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2026 ninth album from Finnish DESECRESY, the one-man project of Tommi Grönqvist, continuing to develop his distinctive vision of dark, heavy and cavernous Finnish Death Metal. Since taking over vocal duties after the first four albums, Grönqvist has handled all the music himself, consolidating a style built around dense, crushing riffs, predominantly mid-paced and slow tempos, abyssal vocals and an oppressive atmosphere that connects classic Death Metal with darker Death/ Doom territory. “The Secret of Death” retains this unmistakable identity while introducing a more prominent use of synthesizers and more varied rhythmic structures, adding an almost cosmic and hallucinatory dimension.

6th album from 2026 by Swedish MEGASCAVENGER, the long-running project led by the ever-prolific Rogga Johansson, one of the most respected and productive figures in European Death Metal. Staying true to his passion for filthy old-school Death Metal, "Toxic Noxious Undeath" delivers another crushing dose of rotten riffs, morbid atmospheres and sinister melodies rooted firmly in the classic Scandinavian tradition, while taking the concept a step further through an exceptionally ambitious guest lineup.

Debut album from 2026 by Bulgaria's NECROMONGER and a true celebration of the foulest and most primitive early 1990s Death Metal. Featuring musicians from projects such as FECAL BODY INCORPORATED and COCKLUSH, the band embraces a vision deeply rooted in the genre's origins, rejecting modern trends in favor of the darkest and most repulsive sounds of the extreme underground.

2026 ninth album from Finnish DESECRESY, the one-man project of Tommi Grönqvist, continuing to develop his distinctive vision of dark, heavy and cavernous Finnish Death Metal. Since taking over vocal duties after the first four albums, Grönqvist has handled all the music himself, consolidating a style built around dense, crushing riffs, predominantly mid-paced and slow tempos, abyssal vocals and an oppressive atmosphere that connects classic Death Metal with darker Death/ Doom territory. “The Secret of Death” retains this unmistakable identity while introducing a more prominent use of synthesizers and more varied rhythmic structures, adding an almost cosmic and hallucinatory dimension.

6th album from 2026 by Swedish MEGASCAVENGER, the long-running project led by the ever-prolific Rogga Johansson, one of the most respected and productive figures in European Death Metal. Staying true to his passion for filthy old-school Death Metal, "Toxic Noxious Undeath" delivers another crushing dose of rotten riffs, morbid atmospheres and sinister melodies rooted firmly in the classic Scandinavian tradition, while taking the concept a step further through an exceptionally ambitious guest lineup.

Debut album from 2026 by Bulgaria's NECROMONGER and a true celebration of the foulest and most primitive early 1990s Death Metal. Featuring musicians from projects such as FECAL BODY INCORPORATED and COCKLUSH, the band embraces a vision deeply rooted in the genre's origins, rejecting modern trends in favor of the darkest and most repulsive sounds of the extreme underground.

Album consisting entirely of 11 covers of Scandinavian Death Metal bands from the early 1990s, originating from Norway, Sweden and Finland. AVULSED resurrect here songs originally released on demos and EPs by genuine cult bands which, in some cases, never even managed to release a full-length album, yet still helped shape the original sound of Scandinavian Death Metal. Among the bands covered are FUNEBRE, CARBONIZED, OLD FUNERAL, ABHOTH, PHLEGETHON, CREMATORY, CARTILAGE and MACABRE END (pre-GOD MACABRE), among others.

Released in 2025 as a limited 2-CD edition of only 500 copies, this collection preserves the legacy of DROWNED PRODUCTIONS, the label that would later evolve into REPULSE RECORDS and XTREEM MUSIC. This comprehensive release gathers all 13 seven-inch EPs issued between 1991 and 1993, complemented by an extensive booklet featuring liner notes from the label's founder, along with the original artwork and inserts from every release

This is a genuine journey through the elite of the early 1990s Death Metal underground, featuring essential representatives from the Finnish, Swedish, American, French and Spanish scenes. An indispensable release for collectors and devotees of dark, atmospheric and primitive Death Metal, documenting one of the most exciting periods in extreme underground history.

