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Selling vinyl - Extreme Metal and Dark music
Five sonic vessels form the nucleus of 'Crepuscule Natura', and within it`s 41 minutes, the record easily creates a sonic and aesthetic bridge between the band`s debut, 'Devoid of Light' (2016), and their sophomore effort 'Cult of a Dying Sun' (2018), only to forge onward upon the relentless path set forth with 'Djinn' (2020). Here, a more refined and muscular, yet no less melodic stronghold awaits. On 'Crepuscule Natura', UADA provides all their memorable hooks, tasteful leads, and riding blasts in their distinct style, balancing their epic surging melodies with powerful spurts of aggression. Just like the band's smoke-heavy shows, the momentum and emphasis of their craft always stays grandiose, mythical, and triumphant – all the while making sure to birth a couple of new fan favorites and soon-to-be staple live songs.
'Crepuscule Natura', once again graced by the artwork of legendary Kris Verwimp and photo work by Peter Beste Photography, shows UADA on fire to unleash the marrow of black heavy metal.
Five sonic vessels form the nucleus of 'Crepuscule Natura', and within it`s 41 minutes, the record easily creates a sonic and aesthetic bridge between the band`s debut, 'Devoid of Light' (2016), and their sophomore effort 'Cult of a Dying Sun' (2018), only to forge onward upon the relentless path set forth with 'Djinn' (2020). Here, a more refined and muscular, yet no less melodic stronghold awaits. On 'Crepuscule Natura', UADA provides all their memorable hooks, tasteful leads, and riding blasts in their distinct style, balancing their epic surging melodies with powerful spurts of aggression. Just like the band's smoke-heavy shows, the momentum and emphasis of their craft always stays grandiose, mythical, and triumphant – all the while making sure to birth a couple of new fan favorites and soon-to-be staple live songs.
'Crepuscule Natura', once again graced by the artwork of legendary Kris Verwimp and photo work by Peter Beste Photography, shows UADA on fire to unleash the marrow of black heavy metal.
WEREWOLF RECORDS is proud to present SORGETID's striking debut album, Natt av Tusen Dödsfall
SORGETID exclusively play Nordic black metal, from Finland. The name SORGETID may be new, but the creator behind it isn't: Finnish underground veteran V-Khaoz, renown for such bands as VARGRAV, DRUADAN FOREST, GRIEVE, and EMBRYONIC SLUMBER among many others, stretching back to the late '90s. With SORGETID itself, V-Khaoz indeed delves even deeper (and earlier) into the '90s, presenting vintage obsidian, both style- and production-wise, that respects the now-ancient time when black metal was only made by individuals who were truly dedicated to it. "In my reality, no other kind of black metal exists," he firmly states.
WEREWOLF RECORDS is proud to present FÖRGJORD's highly anticipated sixth album, Ruumissaarna Pt. 1, Black Vinyl
Since 1988, CANNIBAL CORPSE have been at the forefront of death metal, shaping and defining the genre. In 2021, they raised the stakes again with Violence Unimagined. And in 2023, the band's thirty-fifth anniversary, they return with its successor, the equally monstrous Chaos Horrific, starting a new chapter in their storied legacy.
Written shortly after the conclusion of the Violence Unimagined sessions, echoes of that album exist in Chaos Horrific. "To me, this album feels sort of like a continuation of Violence Unimagined," says bassist Alex Webster. Rutan has now produced six CANNIBAL CORPSE albums, starting with 2006's Kill, and this is Rutan's second release as a full-fledged member, since officially joining in 2020. Tracking at Rutan's Mana Studio in Florida, the band's home state, was comfortable for all involved, who were at the top of their game and ready to give it their all. Things went smoother than ever, particularly on the guitar front thanks to Barrett and Rutan having.
The album artwork by longtime collaborator Vince Locke is also suitably CANNIBAL CORPSE-esque, featuring a chaotic tangle of the living and the undead, evoking the lyrics of the title track.
