Vinyl

Third press! 2026 edition: ripple vinyl effect, in red and blac

Cosmic Doom featuring Heike Langhans (Ex-Draconian, Light Field Reverie, :LOR3L3I:, Ex-ISON) and Mike Lamb (Sojourner, Light Field Reverie). This is the original early single version of Obsidian released in 2021.

Heike Langhans - Vocals, Lyrics & Synth Mike Lamb - Guitar, Drums, Bass & Synth

With their fourth studio album "Hulders Ritual" ('Ritual of the Huldra'), SLAGMAUR break the chains of repetition and nostalgia by rewriting the rules of black metal. This does not mean abandoning the foundations of the genre, which is already indicated by working with the 'inventor' of the 'Norwegian black metal sound', THORNS mastermind Snorre W. Ruch, as an additional producer. The band's founder, General Gribbsphiiser, rather unafraid and with reckless abandon mutates and warps the traditional formula through a host of subtle innovations and tweaks of the classic sound. Although "Hulders Ritual" continues, refines, and widens the daring stylistic balance of SLAGMAUR's previous works, it adds an extra dimension of sardonic mania to its collection of sharp and vicious sonic instruments. Choice guest-contributions that include TAAKE vocalist Hoest, DIMMU BORGIR guitarist Silenoz, and MISÞYRMING frontman D.G., who cover three decades of Nordic black metal make a case in point.

With their fourth studio album "Hulders Ritual" ('Ritual of the Huldra'), SLAGMAUR break the chains of repetition and nostalgia by rewriting the rules of black metal. This does not mean abandoning the foundations of the genre, which is already indicated by working with the 'inventor' of the 'Norwegian black metal sound', THORNS mastermind Snorre W. Ruch, as an additional producer. The band's founder, General Gribbsphiiser, rather unafraid and with reckless abandon mutates and warps the traditional formula through a host of subtle innovations and tweaks of the classic sound. Although "Hulders Ritual" continues, refines, and widens the daring stylistic balance of SLAGMAUR's previous works, it adds an extra dimension of sardonic mania to its collection of sharp and vicious sonic instruments. Choice guest-contributions that include TAAKE vocalist Hoest, DIMMU BORGIR guitarist Silenoz, and MISÞYRMING frontman D.G., who cover three decades of Nordic black metal make a case in point.

SEPULCHRAL rises again from beyond the burial mound to tear everything in its path with eleven songs of fucking worn out, moldy, and rusty Death Metal. The second album of this Basque entity comes wrapped into a putrid amalgam of decay that will make you crawl through the mud and beg for your life!

It’s the return of the Swedish black death… Soulseller Records proudly presents the new studio album of IN AETERNUM!
Founded in the early nineties, IN AETERNUM stormed the scene for many years with 4 full-length albums, several EPs and extensive tours before going into hibernation for an indefinite time. Now the band has been resurrected, is stronger than ever and a brand new album has been recorded with the same line-up from 20 years ago!
Titled "...Of Death and Fire" brings you 11 tracks of ripping & thrashing blackened death metal for fans of Dissection, At The Gates, Sacramentum!

"Neverland", the fourteenth studio album by ULVER is the sound of an escape. A journey into undiscovered lands.

Following three albums – "The Assassination of Julius Caesar" (2017), "Flowers of Evil" (2020), and "Liminal Animals" (2024) – rooted in more traditional song and production structures, "Neverland" marks a new chapter in the revered Oslo band's history.

"With 'Neverland' we embraced a more 'punk' spirit – more dreaming, less discipline – freer, quite simply", the band comments on the creative process behind the album.

Bursts of daybreak synths and whooshes of sound set the atmosphere, before the wolves start digging into the dynamics of ambient calm and anarchic mysticism. Dreamy and transportive textures develop into trippy percussive energies, and as the album unfolds, a lush and vibrant, and at times exotic space opens.

Apart from a few recurring distant voices and vocal chops, "Neverland" is a largely instrumental record, reminiscent of the mood and structure of that place where late '90s IDM sounds met the meandering structures of post-rock.

The ghost of premillennial sample culture surely haunts "Neverland", and some might even hear echoes from earlier acclaimed works like "Perdition City" (2000), or the "Silence" EPs (2001), or more recently "ATGCLVLSSCAP" (2016).

Still, "Neverland" sounds and feels like something else, something fresh in ULVER's continuous journey of perennial reinvention. Pop music from in-between worlds? A sonic hallucination? Or better: a collage of dreams. It's up to you.