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In a world increasingly shaped by disposable content, Chat Pile answer with something defiantly real and organic, a mentality that permeates Who Loves The Sun, their third full-length record. Since the band’s formation just over six years ago, the Oklahoma City-based quartet Chat Pile has grown from a scrappy passion project into one of the defining heavy acts to emerge from the 2020s underground. Ray B. (vocals), L. Manhole (guitar), Stin (bass), and Cap’n Ron (drums) create a crushing, crass, and cathartic take on noise rock that captures a raw, undeniably human essence in an age marked by technological overreach and the cold state of society. Nothing about Who Loves The Sun feels synthetic.

Whereas their debut album God’s Country depicted a particularly American flavor of dread, and the follow up Cool World showed a cruel planet defined by global systemic violence, Who Loves The Sun peels the skin back on how collective indifference defines this new century. Spanning imagery of coastlines devouring cities, dead-end jobs, and submission to data-driven inauthenticity, the album dissects the apathy-bloated state of 21st-century existence as a slow-motion apocalypse.

For their new album Scour Order, their sixteenth release, Krallice comes full circle and returns to Profound Lore (who initially released the band’s first three releases) with a new album that is raging and dark, dense but also expansive. One that slightly recalls the earlier phase of the band yet continues in the forward-thinking/next level singular sonic histrionics that the band have continued to expand and morph upon throughout the years. While the band have been experimenting more with their sound (band members switching roles, the band diving into more ambient and experimental territory etc.) over the last little while, Scour Order sees Krallice tether slightly back to more of a progressive black metal aura akin to the first four albums.

• Second album from German black/death cult band, first album was on Sentient Ruin Laboratories

• Strange death metal set in a fictional world with inspiration from Mayan culture

• Vinyl edition includes 24x24 double-sided poster insert, CD in digipak with foldout insert

• For fans of Timeghoul, Demilich, Profanatica, Tzompantli, Genocide Shrines, Gorguts, Volahn

Official reissue of Kampfar's second full-length album, “Fra Underverdenen”, originally released in 1999. A darker descent into the ancient spirit of the North. Cold riffs, haunting melodies and fierce vocals create an atmosphere steeped in Norse mythology and the mysteries of the underworld. Where ancient myths awaken in the shadows.

Released in a 6-panel Digipak edition, including an 8-page booklet, strictly limited to 500 copies.

KAMPFAR (Nor) -Mellom Skogkledde Aaser- DIGI-CD 
Official reissue of the legendary Kampfar debut album, “Mellom Skogkledde Åser”, originally released in 1997. More than a debut, this is a document of an era: cold, majestic and untouched by time. A powerful blend of primitive Black Metal, Pagan atmosphere and deeply rooted Nordic heritage. A timeless monument of the old Norwegian darkness.

Released in a 6-panel Digipak edition, including an 8-page booklet, strictly limited to 500 copies.

Opaque Magenta

Cryfemal, the infamous Necro Black Metal act from the Spanish island Tenerife is back with a brand new mini-album entitled: Puro Carbon. Like its predecessor, you can expect more or less the same menu! 9 songs branded with pure hatred, fury and straight forward Black Metal riffing.

These Spanish maniacs keep exploring the vast depths of their Necro attitude with one clear goal, delivering devastating sounds without any remorse or comprehension. Pure 90”s Black Metal is what you get. No Fancy Hipster Bullshit here! Take it or leave it!

First pressing on black double vinyl

DRUDKH is a venerated entity in the realm of atmospheric and pagan black metal. Renowned for their evocative storytelling and profound musical compositions, DRUDKH stands as a paragon of artistic depth, seamlessly melding the corporeal with the ethereal.

With ‘Shadow Play’, DRUDKH offers a mesmerizing odyssey through themes of exile, the cyclical dance of life and death, and a poignant yearning for one's origins. An album which invites you into a realm where silence battles storm, and light intertwines with shadow. A 6-track journey - "Scattering the Ashes" stirs the soul with its introspective melancholy, while “April” envelops you in a meditative trance. The narrative evolves with “The Exile”, capturing the essence of displacement, and continues with the poignant echoes in “Fallen Blossom”. “The Eve” stands as a meditative contemplation on life’s fleeting beauty, and the expansive “The Thirst” culminates this exploration with a profound reflection on human yearning.
‘Shadow Play’ is an evocative experience that challenges you to confront your shadows and revel in the intricate dance of light and dark. Let DRUDKH’s newest release illuminate your path through the bleak human experience.

For fans of AGALLOCH, WINTERFYLLETH, SAOR.

"You're Weak And You Know You're Weak" is the seventh album from WEREWOLVES in seven years.

The band themselves have sworn to release ten albums in ten years, or commit group suicide if they fail.

Ridiculously brutal moronic caveman death metal from members of PSYCROPTIC, THE BERZERKER, ABRAMELIN, THE ANTICHRIST IMPERIUM, and THE AMENTA.

For fans of MARDUK, MARDUK, fucking MARDUK, and getting your teeth kicked right the fuck in.

Artwork regular Mitchell Nolte is back with a terrifyingly trademark cover featuring crucifixions, baby kebabs, and a werewolf army.

Mixed and Mastered in Hobart by Joe Haley (PSYCROPTIC) who has lost so much IQ from being forced to sit through WEREWOLVES mixing sessions that he has lost the power of speech.

Seasoned death metal performers who have done laps of Australia with ARCHSPIRE, MAYHEM, ABBATH, INGESTED, and ULCERATE bringing zero appeal to a wide range of audiences who all equally loathed the dirty blastbeats crammed down their worthless throats. They all purchased merchandise and albums instantly.

Stunning limited bone vinyl edition housed in gatefold sleeve with 5mm spine, printed on 350gsm coated carton with gold hot foil print. Includes LP sized 12 page booklet printed on 150gsm art paper.

Skagg.Hoest.Thurzur.Lava.

Years in the making, DEATHCULT are returning with their cruel Norwegian black metal, firing the third album of their trilogy on to the world which began with “Cult of the Dragon” (2007) and “Cult of the Goat” (2017).

Pressed on transparent teal/black marble heavy vinyl. Comes with a 2-page insert and a download card. Colors on final record may vary to a degree from the mockup.

The classicistic Swedish Black Metal band TROLLDOM was founded 2004 in the deep woods of Småland by guitarist/composer Swartadauþuz (BEKËTH NEXËHMÜ, MUVITIUM, AZELISASSATH, GREVE, BALWEZO WESTIJIZ).

Following up the long-in-gestation, twin 2022 debut albums "I Nattens Sken (Genom Hemligheternas Dunkel)" and "Av Gudars Ätt...", new album "Tronen" ('The Throne') continues TROLLDOM's quest to 'unshackle the spirit from false bounds of material existence' via symphonic and reverent Black Metal power.