HULDER
De oproeping van middeleeuwse duisternis

With the release of her Godslastering: Hymns Of A Forlorn Peasantry, Hulder made it known that the pure traditional black metal of earlier releases could be classical, rich in detail and creatively novel once again. A triumphant debut that indicated much more to come. On her new mini-album The Eternal Fanfare, Hulder expands the scope laid out on the debut, taking the production value to new places with more low-end depth and forceful resonance. The songwriting capability continues to sharpen into a dense confluence of her disparate influences such as on the cinematically expansive “Burden Of Flesh And Bone” and “Sylvan Awakening,” to the cold stormblast ferocity of the title track. Opener “Curse From Beyond” is a celestial atmospheric piece akin to Dead Can Dance at their most mysteriously plaintive, while the pensive lament of closer “A Perilous Journey” concludes The Eternal Fanfare with an aura of melancholic finality. The Eternal Fanfare presents a stark interlude between the Godslastering album and the forthcoming second full length. Yet on its own, its a powerful statement of haunting new horizons and evolving mastery, ascendent and bottomless at once.

White, Grey, Olive Green Merge

With the release of her Godslastering: Hymns Of A Forlorn Peasantry, Hulder made it known that the pure traditional black metal of earlier releases could be classical, rich in detail and creatively novel once again. A triumphant debut that indicated much more to come. On her new mini-album The Eternal Fanfare, Hulder expands the scope laid out on the debut, taking the production value to new places with more low-end depth and forceful resonance. The songwriting capability continues to sharpen into a dense confluence of her disparate influences such as on the cinematically expansive “Burden Of Flesh And Bone” and “Sylvan Awakening,” to the cold stormblast ferocity of the title track. Opener “Curse From Beyond” is a celestial atmospheric piece akin to Dead Can Dance at their most mysteriously plaintive, while the pensive lament of closer “A Perilous Journey” concludes The Eternal Fanfare with an aura of melancholic finality. The Eternal Fanfare presents a stark interlude between the Godslastering album and the forthcoming second full length. Yet on its own, its a powerful statement of haunting new horizons and evolving mastery, ascendent and bottomless at once.

HULDER is a dark black metal project from the United States, driven by the creative partnership of Hulder and Necreon, whose three albums to date have steadily drawn the project toward more expansive and collaborative territory. ‘Verbolgen’, released jointly by Season of Mist and 20 Buck Spin, marks a decisive turn: the first HULDER record on which Necreon steps fully into his role as co-leader rather than session contributor. Rooted in ancient nature worship, ancestral rite, and the shadows of pre-Christian tradition, ‘Verbolgen’ moves through nine tracks that trade in both the severity and the strange, wintry beauty that have always defined HULDER 's sound. The writing has grown more layered here, drawing on a wider palette of instrumentation: hurdy gurdy and additional keys from Keld bring an almost processional weight to certain passages, while Ianuaria's session flute drifts through the album like smoke across still water. Two drummers divide the record between them, Vapula and Vrolok each bringing their own character to their respective tracks, and the sum of it is a rhythm section that feels alive to the album's shifts in mood and tempo. The mix, handled by Ahti Kortelainen at Tico Tico Studio in Finland, gives the record an earthy, resonant quality that suits its themes of blood, soil, and the settling of old debts. Even the visual identity signals a new chapter: the cover art, painted by Morrigan, is her first work created for a metal band in nearly three decades, with an updated logo crafted by Jannicke Wiese Hansen. Three of the album's songs are sung in Flemish, lending ‘Verbolgen’ a peculiar, incantatory dimension that sets it apart from anything in HULDER's back catalogue. For fans of BATHORY, DISSECTION, MOONSORROW

HULDER is a dark black metal project from the United States, driven by the creative partnership of Hulder and Necreon, whose three albums to date have steadily drawn the project toward more expansive and collaborative territory. ‘Verbolgen’, released jointly by Season of Mist and 20 Buck Spin, marks a decisive turn: the first HULDER record on which Necreon steps fully into his role as co-leader rather than session contributor. Rooted in ancient nature worship, ancestral rite, and the shadows of pre-Christian tradition, ‘Verbolgen’ moves through nine tracks that trade in both the severity and the strange, wintry beauty that have always defined HULDER 's sound. The writing has grown more layered here, drawing on a wider palette of instrumentation: hurdy gurdy and additional keys from Keld bring an almost processional weight to certain passages, while Ianuaria's session flute drifts through the album like smoke across still water. Two drummers divide the record between them, Vapula and Vrolok each bringing their own character to their respective tracks, and the sum of it is a rhythm section that feels alive to the album's shifts in mood and tempo. The mix, handled by Ahti Kortelainen at Tico Tico Studio in Finland, gives the record an earthy, resonant quality that suits its themes of blood, soil, and the settling of old debts. Even the visual identity signals a new chapter: the cover art, painted by Morrigan, is her first work created for a metal band in nearly three decades, with an updated logo crafted by Jannicke Wiese Hansen. Three of the album's songs are sung in Flemish, lending ‘Verbolgen’ a peculiar, incantatory dimension that sets it apart from anything in HULDER's back catalogue. For fans of BATHORY, DISSECTION, MOONSORROW