CD

Reissue of the band's fantastic debut album from 1999 with original artwork and revised layout including all lyrics, extensive liner notes and many photos from the early days.

The CD comes as Collector's Edition in 4-panel digipack with 8-page booklet, limited to 500 copies, and includes the "Rabenflug" demo from 1996 as exclusive bonus tracks.

"Reign of Tempests" is a genuine classic of German Melodic/Symphonic Black Metal and an absolute must have for all fans of this genre. Pure 90s nostalgia!!

Both album and demo were meticulously restored and remastered for optimal sound on CD as well as vinyl by Patrick W. Engel at Temple of Disharmony in 2022.

Re-released with kind permission from DIES ATER and now available for the first time ever on vinyl and as DigiCD with the original artwork!

Reissue of the band's brilliant second album from 1998 with original artwork & sound, and layout only adjusted to the 8-panel digipack format, under exclusive license from Napalm Records.

"Provenance of Cruelty" is the second album of Mactätus, originally released by Napalm Records in late 1998. At the time of its release the hype for Scandinavian Black Metal in general and Symphonic and Melodic Black Metal in particular was already declining, following milestones such as Emperor's "In the Nightside Eclipse", Dimmu Borgir's "Stormblåst", Mörk Gryning's "Tusen år har gått", Gehenna's "Second Spell" or Limbonic Art's "Moon in the Scorpio". The result was that at the time of their release in late 1998 equally brilliant Symphonic Black Metal albums such as Odium's "The Sad Realm of the Stars" or Mactätus' "Provenance of Cruelty" were not as appreciated by a majority of fans as the earlier classics before them and remained a bit obscure and underrated for quite some time. While that changed later for Odium's debut album when it gained the underground cult status it deserves, "Provenance of Cruelty" somewhat suffered from the added drawback of being released by a label that at the time was already more focused on Gothic Metal, and also not necessarily one of the "cult" labels of the time. This, however, is definitely an album that belongs in every Symphonic or Melodic Black Metal collection and fans of the aforementioned albums should definitely check it out if they don't know it yet!

Firstpress with Slipcase

Simply titled but by no means simple in construction nor execution, Djinn builds upon the increasingly ambitious songwriting of its no-less-considerable predecessor, but pushes their dazzling artistry into nearly Technicolor landscapes of the Beyond. Upon the first opening notes, this boundless artistry is felt: big, rolling rhythms reminiscent of post-punk, tantalizingly setting the stage for the splendorous expanses to follow. There's a certain magick at play here, no doubt bolstered by the band's rhythm section of Josiah Babcock (who puts in his final performance here) and new bassist Nate Verschoor, erstwhile mainman of Veiled; this throttling-yet-deft foundation both leads and plays acute counterpoint to the spiraling, windswept riffing of founders Jake Superchi (also vocals) and James Sloan, their guitar work transcending the poignancy of prior works. And indeed, Djinn's generous six-song/hour-long runtime no doubt allows the listener the ultimate freedom to roam within Uada's ever-unique world, spanning both smothering speed and deliriously dream-like states, Very Metal urgency and textural exploration alike - put simply, the band at the height of their creative powers. Djiin is truly its own realm of experience.

"Djinn, first inhabitors of this world, the smokeless fire and those we call upon our enemies, has gifted us a 60-minute descent into the modern-day possessions of our existence and demise," state the band, "A duality that can only be known as our third wish."

Comes in a 4-panel Digisleeve with glossy cover; no booklet, no lyrics.
Track durations do not appear on the release.

Recorded live at Ancienne Belique,Brussels BE

Tracks 1-8 recorded and mixed live at AB Brussels BE and De Kreun, Kortyrijk BE
Mastered at Angström Studio Brussels, BE.

"Het Dorp" recorded at Jetson / CCR Studio, Marke / Zulte BE
"Razoreater" recorded at Hearse Studio, Heule BE
Mixed and mastered by Chris Common, TX US

Consouling Sounds 2016
Made in Belgium

Track 4 "Parabol" originally appears on "Lateralus".
Track 10 "Het Dorp" originally appears on "De Zotte Morgen".

4the pressing, now in digipack CD

Let the moonclad twilight veil the forests once again!

Moonlight Sorcery is a Finnish black metal trio formed in early 2018. The band’s black metal is a symphonic and melodic variety by nature. Inspired by many black metal classics as well as classic heavy metal and melodic death metal, the band indeed has a huge palette of influences, which is directly reflected in the versatility of the song material.

Piercing Through the Frozen Eternity, the band first EP, was worked on as the icy winds blew and winter did its magic. In all the peace and quiet. The silver-saturated nights of the moon rushed to the melodies that breathe sorrow and the eternal majesty of the cold stars.

Comes in digipak.
It comes with a 12-page booklet.
Track #13 is a CD only bonus track.

Vampyroteuthis Infernalis is the last of its kind
The encounter with the creepiest of creatures
The descent into the abyssal void
Vampyroteuthis Infernalis is your most anchored fear
Your deepest unconscious trauma
Your scariest nightmare
The unknown

Creepy, oppressive black metal, built on a muffled, suffocating sound, distant horrifying screams and furious drumming, will helplessly drag you down into the most hostile place on earth: the abyss.

- Digipak CD (7" cover size) Of 350gsm Stock Paper With Glued In Black CD-Tray, Scratch-resistant
Matt Lamination
- 20 Page Booklet, 168x168 mm, Full-color Printed On 150gsm Art Paper
- 336x336 mm One Sided Full-color Poster, Printed On 150gsm Art Paper
- All Assembled Into A Plastic Overbag
- Limited To 1000 Copies
- Track 8 Is A Bonus Song For The Japanese Vinyl And This CD Edition

Digipack CD

Ascolta su YouTube

 Limited to 200 copies.
• Deluxe 4-Panel Digipak, 4-page booklet with lyrics.

THECODONTION and VESSEL OF INIQUITY join forces in a conceptual split release to tell us about the Permian-Triassic extinction event (commonly known as "The Great Dying"), and life emerging anew afterwards.. THECODONTION's side explores two different creatures which lived after that catastrophic occurrence, thus during the Triassic period: Thecodontosarus antiquus was a an ancestral relative to sauropods; Procompsognathus triassicus was a small bipedal carnivorous theropod. VESSEL OF INIQUITY's side is sonically destructive, yet it features an evocative and almost poetic description of the inevitable cataclysm that occurred, putting an end to the Permian period and paving the way for new lifeforms during the Triassic. VESSEL OF INIQUITY's sole member A. White is a master in audial annihilation and ultra-violence in the form of furious drumming and non-stop slab of harsh noise, behind which lies a vortex of sprawling riffs. After two masterpieces such as "Vessel of Iniquity" and "Void of Infinite Horror", this entity is certainly not holding back regarding musical extremity.

Elegant cd digipack version printed on 300gsm w-w cardboard, coated paper with black tray