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Selling vinyl - Extreme Metal and Dark music
Pressed on clear heavy vinyl w/ black & blood red splatters. Comes with a 4-page 12"x12" booklet, A2 poster and a download card. Colors on final record may vary to a degree from the mockup.
32 years after formation, Finnish iconoclasts ARCHGOAT stand monolithic as one of the most nightmarishly singular bands in extreme music. Helmed with preternatural telepathy by twin brothers Ritual Butcherer and Lord Angelslayer, newest emission "Worship the Eternal Darkness" is a typically depraved set built to mock our contemporary malaise. Continuing on from preceding album "The Luciferian Crown" the hoof-pressure is slightly alleviated from the throat, the band's patented synthesis of occult Finnish Black/Death Metal, harsh Punk, primal Thrash and Grindcore is tempered here with elements of melodic dynamism: a rhythmic crush less unrelenting, horrorshow vocals slightly more intelligible, a production shorn of murk highlighting potent synth-sorcery and welcome NWOBHM influences, not least guitar solos of old-school finesse. Recorded over 2 days in foulest 2021 and clad-as-ever in immortal Chris Moyen artwork, "Worship the Eternal Darkness" has all the thematic unity, arcane knowledge, otherworldly class and divine filth expected from a legendary band stoking underground hellfires which burn stronger than ever.
Third press: "trans-orange with black" vinyl, smoke effect
With their sophomore album Imperative Imperceptible Impulse, Ad Nauseam took a step forward in terms of composition, musical structures and sound. Music is not intended as a mere sequence of riffs that sounds well one after the other, but is now a naturally ordered structure where almost every musical event refers to the past and/or predicts the future, generating very layered and complex patterns dominated by polyphony and polyrhythms and where each instrument has its own role and is essential in the whole. The music represents a merging of many different styles, the most prominent ones being extreme death/black metal, avantgarde, jazz, post-core, doom/sludge and ambient.
The composition process of Imperative Imperceptible Impulse has been heavily influenced by 20th century classical composers like Stravinsky, Šostakóvič, Xenakis, Scelsi, Penderecki and Ligeti, to name a few. Both the concepts of harmony and melody have been put into discussion to get a music where harmony is obtained by means of disharmony and melody by dissonances. To push this method even further, a unique tuning system has been conceived, to allow a new harmonic vocabulary and to eradicate the players from the comfort zone of the usual melodic patterns every guitar/bass player is used to.
Eard is the Old English noun for land, country and home. Consisting in harpist Glorya Lyr and multi-instrumentalist MK (Silence Thereafter, Duir), the band borrowed the title for their debut De Rerum Natura from the poem by Roman author Lucretius, composed in the first century BC and translated as On The Nature Of Things.
After contributing to Saor Forgotten Paths, writing and performing the closing track “Exile”, Eard set forth to craft their own music. The band’s focus is to investigate human nature, of which De Rerum Natura depicts several aspects mainly related to Old English and Italian poetics.
The duo has solid roots in melodic black metal, and adds their own twist with the extensive use of the celtic harp, the strings of which constantly intertwine with the classic black metal equipment. The result of such is De Rerum Natura, a familiar yet extremely personal blend of atmospheric, nature-infused black metal.
"Even at their crucible, Cemetery of Scream was a force unto themselves. Original, dark and not afraid to experiment best sum up the bands humble beginnings. It’s always nice when you can listen to a band, put them in a category and do so without pointing out who they sound like if not a few resemblances to early My Dying Bride.
"Melancholy" finally finds new life again as a digipak CD and first time release on (double) vinyl
Double LP, black vinyl, gatefold cover
Great grim black metal, a mixture between early Immortal and early Burzum
Double LP - side D etched... white splatters on blue !
Windfaerer's Breaths of Elder Dawns is the black/folk metal quintet's latest and most elaborate output in its more than a decade of existence. As the band from New Jersey puts it, “Breaths of Elder Dawns explores themes of hope, kinship, destruction of the natural world, shattered illusions and longing for the numbing comfort of death. It is a journey of mourning through the ruins of abandonded dreams and aspirations. This record is an homage to a romantaicized past as much as it is a rejection of its glorification.
As with previous Windfaerer releases this record was a collaborative effort. Each member brought their own influences, perspectives and compositions and forged them into the spirit of the band. Extensive attention to detail was paid to all of the sonic elements—from the mic placements to the string orchestrations—in an effort to create a towering and expansive sound. Sorrow-laden melodies spiral through rugged, mountainous song structures in a synthesis of vulnerability and power. Breaths of Elder Dawns is a journey through aesthetic desolation and saudade. Here, the light of the sun exposes the anguished disfigurement of the soul”.
VOUNA "Atropos" 2xLP comes in a gatefold jacket with gold printing, a designed inner sleeve, and a download card. This is the black vinyl edition.
VOUNA is the project of multi-instrumentalist and composer Yianna Bekris. With her second full-length album “Atropos”, she unveils a towering and singular doom metal wonder in a unique visioning reminiscent of My Dying Bride, Paradise Lost, and Evoken. Upon the thick foundation of doom, multiple musical textures intertwine into her sound: atmospheric black metal, dungeon synth, darkwave, film scores, and rebetiko. It is through these woven sonic tapestries that Bekris creates vivid atmospheres expressing the myriad emotions surrounding death, mourning, and suicidal ideation. “Atropos”, named for the Greek fate who cut the thread of life thus determining the final fate for mortals, not only conveys the inevitability of death, but also explores its contrasting and dynamic nature through immersive compositions representing despair, loneliness, anxiety, peace, and dignity.
After 25 years of silence, Swedish Death metal legends EPITAPH unleash their second album "Sinner Waketh
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Black 12" (140g) with 1/0 K labels in a black poly-lined innerbag, INSERT: 2pp., 1/1 K/K on 150gsm art paper, SLEEVE: simple pocket, 1/1 K/K - black flood inside on 350gsm uncoated (matte) w-w stock, 3mm spine, all assembled in a PVC overbag (vinyl aside of the sleeve)
