Vinyl

Comfy synth for "purrists" bringing you gentle melodies to glide through a sunny day. Besides the obvious wordplay on one of the most iconic black metal bands in history, Purzum's 'Filosofeline' is just a super solid comfy synth record that's needed in any comfy synth enthousiast's collection.

Second pressing now available on White/Orange Marble

Olde Throne is a melodic and atmospheric black metal band born in a time when main composer and frontman Harrison McKenzie was living in Glencoe, Scotland. Even after moving back to his native New Zealand, McKenzie felt deeply inspired by his experience in the highlands, and this project was the result of such inspiration. Olde Throne released two studio albums under this monicker, An Gorta Mór (2022) and In the Land of Ghosts (2023). Two years later, the man from Christchurch signs with Italian long-standing label Avantgarde Music to release their third full-length album, Megalith.

Two years in its creation, Megalith is a primal journey into the depths of prehistory. Where previous albums explored the strife of 19th-century Ireland (An Gorta Mór) and the spectral lore of 17th- and 18th-century Scotland (In the Land of Ghosts), Megalith delves into the primordial darkness of the Neolithic age. Drawing inspiration from stories of Celtic mythology, the album’s narrative is rooted in tales dating back as far as 10,000 BC. The use of flutes, throat singing and tribal drums forges an immersive brand of Neolithic Black Metal.

North Carolina’s ONE OF NINE play JRR Tolkien inspired majestic black metal and are the most prominent Tolkien/Lord Of The Rings black metal band since the legendary Summoning. Their sophomore LP Dawn of the Iron Shadow (out Oct 31 through Profound Lore Records) follows their 2023 debut LP Eternal Sorcery which laid the foundation for ONE OF NINE trodding their way to the forefront of the new breed of US black metal. With Dawn of the Iron Shadow (which is graced by cover art courtesy of legendary Tolkien artist Ted Nasmith), ONE OF NINE elevate their black metal sorcery to a more epic and glorious plateau. One that is more expanded in its vision of grandeur and scope through its symphonic and grandiloquent magnificence.

100 copies limited - black double vinyl in gatefold cover

NEW AND UNPLAYED BUT arrived from supplier with a sliight corner dent

Vinyl: Mint 

Sleeve: VG+

Vinyl: MINT

Sleeve: VG+

1st press

Grey With Black Marbling [Smoky Grey]

Three years after their fascinating debut, Suicide Forest is back with Reluctantly, a sophomore album which further develops their art. Taking their name from the Japanese Aokigahara forest, where many troubled 
people travel to end their life, the one-man band from Tucson, Az., moves from classic depressive black metal coordinates and expands their sound palette. As a result, Reluctantly settles somewhere in between DSBM, atmospheric black metal and post-black/blackgaze.
The perfect company for restless souls, Reluctantly reminds of the eerie keyboard patterns of Burzum and the dilated atmospheres of contemporary US black metal pillars like Ash Borer, mixed with some unpredictable twists such as dissonant riffs and solos. Suicide Forest will please both those looking for furious up-tempos and the more introvert blacksters, looking for a sanctuary from the outside world.
Multi-instrumentalist and mastermind A.Kruger wrote Reluctantly in the second half of 2019, before the pandemic struck us all, but began tracking the album at his home studio in early 2020. About the lyrics, when asked what themes inform his work, he plainly replied: The whole album focuses
on the themes of resent and isolation, feelings that were only compounded considering the entirety of Reluctanlty was recorded during the covid-19 lockdown”.

This EP was part of the set:   "The cursed Singles"

It was never meant to be sold individually.

Sleeve:  VG+  Vinyl: unplayed, VG++ with some dust

A sticker on the sleeve reports "RED VINYL", but inside we have a mint copy on CLEAR VINYL

Formed in January of 1985 by Dave Carr (bass), Chuck Stadulis (drums), John Plumley (guitars) and Gary Capriotti (vocals), the Philadelphia outfit Anvil Bitch was immediately sending shock waves throughout the metal underground with their raw four-track basement demo tape, which established them as major contenders in the quickly growing thrash metal scene. Massive college radio airplay paired with selected international press and the support of influential journalists such as Don Kaye from Kerrang! and the staff at Kick Ass Monthly cemented Anvil Bitch’s reputation of one of the hottest new bands on the scene. The summer of 1986 saw Anvil Bitch enter the studio to record their debut album »Rise To Offend« for New Renaissance Records, along with the track “Neckbreaker” for release on the NRR compilation album »Speed Metal Hell 2« (following “To The Grave” on »Thrash Metal Attack« a year earlier). Underground metal fans finally saw the record hit the shelves in December ‘86. Initial pressings sold out in a matter of months. With albums sales still growing, the band set off on their first major tour playing dates with Motörhead and Nuclear Assault, along with a long leg of headlining shows on the East Coast, from Canada to Miami. In their hometown of Philadelphia Anvil Bitch were easily drawing 1,000+ punters. Unfortunately, Anvil Bitch split up before being able to record a follow-up to »Rise To Offend«. However, they managed to record a one-off EP named »Sanctify« in 2008, before calling it quits for a second time around. Having been out of print for a long time, High Roller Records is proud to announce the de luxe re-issue of an overlooked US thrash metal gem, featuring short sharp shocks such as “Vengeance Of The Sword”, “Maggot Infestation” or “Shark Attack”.

Until 2016, very few people had access to the original version of CRADLE OF FILTH follow-up to their hugely successful debut album The Principle Of Evil Made Flesh.
Entangled in legal problems with their former label and with few of their key members about to jump ship to form THE BLOOD DIVINE, this recording was seemingly doomed to fail. It thus remained locked up in the vault for over twenty-one years, the band having decided ultimately to shelve it and quickly record and release the V Empire, Dark Faerytales In Phallustein EP instead, before committing to tape another version of this album with a revamped line-up and new arrangements.

Having heard the fans’ plea, Dani Filth finally agreed to issue it officially for the first time in 2016 after remastering it with the help of famed producer and longtime collaborator Scott Atkins (AMON AMARTH, VADER, GAMA BOMB, BENEDICTION).

Cream black marbled 2-LP limited to 850 copies with a 12-page 12” booklet incl. new liner-notes by Olivier ‘Zoltar’ Badin, a double sided A2 poster and a download-card.

Until 2016, very few people had access to the original version of CRADLE OF FILTH follow-up to their hugely successful debut album The Principle Of Evil Made Flesh.
Entangled in legal problems with their former label and with few of their key members about to jump ship to form THE BLOOD DIVINE, this recording was seemingly doomed to fail. It thus remained locked up in the vault for over twenty-one years, the band having decided ultimately to shelve it and quickly record and release the V Empire, Dark Faerytales In Phallustein EP instead, before committing to tape another version of this album with a revamped line-up and new arrangements.

Having heard the fans’ plea, Dani Filth finally agreed to issue it officially for the first time in 2016 after remastering it with the help of famed producer and longtime collaborator Scott Atkins (AMON AMARTH, VADER, GAMA BOMB, BENEDICTION).

2nd pressing, limited to 500 copies.

The LP comes with a 12-page 12” booklet incl. new liner-notes by Olivier ‘Zoltar’ Badin, a double sided A2 poster and a download-card.