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Back in stock - Extreme Metal and Dark music
This edition of 'It Beckons Us All' is presented on Nocturno Culto’s own limited grey marble vinyl, with printed inner sleeve containing lyrics.
With a legacy of audial treasures now spanning more than 35 years & with the fountain of creativity ever flowing, Norway’s Darkthrone return with their latest venture through classic riffs & vintage sounding metal in the shape of the epic new seven track studio opus, ‘It Beckons Us All’.
Seeing the longstanding duo of Fenriz & Nocturno Culto uniting once more, ‘It Beckons Us All’ follows on the heels of 2022’s revered ‘Astral Fortress’ album, with what could be considered an even more refined, challenging & diverse set of timeless metal anthems from the uncompromising trailblazers; from the melodic, to the sombre & atmospheric, to the blackened dirges emanating from Darkthrone’s highly distinguishable riffing, as well as a nod to influences such as Celtic Frost along the way.
Recorded once again at Chaka Khan Studios in the band’s native Norway, ‘It Beckons Us All’ was mastered by Jack Control at Enormous Door, with artwork courtesy of Polish artist Zbigniew Bielak.
With an expansive catalogue consisting of a multitude of various genre classics, Darkthrone first arrived on the global stage with their atmospheric & technically accomplished death metal debut, ‘Soulside Journey’ back in 1991, followed by the milestone in black metal that is ‘A Blaze In The Northern Sky’ released only the following year, after the intended second album ‘Goatlord’ was essentially scrapped to make way for something more primitive & paving the way for Darkthrone’s close association with the black metal genre over many years. And so, with an endlessly progressing (and even regressing) evolution which has seen the band successfully delving into many sub-genres of metal & punk, ‘It Beckons Us All’ stands as one of the band’s most complete & vast works to date.
Since their public unveiling in 2016 with the hideous & haunting Burial Ground Trance demo, Finland’s Celestial Grave have been steadily perfecting a craft that already arrived fully formed. While the band’s brand of black metal does bear some semblance to certain sectors of their native land’s long-running and -esteemed scene, Celestial Grave largely unshackle themselves from “Finnish black metal” and locate a muse that’s uniquely focused and fiercely personal. Such was the case with the epic four-song Secular Flesh debut album in 2019, and now, three years later, that case is even stronger with their second album, Vitriolic Atonement.
Since 1988, CANNIBAL CORPSE have been at the forefront of death metal, shaping and defining the genre. In 2021, they raised the stakes again with Violence Unimagined. And in 2023, the band's thirty-fifth anniversary, they return with its successor, the equally monstrous Chaos Horrific, starting a new chapter in their storied legacy.
Written shortly after the conclusion of the Violence Unimagined sessions, echoes of that album exist in Chaos Horrific. "To me, this album feels sort of like a continuation of Violence Unimagined," says bassist Alex Webster. Rutan has now produced six CANNIBAL CORPSE albums, starting with 2006's Kill, and this is Rutan's second release as a full-fledged member, since officially joining in 2020. Tracking at Rutan's Mana Studio in Florida, the band's home state, was comfortable for all involved, who were at the top of their game and ready to give it their all. Things went smoother than ever, particularly on the guitar front thanks to Barrett and Rutan having.
The album artwork by longtime collaborator Vince Locke is also suitably CANNIBAL CORPSE-esque, featuring a chaotic tangle of the living and the undead, evoking the lyrics of the title track.
Belarusian post-punk / synth pop group Molchat Doma have always exuded the kind of brutalist aesthetic of the architecture that adorns their album art. It's cold, gray, imposing, industrial, and yet there are human hearts beating within those foundations. In the wake of their breakthrough success in 2020, the trio endured a polarity of experiences, from the nadir of an uprooted life and forced relocation away from their native Minsk to the apex of headlining massive shows across the world. It was in this headspace that the band settled into their new home of Los Angeles to finish writing their fourth album Belaya Polosa, a testament to change in difficult times, a love letter to the digital pulse of the '90s, and a technicolor reinvention of the band's somber dance floor anthems.
Full lenght album
Rich 'n' resonant clean vocals often take center stage, lending an alternately mournful/majestic quality to the duo's earth-juddering bulldoze. Likewise, the production across Hero is categorically cleaner than their grime-coated EPs, which dynamically enhances the spiraling melodicism that explodes into being here. Suitably, the songwriting itself takes on dazzling new contours, wending 'n' winding with even more fluidity - and certainly more daring - than the band's epic-yet-effortless EPs.
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