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Selling vinyl - Extreme Metal and Dark music
Crystal clear and black marbled 12" vinyl (33rpm) in gatefold with double sided insert.
Limited to 250 copies worldwide!
NARGAROTH is the sole vision of Rene "Ash" Wagner, forged in Saxony in 1996 and driven by nearly three decades of raw, uncompromising German black metal.
‘Apocalyptic Steel’ is a record that refused to stay buried. Tracked in a single weekend at Trident Studios in Pacheco, California, in September of 2014, the album sat forgotten on a hard drive in the United States while ‘Era of Threnody’ took priority. Years later, the recordings resurfaced. Drums were re-recorded in Las Vegas, vocals and mixing completed at AMP Studios in Duisburg, and 12 years after its first sessions, the album is finally here. This is not a vault curiosity. It is NARGAROTH at its most direct: nine tracks of filthy, unadorned metal built on the attitude of old Judas Priest, Accept, Deicide and Obituary. From the predatory menace of “Twisted Steel” to the band-name-studded battle cry of “Metalheart”, from the unflinching historical weight of “Dresden” to the aching Germanic longing of “Requiem Germania”, this is an album that has nothing to prove and wastes nothing on pretense.
Recorded fast, recorded dirty, and finished on its own terms.
For fans of DARKTHRONE, MAYHEM, ACCEPT, MOTORHEAD, DEICIDE.
"This time we entered the studio with the clear intention of creating a landmark album for the band." It's a noble and challenging mission statement from Hellenic black metal troop Yoth Iria, and one that has amply succeeded in the form of Gone With The Devil, the Attica quartet's stellar third album. Their trajectory has been on a steep ascent since crafty 2021 debut As The Flame Withers and 2024's hypnotic Blazing Inferno, but there has audibly been a concerted determination to develop and expand in sinister new directions.
The daemonic avatar Yoth Iria was first explicitly summoned on Rotting Christ's legendary debut Thy Mighty Contract in 1993. Bassist/lyricist Jim Mutilator formed that band as Black Church in 1984, before also becoming a founder member of cult Athenian BM heroes Varathron for their first five years. Renewing the otherworldly atmospheres and occult ravishment for a new era, Yoth Iria functions almost as the third panel in an apocalyptic triptych of Hellenic black metal excellence.
There's a thrilling balance of ancient and modern, good and evil, harmony and dissonance, advancing Yoth Iria as a hungry contender for extreme metal's big leagues - an ever-improving unit with a glorious future. Appropriately, however, Gone With The Devil is best summed up with a line already coined by the band to describe their ongoing body of work: "Every note tells a story of rebirth, tradition, and the relentless pursuit of musical transcendence."
Swedish black/thrash metal veterans Bewitched are back.
Forged in fire back in 1995, three decades of chaos now culminate in Diabolical Death Mass. Their new full-length album will be unleashed via Osmose Productions, making it the first studio release since 2006.
Years of silence were broken on stage, igniting triumphant infernos in Brazil, Colombia, Greece and all across Europe. Thus proving that the fire is burning brighter than ever.
Now, the circle is completed as Bewitched return to the legendary Osmose Productions, the label that helped shape their early legacy. With Diabolical Death Mass, Bewitched deliver 11 tracks true to the traditional old-school black/thrash sound that made them known: savage riffs, anthemic power and pure blackened fury. An uncompromising Hellcult attack, nothing more and nothing less.
Diabolical Death Mass is not a resurrection.
Bewitched were never dead.
Let the ritual begin.
Valdrin is a U.S.-based melodic black metal band known for their intricate compositions, storytelling prowess, and immersive soundscapes. Since their 2010 inception, the Cincinnati-based band has been focusing on building their own narrative, skillfully crafting an elaborate sci-fi saga. Apex Violator is the latest chapter in the ongoing epic.
In 1985, the second studio album by the legendary thrash metallers Slayer was released. This year marks the 40th birthday of Hell Awaits and of course there is also a 40th Anniversary Edition for fans and collectors on this occasion.
The album is available as a 3 CD earbook including a poster and a 60-page book, as well as as a 3 vinyl box set, which additionally contains several tour replicas from the 1985 tour, another poster, a slipmat for your record player and 2 flyers.
Five love songs for the time-ridden, mouldy Catholic cunts;
Praised be and exalted
With words and tunes
Those saints of old age,
Who their fate and devotion wage,
Only lubricated by Christ’s breath!
