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Comes in red vinyl with etched side B and includes large poster

Following an international cassette release, BAT MAGIC‘s Feast of Blood is finally slated to be released on vinyl by American label and merch dealer Labyrinth Tower.

Following an antihero into the grips of vampirism and dark magicks, BAT MAGIC‘s 2021 debut took the latter half of black metal’s tag and concentrated heavily on the genre’s metallic roots. A riff-heavy affair with nods to the greats and lesser known artists alike, Feast of Blood‘s bloodthirsty attack is an overwhelming affair of black metal, heavy metal, and many other styles thrown into a ferocious meat grinder, garnering praise from Stereogum, Decibel Magazine, No Clean Singing, and many other forward-thinking metal publications.

Re-issue, 300 copies in beer vinyl 12'LP 180g. Gatefold cover, 350g with gloss lamination, all assembled in a PVC overbag.

Sargeist has always had an interesting atmosphere, and it's rather hard to describe. Imagine if Mütiilation's predilections for drugs, suicide, and Satan were celebrated instead of mourned and you have a good idea.
Sargeist's music is always vaguely disgusting and filthy yet resolutely proud of its own decay-hedonistic and excessive, like Caligula-era Rome. Well, if you want filth-caked black metal, it's hard to find a better example in the Sargeist catalog than this demo. Sargeist has never sounded so sleazy as on tracks like 'Anti-Human Black Metal Wrath', where the strains of 'Deathcrush'-era Mayhem come home to roost in a short, violently rhythmic track. The production only aids the oily, viscous feeling of these songs, with the murky guitars and drums moving like a sea of raw sewage under the perpetually hissing and howling vocals. It's definitely a good example of rawness used to aid music rather than detract from it.

Re-issue properly with a complete updated layout released with leading band member Shatraug himself as supervisor.

500x heavyweight marble (milky clear/black) 12" (180g) in a microtenne innerbag, innersleeve printed, black & white on 220g carton (coated paper); poster black & white, 280x430mm on 150g art-paper, simple jacket, full-color printed on 350g carton, coated paper (semi-gloss), all assembled in a plastic overbag.

Those Who Reign Below is the 8th studio album in the purest tradition of old school death metal, a work of musical impiety, a death metal as hateful as much as aggressive, switching imposing mid-tempos and demonic accelerations, sulphureous melodies and vocals straight from the devil's forge. An aura of evil surrounds each track, in a veritable debauchery of hate that gives the impression of having witnessed the manifestation of the devil.

This album represents the extreme and uncompromising side of MERCYLESS, which has grown steadily over the years, in a blasphemous symphony inherited from the 90s Death Metal.
The cover was designed by Mexican artist Nestor Avalos, whose talent represents all the darkness emanating from this album. The production was entrusted to Raph Henry of HELDSCALLA studio, who sculpted a sound highly representative of the violence and anger of this extreme and irreligious music.

It's a tribute to the underground, to the man who blends in with the crowd and takes on a presence so frightening that he's so clearly recognizable... the Devil... on his throne, majestic and merciless!"

300x heavyweight bloodred 12" (180g) in a microtene innerbag, printed innersleeve, full-color on 220g carton, download card, gatefold jacket, full-color pinted on 350g carton, all assembled in a plastic overbag.

“Coloured Funeral” is one of the most complex releases of early 90's death metal, certainly a cornerstone release for all fans, which needs more attention than it gets in time. It's a classic masterpiece without compromise that defines why old school death metal was unique and intelligent music.

Recorded and mixed by Colin Richardson in 1993, this album brings some of the best technical and slightly progressive death metal, with a clean and powerful production.
You find some progressive elements but it's a vicious and aggressive old school death metal gem.

This is intense brutality of the highest rank, a mind-blowing piece of real unholy Death Metal forever written in extreme metal history!

Re-issue, completely updated layout with a new mastering specially for vinyl.

100x beer/black galaxy 12" (140g) in a microtene innerbag, printed innersleeve, full-color on 220g carton, A2 poster, one-sided full-color printed on 150g art-paper, gatefold cover, full-color printed on 350g carton, all assembled in a plastic overbag.

 Originally released on April 14th, 2014, IMPALED NAZARENE 12th studio album VIGOROUS AND LIBERATING DEATH is now re-issue properly. Recorded at City Lights and S/Mental studios, mixed at Studio Fungus by Max Kostermaa who also did the band's previous album Road To The Octagon.

Vigorous And Liberating Death continues the band´s brutal legacy, featuring 13 brand new songs.

Cover artwork was done by Impaled Nazarene´s former bass player Taneli Jarva (who is known as a tattoo artist). Vigorous And Liberating Death was mastered at Finnvox Studio by Mika Jussila (Nightwish, Children Of Bodom).

Reprint, 200 x grimace purple 12" (180g) in a microtene innerbag, printed innersleeve full-color on 220g, download card, A1 poster full-color on 150g art paper, gatefold jacket full-color on 350g, all assembled in a PVC overbag.

Black Vinyl

Info : Morguiliath was born in the south of France by Rats in 2004, offering multiple concerts and performances.
Two demos have been released and distributed independently.
The first album "Age of Misanthropia Human Blood and Chaos" was released in 2020 by Vacuum Tehiru Productions, as a very dark album dealing with occultism, demonology, Chaos and the annihilation of Monotheistic beliefs and all forms of religious cults.
Only one active member in this project, Rats who is also involved in two other projects: "Suicide Circle" with the illustrious boss of French Black Metal, Meyhnach, produced and distributed by Osmose productions and Dhärnürgh which remains an independent alternative project.
The new album "Occult Sins, New Unholy Dimension" follows the path of Morguiliath and respects the ethics of Black Metal 80/90's, associating Thrash / Black Metal riffs without forgetting an unhealthy and abysmal atmosphere.
Many influences are present there, such as Bathory, Venom, Darkthrone, Nëhëmäh, Hell Militia, Mütiilation and others...

“Coloured Funeral” is one of the most complex releases of early 90's death metal, certainly a cornerstone release for all fans, which needs more attention than it gets in time. It's a classic masterpiece without compromise that defines why old school death metal was unique and intelligent music.

Recorded and mixed by Colin Richardson in 1993, this album brings some of the best technical and slightly progressive death metal, with a clean and powerful production.
You find some progressive elements but it's a vicious and aggressive old school death metal gem.

This is intense brutality of the highest rank, a mind-blowing piece of real unholy Death Metal forever written in extreme metal history!

Re-issue, completely updated layout with a new mastering, CD in a jewel case, 20 page booklet full colours on 135g paper, sealed.