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Back in stock - Extreme Metal and Dark music
Released at the dawn of 2020 on CD format, Zmierzch Stalowej Ciemności was VERMISST's first, fuller-length strike since their formation in 2018. Despite being a relatively new entity, the band's sound is undoubtedly OLD, hailing the old gods of their Polish homeland's rich black metal heritage. Cryogenically cold, unremittingly grim, shrouded in a mysticism rich in ancient splendor, VERMISST are thoroughly mid '90s Polish black metal for a modern world too long neglectful of the Old Ways. Pure and proud, Zmierzch Stalowej Ciemności is poignant proof that classicism endures no matter the decade, and that ever-so-subtle twists on tradition can result in resoundingly "new" manifestations worthy of that noble lineage.
Now, courtesy of fans-from-the-beginning SIGNAL REX, VERMISST's Zmierzch Stalowej Ciemności is being released on vinyl format for the first time ever, with three exclusive (and righteously raw) tracks expanding the release to 40 minutes in length.
GODKILLER was formed 1994 in Monaco, releasing a classic debut EP of haunted Medieval Black Metal - "The Rebirth of the Middle Ages" - and 2 full lengths of cold Industrial BM between 1996 and 2000 via Wounded Love Records before going on indefinite hiatus.
The astonishingly accomplished tracks collated and professionally mastered for the first time as "We Are The Black Knights" are the two initial cassette-only demos preceding the 1996 release of the first EP: initial demo, the ferociously weird and eerie "Ad Majorem Satanae Gloriam" (1994) and second demo "The Warlord" (1995) which dials up the otherworldly grandeur, epic melodicism and unhinged vocals to breathtaking levels of desperation.
This is a limited one off print, 100 copies available with the digipak inside a "black print on matte black" box, plus extra natural contents (yerba santa leaves and other ritual herbs) which can't be simulated at computer (so they're not pictured here).
Almost four years after Moth's Illusion, Arpitanian black metal veterans Enisum, from northern Italy, are back with a brand new studio album, the fifth in their career.
Forgotten Mountains is a journey through mountains and life, a path that leads Man to the highest peak, to face his own existence and its meaning. Enisum’s new album consists of eight atmospheric gems for fans of Wolves In The Throne Room, Earth And Pillars and the most intimate and naturalistic side of black meta
Exclusive CD version limited to 1000 copies packed in:
-cd mini gatefold, printed on uncoated paper
-printed inner sleeve on uncoated paper
-4 page booklet with lyrics
Keeping consistent with the strident foundation laid forth by their debut EP, LIFVSLEDA’s Det Besegrade Lifvet features nine tracks of wild, raw, and absolutely brilliant black metal in the vein of the early Nordic scene. Once again partly recorded out in the woods, in uttermost isolation, during the ongoing plague, you can truly feel the atmosphere of this album, and the stench of something old and rotten that has been dug up and resurrected. And despite it being the band's debut album, Det Besegrade Lifvet evinces an ancient wisdom, an archaic splendor wrought from turbulence and times of conflict.
Grim, evil and obscure, a new masterpiece for this elitarian black metal band from France
Fire Walk With Us was perceived, composed and performed by Aborym, except for "Det Som En gang Var" composed by V. Vikernes
Recorded at Temple of Noise Studios, Roma, in January-May 2000 anno Kali Yuga. Produced and mixed by C.Ice. This Version has been mastered in Budapest by Attila Csihar. Noise-industrial-inferno by Aborym and C.Ice. Drumming devastation by Aborym.
Theta waves deconstructed by Mental Siege and Aborym- Original artwork and layout by Fabban. Restyling by Fabban. Aborym is incarnated in: Fabban ( bass, keyboards, samples, synth, vocals on "Det Som En gang Var", Nysrok ( guitar, guitar synth, solos, backing vocals on "Det Som En gang Var", Attila Csihar (vocals), Sethlans (guitars and samples)
2 CD + booklet
“Inside The Unreal” by Electrocution was one of the first and most famous old school death metal albums released in Italy in 1993. Reissued several times through the years, this version is a 2CD edition with all the demos and eps released by the band before the debut. The booklet has been redesigned with new liner notes. This 2CD version has only been released once, by Dark Symphonies in 2017, and it is now sold-out and difficult to find.
A relentless attack made of tight tempos, primitive growls and thrashy riffing, “Inside The Unreal” is considered a minor-classic of the death metal sound of the early nineties.
Songs talks about landscapes, cohabitation between man and nature, the music is deeply inspired by Cascadian black metal bands like Wolves in the Throne Room, Alda…
At times you might get the feeling that this is music being piped through from another time. It is music mercifully free of the tropes that trip us up and the trends that scratch on the grubby windows of the music scene.
‘Samoht Nara’ is music dedicated to the natural and listening to it feels like a rare, beautiful privilege.
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Norwegian viking pagan black metal brigade NIFROST is set to release their new, long-awaited, full length album to the masses
NIFROST already established its own remarkable identity built upon cold and ferocious sounds attack, intense melodies and charging guitars.
Combining unrelenting black metal atmosphere and vision from varying extreme metal genres with a apocalyptic twist of inspiration, careful listeners may just be able to identify themes from some of their stories, concepts and more…
The concept of their third album began with the title “Orkja”, which is the name of a mountain infamous for landslides that turned into murderous floods in the olden days of Jølster, on the wild and beautiful western coast of Norway.
Through these old stories, they found a spark of inspiration in approaching apocalyptic themes in a bigger or on smaller more personal-level picture, both physically and metaphorically.
When the band wrote the album “Orkja” in late 2018, they never knew how fitting these doomsday-themes would come to be in current times. The seven songs that comprise “Orkja”, each have its own connection to the end of things, and to the possibility of new beginnings.
