GREEN CARNATION
Leaves of Yesteryear

First album of the trilogy on CD in deluxe Digipak with gold print and 16-page booklet.

No matter what stylistic path they take, GREEN CARNATION have never shied away from grand, gloomy statements.
Founded in the early ‘90s by former Emperor bassist Tchort, the Norwegian act quickly amassed a cult following thanks to one of the most ambitious epics in metal history. Even before going on hiatus during the mid-2000s, the ever-evolving auteurs still flashed a flare for the dramatic by performing their acoustic verses underneath a mountain dam. However, there was one tale — or three, to be exact — that continued to elude them. Until now. With the ‘A Dark Poem’ trilogy starting now, GREEN CARNATION finally unveil their masterpiece.
The idea for an album trilogy stems from GREEN CARNATION’s earliest yesteryears, but the first part of ‘A Dark Poem’ cites various passages from across their illustrious cannon. Lead single “In Your Paradise” reaches newfound peaks of heaviness, swept out to sea by sublime riffs and somber symphonic flourishes. While navigated with the band’s familiar mastery, the view from ‘The Shores of Melancholia’ is far from heavenly. Judgement day appears around every corner, steering them from the title track’s scarlet clouds of war toward Floydian whirlpools drenched in paranoia before being shipwrecked by second wave black metal.
“A lesson learned, now bridges burn”, bearded captain Kjetil Nordhus cries out with impassioned cleans, as if tied to the mast during the album’s fiery send-off.
On ‘A Dark Poem, Part I: The Shores of Melancholia’, GREEN CARNATION set sail on an epic journey into a dark night of the soul.

For fans of OPETH, PARADISE LOST, PAIN OF SALVATION.

Second album of the trilogy on CD in deluxe Digipak with Pantone silver print with 16-page booklet.

Had GREEN CARNATION never returned from hiatus, the Norwegian bards would always be remembered for completing one of the most ambitious individual epics in metal’s historic archives. However, there was one tale — or three, to be exact — that eluded them for more than three decades. Now, after reaching crushing new highs during its opening chapter, they’re descending into deeper, darker and more personal depths with part II of ‘A Dark Poem’.
If ‘The Shores of Melancholia’ set sail from a familiar place of melancholy, then ‘Sanguis’ opens with GREEN CARNATION far out at sea, fighting to stay afloat against the storm that’s raging in their minds. Over the course of nine minutes, the album’s epic title track vows to forgive and forget familial wreckage, washing away the bloody stains of the past with impassioned cleans and a chorus that radiates conviction — only for a traumatic memory to come flooding back during its doomy coda. The newfound heaviness from the first part of ‘A Dark Poem’ continues to age like a fine wine, balancing sweet meaty riffs with an underlying bitterness. “I Am Time” demands immediate recognition with a guitar melody that winds like the winds of change. But part II reveals the band at their most raw with ballads that unfold with the grace of a wilted flower.
“The end justifies the means, you’ll see”, Kjetil Nordhus sings with an eerily quiet confidence. As its final tale seeps beneath the moonlight, ‘Sanguis’ leaves fans hanging in suspense over where this trilogy will end.

For fans of OPETH, PARADISE LOST, KATATONIA, PAIN OF SALVATION.

Second album of the trilogy on black 12" vinyl (33 rpm) in deluxe gatefold with Pantone silver print and deluxe double sided insert with Pantone silver print.
1st pressing 500 copies worldwide.

Had GREEN CARNATION never returned from hiatus, the Norwegian bards would always be remembered for completing one of the most ambitious individual epics in metal’s historic archives. However, there was one tale — or three, to be exact — that eluded them for more than three decades. Now, after reaching crushing new highs during its opening chapter, they’re descending into deeper, darker and more personal depths with part II of ‘A Dark Poem’.
If ‘The Shores of Melancholia’ set sail from a familiar place of melancholy, then ‘Sanguis’ opens with GREEN CARNATION far out at sea, fighting to stay afloat against the storm that’s raging in their minds. Over the course of nine minutes, the album’s epic title track vows to forgive and forget familial wreckage, washing away the bloody stains of the past with impassioned cleans and a chorus that radiates conviction — only for a traumatic memory to come flooding back during its doomy coda. The newfound heaviness from the first part of ‘A Dark Poem’ continues to age like a fine wine, balancing sweet meaty riffs with an underlying bitterness. “I Am Time” demands immediate recognition with a guitar melody that winds like the winds of change. But part II reveals the band at their most raw with ballads that unfold with the grace of a wilted flower.
“The end justifies the means, you’ll see”, Kjetil Nordhus sings with an eerily quiet confidence. As its final tale seeps beneath the moonlight, ‘Sanguis’ leaves fans hanging in suspense over where this trilogy will end.

For fans of OPETH, PARADISE LOST, KATATONIA, PAIN OF SALVATION.

Second album of the trilogy on yellow and red marbled 12" vinyl (33 rpm) in deluxe gatefold with Pantone silver print and deluxe double sided insert with Pantone silver print.
Limited to 250 copies worldwide!

Had GREEN CARNATION never returned from hiatus, the Norwegian bards would always be remembered for completing one of the most ambitious individual epics in metal’s historic archives. However, there was one tale — or three, to be exact — that eluded them for more than three decades. Now, after reaching crushing new highs during its opening chapter, they’re descending into deeper, darker and more personal depths with part II of ‘A Dark Poem’.
If ‘The Shores of Melancholia’ set sail from a familiar place of melancholy, then ‘Sanguis’ opens with GREEN CARNATION far out at sea, fighting to stay afloat against the storm that’s raging in their minds. Over the course of nine minutes, the album’s epic title track vows to forgive and forget familial wreckage, washing away the bloody stains of the past with impassioned cleans and a chorus that radiates conviction — only for a traumatic memory to come flooding back during its doomy coda. The newfound heaviness from the first part of ‘A Dark Poem’ continues to age like a fine wine, balancing sweet meaty riffs with an underlying bitterness. “I Am Time” demands immediate recognition with a guitar melody that winds like the winds of change. But part II reveals the band at their most raw with ballads that unfold with the grace of a wilted flower.
“The end justifies the means, you’ll see”, Kjetil Nordhus sings with an eerily quiet confidence. As its final tale seeps beneath the moonlight, ‘Sanguis’ leaves fans hanging in suspense over where this trilogy will end.

For fans of OPETH, PARADISE LOST, KATATONIA, PAIN OF SALVATION.