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Since their formation in the dying days of the year 2013, PHRENELITH have established themselves as a menacing force on the contemporary death metal scene. Dwelling in the dark pits of Copenhagen, the band honed their deadly craft, releasing a wealth of well-received demos, splits, and EPs. These primitive outbursts led to the release of their debut album, Desolate Endscape, in 2017, which has earned them much renown and praise, further solidifying their place in underground death metal. Furthermore, that debut album took them to far-flung corners of the world, allowing them to tour extensively in Europe and North America, and make festival appearances at Maryland DeathFest and Asakusa DeathFest in Japan among others. Several years having passed since the conception of their monumental debut album, PHRENELITH have been slowly conjuring up new material, which has culminated in the creation and recording of a new full-length that will soon be unleashed upon the world. Titled Chimaera, PHRENELITH’s second album comprises seven songs of bludgeoning death metal, with lyrics heavily inspired by the darker terms of Greek mythology and shows a horrid-yet-familiar visage. While delving into new and uncharted musical territory, incorporating new refining elements, PHRENELITH’s attack is accompanied by the downtuned darkness and death-rattling emissions that the band is known for. Truly, it is not hyperbole to suggest that Chimaera eclipses the expansive horror of Desolate Endscape.

In 2016 composer, multi-instrumentalist, and sole member Thor gave rise to ÓREIĐA in the cavernous and volcanic landscapes of northern Iceland.

"The Eternal" - the band's second full-length and DMP debut – is a contemplative trek into the haunted sublime: traces of Post-punk, Shoegaze and Industrial are filtered through the lens of totemic '90s Black Metal into 5 transcendent and trance-inducing tracks which wed uplifting harmony, off-kilter melodicism, and passages akin to being in the barrage of a blinding snowstorm.

We are very proud to bring you the latest release from two of the most interesting, intriguing, and all-round excellent artists current operating within the black metal sphere today. 

A single track each from the twin enigmas; Celestial Sword, with his chilling vocals, piercing though the clouds of distortion to summon body-rocking crescendos from the cosmic static (with drums courtesy of Palisade); and Trhä, with a slower, more insidiously atmospheric piece of spirit-shaking, spine-tingling darkness, cut with resonant shards of radiant melancholy.

First and only pressing, on Death Prayer Records. Double sided inlay. Comes shrink wrapped. Limited to 200 worldwide.

Blast No.1 is a tribute to Type O Negative, in which various death, grind, crust, d-beat and powerviolance bands present their interpretation of songs written by Brooklyn’s most characteristic group ever. It’s a crazy blend of blast beats, harsh guitars and growls mixed with melancholy and atmosphere that was always an essential part of ToN’s music. This tribute album is brave, vulgar and extending the boundaries of both grindcore and Peter Steele’s songs. As a matter of fact, many members of most noisy bands on the planet are really dedicated fans of ToN music: genre defying crust pioneers from UK – HELLBASTARD, Polish grind veterans – SCHISMOPATHIC, 1st league Southeast Asia reps – PROLETAR or Ireland’s most deadly weapon - ABADDON INCARNATE … to name a few.

The entire graphical side was thought to be a blend of unique Type o Negative classic style with symbol familiar to every blastcore fan. Credit goes to Ada from Bite The Dust. (https://www.facebook.com/TylkoKurz)

Blast No.1 is an effect of over two years of work by 783punx (record label) and different bands from all over the world

Goth from Switzerland!

Rare, swiss weird project - avantgarde thrash

Disc: VG (quite a few scratches but plays perfectly)

Inlays: NM