ARCTURUS
Shipwrecked in Oslo - Metallic Case

With "Disguised Masters" released in 1999, ARCTURUS delivered a striking and for some even provocative afterthought to their previous works. The WHEN intro 'White Tie Black Noise' was followed by the new track 'Deception Genesis' and a re-recording of the classic 'Du Nordavind' before the Norwegians launched into an adventurous re-visiting of six "La Masquerade Infernale" tracks that got unapologetically treated with EBM, trip-hop, rap, ambient, and other musical means. Drawing up fresh angles onto their music, the re-imagined songs revealed the wide open mind of ARCTURUS.
 

It is never easy to follow up with another album, especially considering the impact made by the complex wild flight of musical fantasy of "La Masquerade Infernale". ARCTURUS elegantly solved this conundrum by releasing the comparatively more straightforward third full-length, "The Sham Mirrors" in 2002. This does not mean that the Norwegians had lost their appetite for experiments. The vocals by Garm (ULVER) are more soaring and wide-ranging than ever on this release, while main man Steinar "Sverd" Johnsen keeps adding classic prog rock excursions to his repertoire. Yet, the guitars are more often set to a more conventional metal mode on "The Sham Mirrors". Still complex, still avant-garde, ARCTURUS clearly consolidated their compositions on "The Sham Mirrors" and while still using many sonic elements, those rather serve each individual song than try to stick out.