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Selling vinyl - Extreme Metal and Dark music
Reprint, 1000x black ice 12" (180g) in a black poly-lined innerbag, gatefold, full-color on 350g with hotfoil stamping, all assembled in a PVC overbag.
4th pressing: Blue Yellow Mixed vinyl, includes insert printed on uncoated paper.
High Roller Records, 2017 reissue, bone vinyl, ltd 250, 425gsm heavy cardboard cover, lyric sheet, promo photo, poster, bone vinyl bonus 7" in p/s, mastered for vinyl by Patrick W. Engel/ Temple of Disharmony
High Roller Records, transparent green vinyl, ltd 300, 5c printed gatefold cover with UV spot, 5c printed 8 page booklet.
High Roller Records, reissue 2022, black vinyl, ltd 400, 425gsm heavy cardboard cover, insert, poster, remastered by Patrick W. Engel/ Temple of Disharmony
High Roller Records, 2nd pressing, white vinyl, ltd 300, 425gsm heavy cardboard cover, printed inner sleeve, poster, mastered for vinyl by Patrick W. Engel at Temple of Disharmony, original 1987 sound
The year is 1997, the deviant trinity is made up of Equitant, Proscriptor and Shaftiel and therefore, the recording is called The Third Storm Of Cythrául. Osmose Productions is pleased to revive Absu's third, most blackened thrash record to date. Originally released in 1997, this repressing is exposed as the “2013 Alternate Stereo Mix Edition,” which was remixed by both Proscriptor and J.T. Longoria (King Diamond, Solitude Aeternus, Etc.) to audibly translate the album's production as the band originally intended. Featuring the original cover artwork by Kris Verwimp and gatefold layout with liner notes, one shall lick the blade…whip with wrath…for swords and leather! (Full-color poster included).
500x ultra clear with sea blue marble shade swirl 12" (180g) in a black poly-lined innerbag, poster A2, full-color on 150g art paper, gatefold cover, full-color on 350g, all assembled in a PVC overbag.
STRIDZIE DNI ("THE WITCHING DAYS") is a celebration of the countryside in Western Slovakia, with all its grotesque myths and lore. All lyrics are written in local dialect and they mostly deal with folklore legends based on rural witchcraft, drunkenness and also national pride.
Like the Slovak soul itself, these songs are often both grim and humorous, merry and melancholic at the same time.
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