BLACK VINYL
Back in the mid 2000’s Norwegian Black Metal was but a faint memory. With the originators treading different paths from where it all started, a craving for what once was needed to be refueled. A small group of individuals from Trondheim, Nidaros found each other and reignited that flame. Through the same malicious intent of creating havoc yet again, distancing ourselves from the current Norwegian ‘scene’, the Nidrosian movement began. This was never meant to be a selling point, nor has it ever been a gang mentality.
It’s simply a handful very different individuals treading the same left hand path, dabbling with aspects of Black Metal unheard of since the glory days. I won’t go into details and incriminate people around me like a certain Count once did, but let’s just say the stories are endless and something we fondly look back at to this day, and dare I say the spirit of old still runs deeply through our veins.
The reason why all projects that flourished from our band of brothers sound different, yet firmly rooted in Black Metal, is due to each project having different masterminds. Everyone contributed by aiding each other. Several demos and projects arose, but one specifically stood out by far very early on. A project that to this day stands like a pillar of Norwegian Black Metal history; KAOSRITUAL.
The band was founded, rehearsed and recorded based off our interpretations of early 90’s Black Metal. The era of murder, arson, Black Magick and spite. I firmly believe what you hear on these recordings, are the same chaos that fueled the originators, and is as genuine as the old classics. I was sitting right there alongside H. "Sarath" Dalen, while he recorded this on tape in the basement of our record store Apocalyptic Empire, in the heart of Nidaros back in 2005. Reminiscing back, I’ll never forget the intense atmosphere, dedication and focus the band had, something I’ve never experienced since, just like their live shows. Nothing will ever compare. The store was very much exactly what Helvete was in the 90’s: a record store ran by us for us, with a basement where recordings were happening non stop, even during the opening hours. The basement was a collective ground for us where lifelong friendships arose, parties ensued, and inspirations were endless. Imagine locking up a bunch of miscreants devoted to the same cause, with no boundaries, no thought or respect for anyone, just all focused on one thing: BLACK METAL. This was always for ourselves, hence why releases are so sporadic. I am truly grateful to not only having been there throughout the beginning, but to have been granted the exclusive right to release several of these gems, and to be able to call these genuine artists and individuals my close friends to this day.
We present to you the restored version of the one and only KAOSRITUAL - Svøpt morgenrød, plus the infamous Rituell katarsis demo and more, remastered by our friend M. of MGLA/No Solace. A special thanks to him for adding his magick to these incredible recordings, and I want to personally thank Blix and Tvedt for letting me finally unleash this upon the world.
Oklahoma’s Chat Pile have had an exciting 2022; they released their album God’s Country, toured the midwest and east coast in support of the album, announced their appearance at Roadburn Festival 2023, and while the band is working on LP2, they’re revealing details for their score for the indie film Tenkiller. While not a proper full-length album, the Tenkiller score was written and recorded in the winter of 2020, and it waxes and wanes from the signature Chat Pile sound but also ventures into new ones— including arena country music. The band comments, “The music we made for Tenkiller is quite a bit different than what you may come to expect from us. We were given the freedom to really experiment and explore territories that we’ve never done before.” They continue, “It’s not going to be for everyone, but we hope some of you connect with what we set out to do.” “Chat Pile bring a sense of dirt and squalor to the table.” —The FADER “Oklahoma City’s Chat Pile are the perfect people to expose the dark, seedy underbelly of American life.” —Paste Magazine “Cleansingly punishing.” —Stereogum “Harrowing.” —Pitchfork
Death Doom explorers ASSUMPTION are finally backwith their most ambitious, punishing and visionaire work.Prepare thee for a psychedelic and obscure journey!
For fans of diSEMBOWELMENT, Disma, Evoken, Oranssi Pazuzu
Pressed on black/silver galaxy effect heavy vinyl. Comes with an A2 poster and a download card. Colors on final record may vary to a degree from the mockup.
"Nahab" - the second part of the Disharmonium cycle - finds BLUT AUS NORD returning, as if by compulsion, to the Weird nightmarish otherworlds of H.P. Lovecraft to reflect them through a new mirror of terrifying Black Metal lunacy.
In the dead-eyed trance of one demonically summoned, the band has once again channelled esoteric folklore and modern violence into another phenomenal slice of outsider art which befits its own Mythos and monstrosity. A Crowning Horror indeed.
