Vinyl

A triumphant resurrection of black metal fury, fir the first time on vinyl, pressed in gold and blood. Just when you thought you’d heard the final word on Norwegian black metal’s golden age, Sevan Mater erupts from the underground with a breathtaking reissue of TSJUDER’s Norwegian Apocalypse – now unleashed in a deluxe triple gatefold 2LP edition, pressed on stunning 500 Gold and 500 Red vinyl.

Originally released as a live DVD in 2006, Norwegian Apocalypse captures TSJUDER at their most primal and ferocious. Recorded in Oslo and Sandnes in 2005, this live document is a raw testament to the unrelenting, chainsawing riffage and relentless blastbeats that made TSJUDER legends.

From the first crackle of the needle, the remastering breathes new fire into tracks like “Sodomizing the Lamb” and “Helvete.” The guitars slice sharper, the drums hit harder, and Nag’s vocals tear through the speakers like a storm of razors. The live energy is palpable, preserved in glorious analog fidelity that towers over previous editions.

But let’s talk presentation – because Sevan Mater has outdone themselves. The triple gatefold cover is a work of dark art: blood-red visuals drenched in shadow, with exclusive liner notes and rare live photos from the original shows. This is not a reprint for casual listeners. It’s a statement piece, a collector’s treasure, and a monument to the uncompromising spirit of true black metal.

Whether you’re a longtime disciple of TSJUDER or just stepping into the abyss, this reissue of Norwegian Apocalypse is absolutely essential. It’s not just an album. It’s a summoning.

Luxurious Triple Gatefold.
First time on vinyl.

Clear With Black Smoke

Deluxe trifold 2025 edition from this Swedish melodic black / death masterpiece originally released in 1996. This is the 2020 remaster version including one bonus track. Officially licensed from Century Media with courtesy of Sacramentum.

PRESSING INFO:
2025 repress housed in a deluxe trifold sleeve with high gloss finish
Contains one bonus track
Remastered by Dan Swanö in 2020
Officially licensed from Century Media with courtesy of Sacramentum

Forged in the heart of the Midwest U.S. death metal scene, Recorruptor has spent the last decade refining their sound—and with this release, they’ve carved it into a precise weapon of pure extremity. Gone is the excess. What remains is a concentrated assault of calculated riffing, razor-sharp brutality, and a deep-rooted homage to the genre’s finest legacies.

From blast beats to crushing grooves, Sorrow Will Drown Us All showcases a band firing on all cylinders, combining technical ferocity with raw power. Fans of Aborted, Cattle Decapitation, Suffocation, and classic American death metal will find plenty to devour here.

Having shared the stage with titans like Cannibal Corpse, Morbid Angel, and The Black Dahlia Murder, Recorruptor brings the same intensity to the studio—delivering an album that feels as honest and unrelenting as their live shows.

Julinko, stage name for Giulia Parin Zecchin, has long been one of the best kept secrets of the experimental community in North-East Italy, with three records that helped define her unique blend of heavy psychedelia, slowcore and dark ambient. On ‘Naebula’ what really stands out is how powerful and soaring her voice is, a weapon of undeniable force that can transform into a vessel of raw fervour or glide effortlessly as a delicate lament. Her unconventional approach shines through on tracks like ‘Jeanne De Rien’, where a marching pulse acts as a pillar for an extended mantra, almost verging into powwow territory. ‘Peace Of The Unsaid’ uses its arrhythmical structure to create space, a crepuscular night ode that reaches the heights of Sinead O’Connor’s most intimate force-fulness while retaining a sweet composure. Whether it’s glacial murderous shrieks or gospel-esque vitality, songs like ‘Cloudmachine’ or ‘Kiss The Lion’s Tongue’ seem to draw as much from a tradition of European minimalism, the use of drones and repetition, to the tradition of folksongs as hymns, where modal harmonies make way for an apparent stasis. Another key element in Julinko’s songwriting is the seamless blend of her minimalistic approach with these dense textures borrowed from a distant outsider metal heritage, Lynchean noir on steroids or wordless exorcisms with deep undercurrents.  

Written and performed entirely by Julinko, ‘Naebula’‘s incantations unravel and spiral creating the perfect soundtrack for obsession, desire and contemplation, a world inhabited by greats like Meredith Monk, Diamanda Galás and Jarboe, diverse artists all driven by the quest for the purest and most crystalline form of catharsis.

