rowdier territory - more earth and dirt rather than the atmospheric undercurrents of Windseller - with that rowdiness rendering their folk affectations all the more austere and severe. Still, NÔIDVA reveal themselves to be astute practitioners of tradition, poignantly imparting a favorably late '90s aspect in form and feel; whether one wants to qualify it as "pagan" black metal matters not when faced with such stellar quality. Leads prominent but parceled out, Lappish Shatanism is thus a work of undeniable passion - never belabored, but refreshing as it is reverential. The past is still alive across Lapland!

This edition of Ulver’s Vargnatt marks 30 years since the original release of this classic 1993 demo. 

CD edition with audio sourced from the original DAT. 

Contains the bonus track Vargnatt, captured live at Bootleg TV in Oslo, 1993, and sourced from the original U-matic, courtesy of the National Library of Norway.

House of Mythology proudly presents the official release of Ulver’s monumental Grieghallen concert from the 2018 Bergen International Festival.

Grieghallen 20180528 documents the pinnacle of Ulver’s 2017–2018 touring cycle, following the release of their landmark album The Assassination of Julius Caesar. A massive explosion of sound and light went off in Bergen that night, leaving the baffled audience floating somewhere between pleasure and fear.

Professionally multitracked by the Bright AS stage tech team, Kristoffer Rygg and Anders Møller were asked to mix the tracks for the 2020 “streaming edition” of the same festival. After having circulated as a YouTube bootleg, it is now being made official partly due to popular demand, and partly because we think of it as a magnificent companion piece to the studio version of Caesar – showing Ulver at the height of their live game.

First official Cd release for this absolute masterpiece of Swedish Melodic Black Metal. “Härskare Över Stjärnorna Och Mina Drömmar”, the only work in Vinterkrig's discography, was recorded at Peter Tägtgren’s The Abyss Studio and mixed by Mikael Hedlund back in 1997. Catchy melodies and gloomy atmospheres carved in ice to keep alive the pure essence of the 90s. Featuring Martin Lopez on drums and Martin Mendenz on guitars (Opeth). Available in limited edition Digipak Cd of 300 copies hand-numbered.

With an inception going back 13 years in time, German entity Moribund Mantras has summoned a poignant blend of Doom, Black, and Post-Metal throughout two full-length records and three EPs, ever refined in its expressive touch and ardor. Now, following the colossal opus entitled “Golden Void”, the German quintet stares back into the abyss with five new mantras of roaring occult force, a fiery extended play aptly branded “…of Fathomless Depths”. Diving into deep spheres, one faces penetrating layers of sound, chilling mammoth riffs carrying the weight of the world, whether through vicious heaviness or heart-stirring bursts of melody. Moribund Mantras enter the soul of the listener as it surrenders its spirit. “…of Fathomless Depths” marks the first time the group recorded and mixed its songs by themselves and the intensity of the awareness to the detail fully enhances Moribund Mantras’ vision. Varied, tense, and highly expressive, these sonic endeavors are manifested through one particularly organic and utterly dynamic rhythmic section which, with the complicity of the riffing electrical storm, casts an aura of dreamy solemnity. On top of such instrumental traits, a voice from the nether regions screams the pressure of human existence, the man’s search for his destiny, guided by his dreams, in eternal pursuit for enlightenment.

One-man Black Metal Band from United States (Los Angeles, California).

A rider, burdened by a past which grows like a tumor inside of him, struggles against himself and loses - he chooses the rope. During what would be his last breath, he is instead given a second chance by forces beyond his comprehension, under the condition that he carries out a quest he thinks impossible. The rider flees, frightened of his own potential for greatness or for failure - but no matter how far he rides, destiny is not so easily dissuaded...

For better or worse, whether he wishes it or not, no man on this earth rides alone. We are all of us bound together, heart to heart and soul to soul -- all of us bit players in stories bigger than we know - stories we have no hand in writing. This is one of those stories - a story of friendship, love and war.