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Selling vinyl - Extreme Metal and Dark music
Reissue 2026 on Back on Black
Double LP, red vinyl
Crystal clear, blue and gold marbled 12" vinyl (33rpm) in deluxe gatefold sleeve with gold foil, linen-like lamination and 12-page insert.
Limited to 300 copies worldwide!
For over three decades, Tolis brothers Sakis and Themis have carved a blackened path through the metal world. Architects of the Hellenic black metal, ROTTING CHRIST have been blending histrionic atmospheres, mesmerizing choirs, and neo-classical arrangements for 35 years.
Now, the Greek metal legends present their 14th studio album: ‘Pro Xristou’. Translating to “Before Christ” in Greek, this album is a fervent tribute to the last Pagan kings who stood resilient against the Christian tide, safeguarding ancient values and knowledge. Dive deep into the legacies of figures like Flavius Claudius Julianus and Nordic mythological kings through tracks such as "The Apostate" and "Ygdrassil".
‘Pro Xristou’ encapsulates the essence of Rotting Christ's signature style - a melodic symphony with moments of unyielding harshness.
For fans of NIGHTFALL, MOONSPELL, SEPTICFLESH, PRIMORDIAL, VARATHRON.
For the first time ever on vinyl, Beyond the Forest by American band VALDRIN receives a physical edition that fully captures the depth and atmosphere of the album.
This special release comes as a double LP in a gatefold sleeve, designed to offer an expansive and immersive listening experience.
Included is a dedicated insert featuring artwork and lyrics, allowing listeners to delve deeper into the visual and conceptual world of the record.
A distinctive collector’s detail sets this edition apart: Side D is etched with the VALDRIN band symbol, turning the vinyl itself into a striking piece of art.
One-off edition, when it's gone.... it's gone
An essential release for fans and collectors alike, finally bringing Beyond the Forest to life in analog form — not just as an album, but as a complete artistic statement.

For the first time ever on vinyl, Beyond the Forest by American band VALDRIN receives a physical edition that fully captures the depth and atmosphere of the album.
This special release comes as a double LP in a gatefold sleeve, designed to offer an expansive and immersive listening experience.
Included is a dedicated insert featuring artwork and lyrics, allowing listeners to delve deeper into the visual and conceptual world of the record.
A distinctive collector’s detail sets this edition apart: Side D is etched with the VALDRIN band symbol, turning the vinyl itself into a striking piece of art.
One-off edition, when it's gone.... it's gone
An essential release for fans and collectors alike, finally bringing Beyond the Forest to life in analog form — not just as an album, but as a complete artistic statement.

Limited edition, "electric blue" vinyl 200 copies
Valdrin is a U.S.-based melodic black metal band known for their intricate compositions, storytelling prowess, and immersive soundscapes. Since their 2010 inception, the Cincinnati-based band has been focusing on building their own narrative, skillfully crafting an elaborate sci-fi saga. Apex Violator is the latest chapter in the ongoing epic.
35 years after their inception Nittedal-based TULUS are still going strong and return with a new album. Only three years after its predecessor, the notorious three-piece is back with their eight full-length entitled Morbid Desires which Darkness Shall Rise are very proud to be releasing.
Instead of straying from their path, Morbid Desires comprises nine tracks that continue the trademark TULUS sound. An abundance of hellishly catchy riffs moulded into concise mid-tempo songs performed by proficient musicians accompanied by Blodstrup’s grim vocals are still the main characteristics of TULUS. Having said that, Morbid Desires is by no means a one-dimensional album. Fast parts, beautifully chanted vocals, flamenco and acoustic guitars etc. woven into some of the songs provide the album with plenty of variety. “Sabbat”, the album’s closer and by far the longest track surely sticks out the most. Undeniably conceived as a tribute to BLACK SABBATH the song is nothing short of amazing and impressively proves the outstanding musicianship of TULUS’ members.
Morbid Desires was recorded, mixed and mastered by Andy La Rocque at Sonic Train Studios, Sweden. September 2025.
“The Crawl” is the new album from Detroit’s death metal force, set for release on March 6, 2026 via Relapse Records. The band’s fifth full-length blends raw death metal power with broader dynamics and influences beyond traditional death-doom, delivering a crushing and intense sonic experience. Tracked in a single frigid week at GodCity Studio with producer Kurt Ballou, the record tackles themes of life, choices, and consequences across seven punishing tracks like Poison Icon and Godless Cynic
“Waves Over Copenhell”, the upcoming album by Iotunn, out next week via Metal Blade Records, blends black and death metal with epic, solemn atmospheres. Powerful riffs, driving rhythms, and dark soundscapes create an intense journey through stormy seas and ominous Nordic landscapes—essential listening for fans of extreme and theatrical metal
Gatefold sleeve, double LP in trans electric blue vinyl
After celebrating its 10th anniversary in early 2025 with a special release (with a completely different artwork that remains exclusive to that edition), ENISUM's break-through album "Arpitanian Lands" is now available again in its original art form, although heavily revised.
"The idea of Interwoven—an acoustic journey tracing one song from each chapter of our discography—was first envisioned on the very day UADA was conceived: October 1st, 2014. In those early conversations, when I laid out the future I sought to create, and recall sharing the concept of a stripped, atmospheric interpretation, supported by the haunting resonance of strings—cello or violin. At the time, the notion was met with skepticism, perhaps even dismissal. Yet it was an idea I knew would one day take form. It had to.
UADA has always drawn from a wide spectrum of influences—many of which extend far beyond the traditional boundaries of black metal. With Interwoven, we sought to peel back the layers and reveal the vastness of these realms; to immerse the listener in both the foreign and the familiar, in textures that challenge and comfort in equal measure.
More than a sonic experiment, this album was a deliberate act of vulnerability. It was a personal and collective trial—a chance to step outside the acquainted shadows and embrace the uncertain light. The earliest intent was to craft something primitive and ritualistic, echoing the ancestral tones of ancient Pagan folk. Vocally, we anticipated a palette of whispers, chants, and throat singing. There was never a plan to explore clean, melodic singing—until an improvised vocal passage in Djinn revealed something unexpected. That unscripted moment sparked the foundation of what would become this album. With the band’s enthusiastic support, the recording process began—without a script, without rehearsal, and with full commitment to spontaneity and truth."
"The idea of Interwoven—an acoustic journey tracing one song from each chapter of our discography—was first envisioned on the very day UADA was conceived: October 1st, 2014. In those early conversations, when I laid out the future I sought to create, and recall sharing the concept of a stripped, atmospheric interpretation, supported by the haunting resonance of strings—cello or violin. At the time, the notion was met with skepticism, perhaps even dismissal. Yet it was an idea I knew would one day take form. It had to.
UADA has always drawn from a wide spectrum of influences—many of which extend far beyond the traditional boundaries of black metal. With Interwoven, we sought to peel back the layers and reveal the vastness of these realms; to immerse the listener in both the foreign and the familiar, in textures that challenge and comfort in equal measure.
More than a sonic experiment, this album was a deliberate act of vulnerability. It was a personal and collective trial—a chance to step outside the acquainted shadows and embrace the uncertain light. The earliest intent was to craft something primitive and ritualistic, echoing the ancestral tones of ancient Pagan folk. Vocally, we anticipated a palette of whispers, chants, and throat singing. There was never a plan to explore clean, melodic singing—until an improvised vocal passage in Djinn revealed something unexpected. That unscripted moment sparked the foundation of what would become this album. With the band’s enthusiastic support, the recording process began—without a script, without rehearsal, and with full commitment to spontaneity and truth."