Manchester’s savage sons Wode return with their fourth album, Uncrossing The Keys, marking a confident expansion of their already formidable sound built upon a shadowy foundation of feral black metal and ironclad heavy metal heft. Having evolved from the more straightforward methodology of the debut album, Wode has continuously added elements from various dark corners of the underground across its discography, with songwriting that has grown leaner yet more intricate, focused and melodic than ever.

Los Angeles trio Faetooth sophomore album Labyrinthine is a deeply felt exploration of emotional weight: grief, memory, uncertainty, and the quiet work of growing around your own wounds.

Following the band’s 2022 debut Remnants Of The Vessel, which introduced the band’s signature blend of heaviness and mysticism, Labyrinthine pushes further inward. True to its name, the album winds through a maze of feeling and form, where meaning is never handed over easily. It’s rooted in self-discovery through disorientation, the idea that understanding comes not from escape, but from getting lost.

• Los Angeles-based doom outfit blending shoegaze with crushing heaviness

LP Gatefold w/booklet & gold hot foil stamp

Here, in the blood’s inferno…
in the bitterness of each cell…
in the shudder of your nerves…

QRIXKUOR surface once more to bring the crepuscular whispers of 2021’s Poison Palinopsia LP and 2022’s Zoetrope EP to a roaring, terrifying and triumphant crowning crescendo with their 2nd full-length album, entitled The Womb of the World, to be released on Friday 7th November by Invictus Productions in Europe and Dark Descent Records in the USA.

Once again recorded, mixed and mastered on familiar ground at Priory Recording Studios in Birmingham, England by Greg Chandler (ESOTERIC) and emblazoned with a much-expanded outer and inner gatefold piece by Zoetrope artist-extraordinaire Santiago Caruso (as well as additional insert art contributed by Nuno Zuki), The Womb of the World further defies the dogmas of death and black metal by dragging them deeper still into the depths of textural and timbral delirium, more so than its predecessors even dared fathom, augmented throughout its 4 chapters by the sinistrous siren song of The Orchestra of the Silent Stars. The venomous tongues of guest-contributor slithering serendipity herself Jaded fucking Lungs (ADORIOR) maniacally guide And You Shall Know Perdition As Your Shrine into the album’s eponymous climax, a tumultuous ending in fire certain to be the apotheosis of QRIXKUOR’s vision to date.

The Womb of the World is the echo of time tearing itself apart, a dauntless deliverance of dissolution. Perhaps now the seas can be still at last… 

30th anniversary reissue in marble vinyl

Full coloured cover with white inner jacket + Insert & A2 Poster. Limited to 100 copies on 12" Vinyl.

In early 2025, the Austrian horde of Asphagor have inked a deal with Immortal Frost Productions for the release of their upcoming 5th studio album entitled “The Aphotic Vortex”. On this record the band managed to write and bring to life a story like ventured of an album that lures the listener into their web of creation from the moment they press play.

From the frost-shrouded crypts of eternity emerges Black Funeral's unholy testament, "Vampyr Throne of the Beast" - a glacial monument to the undead sovereigns who rule from shadows beyond mortal comprehension. This arcane opus channels the primordial darkness of castle keeps and moonless nights, where ancient bloodlines converge in blasphemous ritual. Released originally in 1995, “Vampyr…” is the debut album that established Black Funeral as one of the foundational bands in the American black metal scene.
Each track unfolds like parchment scrolls inscribed with forbidden knowledge, weaving tremolo-picked melodies that slice through the veil between worlds. The album's frigid atmosphere conjures images of candlelit chambers where vampiric nobility hold court, their pale forms draped in medieval splendor as they preside over kingdoms of bone and shadow.
Raw, hypnotic passages cascade like winter winds through gothic spires, while ritualistic percussion echoes from stone halls where no mortal foot has tread for centuries. The production's deliberate coldness preserves the necromantic essence - each note crystallized in ice, each vocal incantation rising from depths where daylight dare not venture.
"Vampyr Throne of the Beast" stands as a grimoire of black metal orthodoxy, summoning the spectral majesty of Europe's darkest medieval legends. This is music for the witching hour, when the boundary between the living and the eternally damned grows thin, and ancient powers stir in their unhallowed thrones.

Re-issue with a complete updated layout and new mastering.

300x heavyweight bloodred 12" (180g) in a black poly-lined innersleeve, gatefold jacket, full-color printed on 350g carton, coated paper (semi-gloss), all assembled in a plastic overbag.