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Selling CD, Vinyl, DVD, Merchandise and Second hand - Extreme Metal and Dark music
While the debut album "Vinsta Wiads" (2017) portrayed an "Impending Darkness" in the Alpine mountains, Austrian metal innovator VINSTA now focuses on wintry landscapes with the new album "Drei Deita" ("Three Foreboders").
Multi-instrumentalist Christian Höll continues where he left off: his compositions blend epic melodic Death Metal with acoustic folk passages into landscape-painting music of its own kind. When was the last time you heard hammered dulcimer and yodeling in harsh metal - and it worked?!
VINSTA's second album tells the story of a wanderer facing the forces of nature, taking up traditional motifs and the primeval dialect of the Salzburg Alps. At the end of his seemingly errant hike through the Alpine winter world, the protagonist meets three foreboders and finds himself confronted with perspectives larger than (human) life...
Vinsta wiads – it gets dark. On its debut album, VINSTA leads us into the mountains of the Salzburg Alps.
The seven dramatic compositions allure with sceneries rich in contrast and with vocals sung in the regional dialects of the home lands of band founder Christian Höll.
Thus, the music might sound familiar and eclectic at once: While some influences obviously shine through, VINSTA undoubtedly develops its own approach, blending grim melodic death metal with folk inspired acoustic arrangements (performed a.o. on violin and hammered dulcimer).
Christian realizes his stirring compositions with the help of talented musicians who share his passionate approach to creating music.
“Vinsta Wiads” explores dark aspects of challenges which might bring you to your knees – and finally let you grow. In Christian’s own words: “It's passionate music which takes the listener on a journey through darksome, yet beautiful emotions.”
Thy Darkened Shade's third full length album, Liber Lvcifer II-Mahapralaya, coming as Gatefold Double LP, with printed inner sleeves & 20 pages booklet.
Crystal clear and black marbled 12" vinyl (33rpm) in gatefold with double sided insert.
Limited to 250 copies worldwide!
NARGAROTH is the sole vision of Rene "Ash" Wagner, forged in Saxony in 1996 and driven by nearly three decades of raw, uncompromising German black metal.
‘Apocalyptic Steel’ is a record that refused to stay buried. Tracked in a single weekend at Trident Studios in Pacheco, California, in September of 2014, the album sat forgotten on a hard drive in the United States while ‘Era of Threnody’ took priority. Years later, the recordings resurfaced. Drums were re-recorded in Las Vegas, vocals and mixing completed at AMP Studios in Duisburg, and 12 years after its first sessions, the album is finally here. This is not a vault curiosity. It is NARGAROTH at its most direct: nine tracks of filthy, unadorned metal built on the attitude of old Judas Priest, Accept, Deicide and Obituary. From the predatory menace of “Twisted Steel” to the band-name-studded battle cry of “Metalheart”, from the unflinching historical weight of “Dresden” to the aching Germanic longing of “Requiem Germania”, this is an album that has nothing to prove and wastes nothing on pretense.
Recorded fast, recorded dirty, and finished on its own terms.
For fans of DARKTHRONE, MAYHEM, ACCEPT, MOTORHEAD, DEICIDE.
CD in Jewel case with 20-page booklet.
NARGAROTH is the sole vision of Rene "Ash" Wagner, forged in Saxony in 1996 and driven by nearly three decades of raw, uncompromising German black metal.
‘Apocalyptic Steel’ is a record that refused to stay buried. Tracked in a single weekend at Trident Studios in Pacheco, California, in September of 2014, the album sat forgotten on a hard drive in the United States while ‘Era of Threnody’ took priority. Years later, the recordings resurfaced. Drums were re-recorded in Las Vegas, vocals and mixing completed at AMP Studios in Duisburg, and 12 years after its first sessions, the album is finally here. This is not a vault curiosity. It is NARGAROTH at its most direct: nine tracks of filthy, unadorned metal built on the attitude of old Judas Priest, Accept, Deicide and Obituary. From the predatory menace of “Twisted Steel” to the band-name-studded battle cry of “Metalheart”, from the unflinching historical weight of “Dresden” to the aching Germanic longing of “Requiem Germania”, this is an album that has nothing to prove and wastes nothing on pretense.
Recorded fast, recorded dirty, and finished on its own terms.
For fans of DARKTHRONE, MAYHEM, ACCEPT, MOTORHEAD, DEICIDE.
"This time we entered the studio with the clear intention of creating a landmark album for the band." It's a noble and challenging mission statement from Hellenic black metal troop Yoth Iria, and one that has amply succeeded in the form of Gone With The Devil, the Attica quartet's stellar third album. Their trajectory has been on a steep ascent since crafty 2021 debut As The Flame Withers and 2024's hypnotic Blazing Inferno, but there has audibly been a concerted determination to develop and expand in sinister new directions.
The daemonic avatar Yoth Iria was first explicitly summoned on Rotting Christ's legendary debut Thy Mighty Contract in 1993. Bassist/lyricist Jim Mutilator formed that band as Black Church in 1984, before also becoming a founder member of cult Athenian BM heroes Varathron for their first five years. Renewing the otherworldly atmospheres and occult ravishment for a new era, Yoth Iria functions almost as the third panel in an apocalyptic triptych of Hellenic black metal excellence.
There's a thrilling balance of ancient and modern, good and evil, harmony and dissonance, advancing Yoth Iria as a hungry contender for extreme metal's big leagues - an ever-improving unit with a glorious future. Appropriately, however, Gone With The Devil is best summed up with a line already coined by the band to describe their ongoing body of work: "Every note tells a story of rebirth, tradition, and the relentless pursuit of musical transcendence."
"This time we entered the studio with the clear intention of creating a landmark album for the band." It's a noble and challenging mission statement from Hellenic black metal troop Yoth Iria, and one that has amply succeeded in the form of Gone With The Devil, the Attica quartet's stellar third album. Their trajectory has been on a steep ascent since crafty 2021 debut As The Flame Withers and 2024's hypnotic Blazing Inferno, but there has audibly been a concerted determination to develop and expand in sinister new directions.
The daemonic avatar Yoth Iria was first explicitly summoned on Rotting Christ's legendary debut Thy Mighty Contract in 1993. Bassist/lyricist Jim Mutilator formed that band as Black Church in 1984, before also becoming a founder member of cult Athenian BM heroes Varathron for their first five years. Renewing the otherworldly atmospheres and occult ravishment for a new era, Yoth Iria functions almost as the third panel in an apocalyptic triptych of Hellenic black metal excellence.
There's a thrilling balance of ancient and modern, good and evil, harmony and dissonance, advancing Yoth Iria as a hungry contender for extreme metal's big leagues - an ever-improving unit with a glorious future. Appropriately, however, Gone With The Devil is best summed up with a line already coined by the band to describe their ongoing body of work: "Every note tells a story of rebirth, tradition, and the relentless pursuit of musical transcendence."
