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Il carrello è vuoto
Il carrello è vuoto
nazione:
etichetta: NWN
Data di uscita: 22 settembre 2022
formato: CD
Condizione: Nuovo
***Dripping Papal Blood is the secret unreleased second demo recorded a decade ago in 2010, in the band’s now shuttered ‘The Prisoner’s Chant…’ studio which rested at ground level across from the oldest cemetery in New York and rumored to be haunted.
This demo brings to life the complex and fierce rivalry between Emperor Napoleon and the Pope Pius VII. Napoleon went as far as to have Pope Pius VII placed in confinement. Despite the Antichrist’s repugnancy of the papacy, Napoleon knew he still needed the symbolic authority of the church during his unprecedented self-coronation (referred to by the band as ‘ascension to accipitridae!’—the classification of predatory birds of prey).
With the appointment of the cruel Cardinal Fesch (a relative of the emperor) after the Antichrist’s coup d’etat of 18 brumaire, Napoleon gave Fesch orders to persuade the pope to attend Napoleon’s coronation, only later to be stripped of religious power and cast out of the diocese upon defiance of Napoleon’s inflexible attitude toward the church. Fesch later died in Rome surrounded by his masterpiece art collection rumored to be pillaged and later bequeathed in his will.
Always through the lens of black metal and Nostradamus’ prediction of the arrival of the Antichrist, Dripping Papal Blood intrudes into the interplay and triple-crossing corruption between Napoleon, the Church and his own art-plundering family members appointed through nepotism to the diocese.
After the success of Antichrist Rise To Power original release in 2019 on Nuclear War Now! Productions with over ten subsequent pressings the band felt there should be a official French version with complete text translation and expanded layout on the most cult label from France - Osmose Production
Antichrist Rise to Power is a violent declaration of allegiance to the Emperor’s dominion, from the mud-covered skeletons of Marengo to the jagged cliffs of St. Helena. The noble acceptance of forced exile, the inescapable chill of the prison cell, and the cruel rush of combat all fill the aristocrat’s appetite for his boundless quest for honor.
Departure Chandelier’s music shimmers with the aesthetic ardor of apotheosis. It is a communion with the deceased, tracing the pathway of life transmuted into death over dishonor. Although comprised of members of Akitsa and Ash Pool, Departure Chandelier is wholly unique in style and substance and bears little overt resemblance to either of those projects.
Bone vinyl
After the success of Antichrist Rise To Power original release in 2019 on Nuclear War Now! Productions with over ten subsequent pressings the band felt there should be a official French version with complete text translation and expanded layout on the most cult label from France - Osmose Production
Antichrist Rise to Power is a violent declaration of allegiance to the Emperor’s dominion, from the mud-covered skeletons of Marengo to the jagged cliffs of St. Helena. The noble acceptance of forced exile, the inescapable chill of the prison cell, and the cruel rush of combat all fill the aristocrat’s appetite for his boundless quest for honor.
Departure Chandelier’s music shimmers with the aesthetic ardor of apotheosis. It is a communion with the deceased, tracing the pathway of life transmuted into death over dishonor. Although comprised of members of Akitsa and Ash Pool, Departure Chandelier is wholly unique in style and substance and bears little overt resemblance to either of those projects.
Marble vinyl
After the success of Antichrist Rise To Power original release in 2019 on Nuclear War Now! Productions with over ten subsequent pressings the band felt there should be a official French version with complete text translation and expanded layout on the most cult label from France - Osmose Production
Antichrist Rise to Power is a violent declaration of allegiance to the Emperor’s dominion, from the mud-covered skeletons of Marengo to the jagged cliffs of St. Helena. The noble acceptance of forced exile, the inescapable chill of the prison cell, and the cruel rush of combat all fill the aristocrat’s appetite for his boundless quest for honor.
Departure Chandelier’s music shimmers with the aesthetic ardor of apotheosis. It is a communion with the deceased, tracing the pathway of life transmuted into death over dishonor. Although comprised of members of Akitsa and Ash Pool, Departure Chandelier is wholly unique in style and substance and bears little overt resemblance to either of those projects.
