DRUDKH
Autumn Aurora

Black 12" vinyl (33 rpm) in black inner sleeve in jacket.
Fourth pressing 500 copies worldwide!

The Swan Road is the third album by band Drudkh, released in 2005.
It is characterized by shorter songs and more prominent lyrics than are found on previous Drudkh releases with an increased use of distortion in the mix and more frequent usage of blast beats.
The lyrics are all taken from the epic poem Haydamaky, by Ukrainian national poet Taras Shevchenko, about the Ukrainian anti-Polish peasant rebellion of 1768.

For fans of HATE FOREST, IMPERIUM DEKADENZ, BURZUM, AGALLOCH.

jewelcase

jewelcase

jewelcase

Black 12" vinyl (33 rpm) in black inner sleeve in jacket.
Fourth pressing 500 copies worldwide.

Deep melancholy and ancient longing permeates the heart and soul of Ukrainian music.
DRUDKH capture that precious essence of sadness in their brand of Slavonic Pagan Metal. The cinematic, folk influenced music of “Microcosmos” focuses on luxuriant atmospheres charged with strong emotions. Lyrically DRUDKH delve into nature mysticism, the passing of seasons, philosophy, Ukrainian mythology, legends and history – often inspired by the works of nineteenth and twentieth century Ukrainian poets.
“Microcosmos” is the magical seventh album since their acclaimed debut “Forgotten Legends” (2003).
Enter this realm of dark Slavonic melancholy!

For fans of SAOR, MGLA, FUATH, WOLVES IN THE THRONE ROOM, PANOPTICON.

CD in Jewel case with 12-page booklet.

Handful of Stars is the eighth full-length album by Drudkh, released in 2010.
The guitar sound on this album is significantly cleaner than that on any previous album the band had released, with the exception of the band's folk album Songs of Grief and Solitude. Critics and fans noticed a strong influence from post-rock and such bands as Alcest.
Again, for lyrics was used the poetry of Ukrainian authors, such as Oleksa Stefanovych and Svyatoslav Gordynskyj.

For fans of HATE FOREST, IMPERIUM DEKADENZ, BURZUM, AGALLOCH.

Black 12" vinyl (33 rpm) in black inner sleeve in jacket.
Fourth pressing 450 copies worldwide.

Estrangement is the sixth album by Drudkh, released in 2007.
The album was previously known under the title River of Tears, but then had a name change.Its songs have a minimalistic influence and also features the band's first prominent use of blast beats since The Swan Road.
All the lyrics of the album are based on the 1931–1932 works of the Ukrainian poet Oleh Olzhych.

For fans of HATE FOREST, IMPERIUM DEKADENZ, BURZUM, AGALLOCH.

Fallen into Oblivion
Ashes
Tam gdzie gas'nie dzien'... (Sacrilegium cover)
ndiánská Písen Hruzy (Master's Hammer cover)
...W krainie drzew (Hefeystos cover)
Ten, Ktery Se Vyhyba Svetlu (Unclean cover)
Recidivus (Sacrilegium cover)

With 'A Furrow Cut Short', DRUDKH are continuing on the course charted with their previous release 'Eternal Turn of the Wheel' (2012), where the black and bleak sound of the band's roots seemed to overshadow the progressive and lighter tone of 'Handful of Stars' (2010). Mastermind Roman Sayenko is heavily drawing inspiration from 20th century Ukrainian poetry once more, which often deal with the bloody struggle of this old country to build a nation from foreign oppression. DRUDKH still refuse any kind of interview or promotion and demand to be understood through their music alone. This album equally represents the blood soaked sound of black despair and full hearted resistance to vile treachery and evil as well as the beauty of landscapes and culture.

Golden 12" double vinyl in black inner sleeves in gatefold with insert.
Limited to 500 copies worldwide.

With 'A Furrow Cut Short', DRUDKH are continuing on the course charted with their previous release 'Eternal Turn of the Wheel' (2012), where the black and bleak sound of the band's roots seemed to overshadow the progressive and lighter tone of 'Handful of Stars' (2010).
Mastermind Roman Sayenko is heavily drawing inspiration from 20th century Ukrainian poetry once more, which often deal with the bloody struggle of this old country to build a nation from foreign oppression. DRUDKH still refuse any kind of interview or promotion and demand to be understood through their music alone.
This album equally represents the blood soaked sound of black despair and full hearted resistance to vile treachery and evil as well as the beauty of landscapes and culture.
Listen carefully to hearts breaking.

