Vinyl

Fire Walk with us was perceived, composed adn performed by Aborym, except for "Det Som En gang Var" composed by V. Vikernes
Recorded at Temple of Noise Studios, Roma, in January-May 200 anno Kali Yuga. Produced and mixed by C.Ice. This Version has been mastered in Budapest by Attila Csihar. Noise-industrial-inferno by Aborym and C.Ice. Drumming devastation by Aborym.
Theta waves deconstructed by Mental Siege and Aborym- Original artwork and layout by Fabban. Restyling by Fabban. Aborym is incarnated in: Fabban ( bass, keyboards, samples, synth, vocals on "Det Som En gang Var", Nysrok ( guitar, guitar synth, solos, backing vocals on "Det Som En gang Var", Attila Csihar (vocals), Sethlans (guitars and samples)

Fire Walk with us was perceived, composed adn performed by Aborym, except for "Det Som En gang Var" composed by V. Vikernes
Recorded at Temple of Noise Studios, Roma, in January-May 200 anno Kali Yuga. Produced and mixed by C.Ice. This Version has been mastered in Budapest by Attila Csihar. Noise-industrial-inferno by Aborym and C.Ice. Drumming devastation by Aborym.
Theta waves deconstructed by Mental Siege and Aborym- Original artwork and layout by Fabban. Restyling by Fabban. Aborym is incarnated in: Fabban ( bass, keyboards, samples, synth, vocals on "Det Som En gang Var", Nysrok ( guitar, guitar synth, solos, backing vocals on "Det Som En gang Var", Attila Csihar (vocals), Sethlans (guitars and samples)

For Audio preview, CLICK HERE

Rooted in the ethereal dark folk and psychedelic essence of her debut album “Songs of Grace and Ruin”,this new work explores heavier territories, embracing doom and stoner influences. Through crushing riffs and haunting vocals, it reflects on loss, the forces of nature, and existential struggle. The production balances raw intensity with a deep, immersive atmosphere, enhancing the album’s emotional depth

Pressed on transparent black heavy vinyl w/ yellow swirl. Side D contains no music. Comes with a 2-page insert and a download card. Colors on final records may vary to a degree from the mockup.

The sublime 4th full length from UK avant-Black/Death Metal band LYCHGATE advances the kinetic potency of their 2020 DMP-debut EP, "Also sprach Futura", to a frightening level of mind-mangling intensity.

"Precipice" is progressive Extreme Metal plummeting inside a black hole: scorching, twisted and transfixing. The band have upped both the dystopic prog-Death quotient and their sense of experimentation, moving with formidable, mechanised poise and a surrealist’s sense of dread.

Black Vinyl

7th studio album of the most influential black metal band of all time.
"Liturgy of Death" delivers over 45 minutes of brand-new music and doubles as a long-awaited 40th anniversary celebration, tracing the band’s legacy since their formation in Oslo in 1984 and reaffirming their status as the pioneering force of the global black metal scene

The kings of Norwegian death metal BLOOD RED THRONE come in with all guns blazing, announcing their thunderous new and 12th overall studio album!

"Siltskin" will be released on December 5th 2025 via Soulseller Records on CD and vinyl options.

It was mixed and mastered by Ronnie Björnström at Bjornstromsound and features an artwork by Giannis Nakos (Remedy Art Design).

Black Vinyl in  sleeve + Insert &  A2 Poster

LTD to 150 copies worldwide

"Taetra Philosophia" is the NEW studio album by Abysmal Grief after a few side-releases (live albums and a compilation of rarities and oddities).

100 copies limited edition in "milky clear" vinyl

"Taetra Philosophia" is the NEW studio album by Abysmal Grief after a few side-releases (live albums and a compilation of rarities and oddities).

100 copies limited edition in "ice black" vinyl

• Hellish jazz-inflected metal
• Features virtuoso bass playing split between Damon Good (Mournful Congregation, Stargazer, Cauldron Black Ram), and Ben Ricci
• Drums by Dylan Marks, Atheist live drummer
• For fans of Stargazer, Pestilence, Chthe’ilist, Morbid Angel, Immolation, The Chasm, Aenigmatum, Atheist, Timeghoul

Julinko, stage name for Giulia Parin Zecchin, has long been one of the best kept secrets of the experimental community in North-East Italy, with three records that helped define her unique blend of heavy psychedelia, slowcore and dark ambient. On ‘Naebula’ what really stands out is how powerful and soaring her voice is, a weapon of undeniable force that can transform into a vessel of raw fervour or glide effortlessly as a delicate lament. Her unconventional approach shines through on tracks like ‘Jeanne De Rien’, where a marching pulse acts as a pillar for an extended mantra, almost verging into powwow territory. ‘Peace Of The Unsaid’ uses its arrhythmical structure to create space, a crepuscular night ode that reaches the heights of Sinead O’Connor’s most intimate force-fulness while retaining a sweet composure. Whether it’s glacial murderous shrieks or gospel-esque vitality, songs like ‘Cloudmachine’ or ‘Kiss The Lion’s Tongue’ seem to draw as much from a tradition of European minimalism, the use of drones and repetition, to the tradition of folksongs as hymns, where modal harmonies make way for an apparent stasis. Another key element in Julinko’s songwriting is the seamless blend of her minimalistic approach with these dense textures borrowed from a distant outsider metal heritage, Lynchean noir on steroids or wordless exorcisms with deep undercurrents.  

Written and performed entirely by Julinko, ‘Naebula’‘s incantations unravel and spiral creating the perfect soundtrack for obsession, desire and contemplation, a world inhabited by greats like Meredith Monk, Diamanda Galás and Jarboe, diverse artists all driven by the quest for the purest and most crystalline form of catharsis.