“Benediction, Part 2” cultivates the same derelict impulse first heard on Sodality’s 2020 debut, “Gothic”, and sharpened further on “…Part 1”. This is Black Metal stripped of pretence, carrying all the hallmarks of esoteric warfare and devotion pushed to its breaking point. Five hymns for ruinous faith echo through a cathedral of spiritual collapse, upheld by the smothered breath of saints, the weight of silence, and the violence of belief. Guided by bursts of inspiration rather than deliberation, the material retains the immediacy of its creation. The riffs and melodies are swampy, evil, and suffocating, just like the Catholic sense of morality and the divine.
Sodality’s place within the NoEvDia catalogue traces back to the late Finnish artist Timo Ketola, editor of Dauthus – arguably the ultimate printed incarnation of the quintessential Death and Black Metal spirit. Dauthus also existed as a small but fiercely curated label, and it was in this capacity that Sodality were brought to our attention.
Timo’s steadfast conviction – that Sodality’s early material was a ‘self-inflicted gun wound, possibly even partly unintentional’ – paved the way for his label’s first music title since 2009, when Dauthus, NoEvDia, and The Ajna Offensive co-released Teitanblood’s debut.
After he completed the LP layout for “Gothic” but before it took physical form, Timo passed away – yet his impetus defined the trajectory which led to the ongoing “Benediction” cycle. “…Part 2” follows that same line of transmission: stark, intuitive, and drawn from the same raw nerve Timo recognised at the beginning.
Cult Scandinavian Folk Metal! Otyg’s demo recordings “I Trollskogens Drömmande Mörker” remastered from the original tapes!
“I Trollskogens Drömmande Mörker” is Otyg stepping further into their own world.
More bite, more movement, and more confidence than “Bergtagen”. The songs are tighter, the melodies sharper, and the playing more adventurous, without losing the natural Folk feel.
The violin and female vocals are woven into the music, not sitting on top of it. They add depth and character rather than decoration.
Remastered in 2025 by Vintersorg, this re-issue keeps the raw edge intact while giving the recordings the clarity they deserve.
Cult Scandinavian Folk Metal! Otyg’s demo recordings “Galdersång Till Bergfadern” remastered from the original tapes!
The third and final Otyg demo stands as the last hushed whisper before the band stepped into the light. Recorded in 1997 and never officially released at the time,
“Galdersång Till Bergfadern” laid the foundation for much of what would become “Älvefärd”, several tracks were later re-recorded for that full-length.
Here the melodies are ancient, the rhythms untamed, and the group already locked in on their own language of Scandinavian Folk and Metal. You can hear the roots of violin, flute and lute dancing with guitar and voice, all pushing forward into territory only Otyg could define.
Remastered in 2025 by Vintersorg, this re-issue keeps the raw edge intact while giving the recordings the clarity they deserve.
Cult Scandinavian Folk Metal!
Otyg’s first demo recordings “Bergtagen” remastered from the original tapes!
Before folk Metal turned into a gimmick, Otyg were already there. "Bergtagen" captures the band at its purest. Earthy, melodic, and deeply Scandinavian. No posturing, no plastic bombast. Just strong riffs, breathing rhythms, violin, jaw harp, and Vintersorg sounding raw, urgent, and serious.
Though often called a demo, “Bergtagen” never felt like one. The songs are fully formed, memorable, and played with intent.
This is where Otyg’s spirit truly lives, long before it was softened or streamlined elsewhere.
Now remastered in 2025 by Vintersorg, the re issue finally does justice to this material.
For those who value atmosphere over hype and tradition over trends, “Bergtagen” remains essential listening.
Scandinavian Folk Metal classic remastered and finally available on vinyl for the first time!
“Sagovindars Boning” shows Otyg in a lighter, more playful mood. Folk first, metal second. Medieval tones, acoustic instruments, lute and violin textures, and songs driven by melody and storytelling rather than force. Vintersorg’s clean vocals take center stage here, warm and expressive, joined at times by gentle female harmonies.
There is a natural joy running through this album.
Nature bound lyrics, simple but memorable songs, and moments that drift closer to Folk Rock than Metal. Tracks like “Trollslottet”, “Mossfrun Kölnar”, and “Vilievandring” capture Otyg’s gift for atmosphere and charm, while flashes of humor and unexpected turns keep the record human and alive.
Remastered in 2025, this re issue brings new clarity to the acoustic details and vocals, letting the album breathe as intended.
“Sagovindars Boning” is a record for open ears, curious minds, and those who appreciate Folk Metal with personality and heart.