Jewelcase

CD in Jewel case with 8-page booklet.

Drudkh deliver black metal poetry at its finest. Previously only available on split EPs with Hades Almighty, Grift and Paysage d'Hiver, the collection of songs gathered on ‘A Few Lines In Archaic Ukrainian’ is a must hear for any fan of the band’s work. Based on Ukrainian poetry and presented in a lush 10-panel Digipak, the tracks on this compilation perfectly combine harshness, epic melodies and a touch of folklore, transforming them into black metal masterpieces.

For fans of HATE FOREST, IMPERIUM DEKADENZ, BURZUM, AGALLOCH.

Legendary Ukrainian black metal project Drudkh is ushering in the cold darkness and alluring decay of autumn with its brand-new offering, ‘All Belong to the Night’.
While the album is only four songs, it rages on for over 45 minutes, delivering an epic maelstrom of grandiose melodies, devastating aggression, and the cold atmospheric passages that have come to define Drudkh’s unmistakable sound.

DRUDKH is a venerated entity in the realm of atmospheric and pagan black metal. Renowned for their evocative storytelling and profound musical compositions, DRUDKH stands as a paragon of artistic depth, seamlessly melding the corporeal with the ethereal.
With ‘Shadow Play’, DRUDKH offers a mesmerizing odyssey through themes of exile, the cyclical dance of life and death, and a poignant yearning for one's origins. An album which invites you into a realm where silence battles storm, and light intertwines with shadow. A 6-track journey - "Scattering the Ashes" stirs the soul with its introspective melancholy, while “April” envelops you in a meditative trance. The narrative evolves with “The Exile”, capturing the essence of displacement, and continues with the poignant echoes in “Fallen Blossom”. “The Eve” stands as a meditative contemplation on life’s fleeting beauty, and the expansive “The Thirst” culminates this exploration with a profound reflection on human yearning.
‘Shadow Play’ is an evocative experience that challenges you to confront your shadows and revel in the intricate dance of light and dark. Let DRUDKH’s newest release illuminate your path through the bleak human experience.

For fans of AGALLOCH, WINTERFYLLETH, SAOR.

CD in 6-page Digipak.

Formed in Ukraine, DRUDKH have long shaped a body of work defined by atmosphere, patience, and inner exile. Their music consistently privileges emotional continuity over exposition, drawing strength from restraint and repetition.
‘Thaw’ stands as a direct continuation of the album ‘Shadow Play’, conceived during the same creative period and sharing its emotional and thematic foundation. Rather than expanding outward, the EP turns inward, presenting three compositions that function as a distilled appendix to the album’s world. ‘Thaw’ explores transition as instability, as a moment where movement begins while the surrounding landscape remains frozen. The songs unfold slowly, marked by suspended melodies, unresolved structures, and a heightened sense of stillness. Themes of memory, liminality, and fragile transformation are allowed to surface without emphasis or climax. The EP’s reduced scope sharpens its focus, rewarding attentive listening and quiet immersion.

For fans of HATE FOREST, BURZUM, AGALLOCH.

Silver 12" vinyl (33rpm) in gatefold.
Limited to 250 copies worldwide.

Formed in Ukraine, DRUDKH have long shaped a body of work defined by atmosphere, patience, and inner exile. Their music consistently privileges emotional continuity over exposition, drawing strength from restraint and repetition.
‘Thaw’ stands as a direct continuation of the album ‘Shadow Play’, conceived during the same creative period and sharing its emotional and thematic foundation. Rather than expanding outward, the EP turns inward, presenting three compositions that function as a distilled appendix to the album’s world. ‘Thaw’ explores transition as instability, as a moment where movement begins while the surrounding landscape remains frozen. The songs unfold slowly, marked by suspended melodies, unresolved structures, and a heightened sense of stillness. Themes of memory, liminality, and fragile transformation are allowed to surface without emphasis or climax.
The EP’s reduced scope sharpens its focus, rewarding attentive listening and quiet immersion.

For fans of HATE FOREST, BURZUM, AGALLOCH.