Winter lake (blue, crystal and black splatter) 12" double vinyl (33 rpm) in gatefold.
Limited to 300 copies worldwide!

THY CATAFALQUE is the solo-helmed Hungarian avant-garde metal project of Tamás Kátai, running since 1998 and now a two-time Fonogram (Hungarian Grammy) winner. What began as a studio-only outlet has grown, over the past few years, into a full international touring act with festival slots across Europe and Latin America.
'XIII: Sárga erdo' is THY CATAFALQUE's thirteenth album, and unlike its predecessors it carries no single narrative thread: the twelve tracks move instead through what plays like a wandering across old ground, touching on loss, distance, memory and disappearance without ever settling on one story. The record marks a real shift in how it's built: this is the first time THY CATAFALQUE has used a live drummer rather than programmed rhythm, and while the cast is enormous - thirty-four musicians plus a twenty-voice male choir - the folk and classical textures that once flooded every corner of a song (piano, strings, brass, reed, sitar, kamancheh, zither) are used here with real discipline, brought in only when a track calls for them. The result sits closer to the bone than the maximalism of the last record, heavier in restraint than in volume, and it still finds room for a fictitious folk song built for a vanished people on the Volga, an incineration metaphor turned into the album's heaviest cut, and an opener that reads like a farewell letter.
Gábor Vári returns behind the desk for a second record running, keeping the production language consistent even as the arrangements pull back.

CD in deluxe Mediabook with 40 pages limited to the first pressing only

THY CATAFALQUE is the solo-helmed Hungarian avant-garde metal project of Tamás Kátai, running since 1998 and now a two-time Fonogram (Hungarian Grammy) winner. What began as a studio-only outlet has grown, over the past few years, into a full international touring act with festival slots across Europe and Latin America.
'XIII: Sárga erdo' is THY CATAFALQUE's thirteenth album, and unlike its predecessors it carries no single narrative thread: the twelve tracks move instead through what plays like a wandering across old ground, touching on loss, distance, memory and disappearance without ever settling on one story. The record marks a real shift in how it's built: this is the first time THY CATAFALQUE has used a live drummer rather than programmed rhythm, and while the cast is enormous - thirty-four musicians plus a twenty-voice male choir - the folk and classical textures that once flooded every corner of a song (piano, strings, brass, reed, sitar, kamancheh, zither) are used here with real discipline, brought in only when a track calls for them. The result sits closer to the bone than the maximalism of the last record, heavier in restraint than in volume, and it still finds room for a fictitious folk song built for a vanished people on the Volga, an incineration metaphor turned into the album's heaviest cut, and an opener that reads like a farewell letter.
Gábor Vári returns behind the desk for a second record running, keeping the production language consistent even as the arrangements pull back.

Jewelcase

Norwegian progressive black metal stars Enslaved are back with their 17th studio album, 'Mið', which showcases a band that is constantly taking on new challenges and evolving. From the multi-layered beauty of “Tales of Trees” to the devastating, Gojira-esque twist in “Mountain” to the sheer power of “I Am Ice”, 'Mið' is a focused and intense opus that underscores the Spellemannprisen-winning band’s exceptional status in today’s metal scene.

Deep within the dark realm of Runemagick’s pagan death-doom, After Chaos: Nocturnal Vigil ventures beyond the ruins of chaos through eight interconnected compositions suspended between stillness, dissolution and transformation. The album blends death/doom metal, ritualistic atmospheres, meditative passages and cosmic depths, exploring themes of rune magic, animism and the continuity of existence.

Entirely composed and performed by Nicklas Rudolfsson, the album also features vocals by Dísa Draugurinn, whose shamanic invocations further enhance its immersive dimension.