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Selling CD, Vinyl, DVD, Merchandise and Second hand - Extreme Metal and Dark music
ULTHA's second full-length album 'CONVERGING SINS' is a 63 minute rumination on the subject matter of how past events and wrong decisions will echo throughout the rest of our mortal existance.
Over years experiences of failure and the conscious ability to willingly commit mistakes, to hurt, to reject,
to alternate truths etc. lead to a path where silence in and around you is the ultimate repercussion. The
record is a testimony to everyday melancholia, inner solitude and the human struggle to lead the wrong life in the right, the struggle against your animalistic nature.
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Hailing from California/USA the Swe-Death Metal worshippers are back with their first „real“ album. Remember, the debut „The Depths Of Inhumanity“ included just re-recorded demo songs.
On „The Bitter End“ you'll enjoy very brutal, authentic and catchy Death Metal with passion in the vein of DISMEMBER, NIHILIST/ early ENTOMBED and the other good old ones from the end 80's, early 90's Swedish scene. Listen to „The Bitter End“ , close your eyes and hit the train to a journey back in time, full of filth, blood, leather, spikes and rotten Death Metal tunes.
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CD Digipak
Self-titled albums usually suggest either a questionable "return to the roots" or a band reinvention of sorts. For brooding black metal beasts, Bethlehem, however, the release of the eponymously titled ‘Bethlehem’ marks the 25th anniversary of the group, which the German group celebrates in their own wayward style.
‘Bethlehem’ is a welcome rejuvenation in every respect. When the line-up that recorded their 2014 release, Hexakosioihexekontahexaphobia, fell apart, founding member/mastermind Jürgen Bartsch took the bull by its proverbial horns and matters into his own deviceful hands.
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CD Digisleeve "Sentimentale"
One has to be a decided connoisseur of alternative music culture to associate the title "Sentimentale Jugend" (sentimental youth) with the short-lived experimental noise act of the same name, founded by Alexander Hacke (Einstürzende Neubauten) and his then significant other Christiane Flescherinow (also known as Christiane F. from the bestselling non-fiction book "We Children From Bahnhof Zoo") in the early 1980s. However, it is for a reason that Italian indie rock flagship Klimt 1918 names its latest double album after this footnote of pop history, namely a conscious hint at the underlying mood of the songs.
One has to be a decided connoisseur of alternative music culture to associate the title "Sentimentale Jugend" (sentimental youth) with the short-lived experimental noise act of the same name, founded by Alexander Hacke (Einstürzende Neubauten) and his then significant other Christiane Flescherinow (also known as Christiane F. from the bestselling non-fiction book "We Children From Bahnhof Zoo") in the early 1980s. However, it is for a reason that Italian indie rock flagship Klimt 1918 names its latest double album after this footnote of pop history, namely a conscious hint at the underlying mood of the songs. "Sentimentale Jugend" captures West Berlin in its pulsating, nihilistic glory during the late 70s - just as David Bowie did with his Berlin Trilogy of the albums "Low", "Heroes" and "Lodger" - and processes notions from Florian Henckel von Donnersmarck's award-winning movie "The Lives Of Others", be it the foggy winter atmosphere in East Berlin during the early 80s or the female protagonist's melancholy.
Complation of unreleased tracks, live perfomances and covers for this Russian traditional black metal band
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Digipack
Matron Thorn, artist-creator of the bestial AEVANGELIST, and drummer G. Nefarious (PANZERGOD), now unleash their most striking work to date: "Clandestine Sacrament", the all-encompassing debut album from DEATH FETISHIST - a nightmarishly addictive sonic netherworld.
In keeping with a singular modus operandi, this alchemical creation revels in catharsis through hauntology: sickeningly uncanny extremity built upon sublimated beauty, chaos, dissonance and an ever-present, near-palpable, almost overwhelming sense of existential desperation.
DEATH FETISHIST enmesh cascades of swirling, alienating phrases inside claustrophobic song-craft to inspire grim hypnosis.
Guesting vocalists D.G. (MISþYRMING) and Doug Moore (PYRRHON)
This five-song split represents the most recent blasphemies conjured by two relatively young bands that are likely to share the duty of carrying the banner of primitive black metal for years to come.
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