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For their new album, bassist/vocalist Dylan Desmond and drummer/vocalist Jesse Shreibman exploded Bell Witch's bounds. Like 2017's lauded “Mirror Reaper”, “The Clandestine Gate” is a single 83-minute track -- a composition that pulses and breathes on a filmic timeframe. It constitutes the first chapter in a planned triptych of longform albums, collectively called “Future's Shadow.”

While traces of organ and synthesizer hovered over “Mirror Reaper” and Bell Witch's 2020 collaboration with Aerial Ruin, “Stygian Bough Volume 1”, “The Clandestine Gate” drew those instruments closer to the center of its compositions. The band reunited with their longtime producer Billy Anderson as they began negotiating these new compositional weights. On “The Clandestine Gate”, Bell Witch's twinned voices build off of the chantlike textures of previous records while steering toward more developed melodic lines, structured harmonies, and rhythmic death metal growls.

The immense gravity of a work like “The Clandestine Gate”, which features exclusive stunning cover art by Jordi Diaz Alama, allows ideas to simmer in a way that feels profoundly and somatically intuitive -- not just a philosophical exercise, but an embodied truth. By slowing down both their creative process and the tempo of the music itself, Bell Witch digs even deeper into their long-standing focus: the way life spills on inside its minuscule container, both eternal and fleeting, a chord that echoes without resolution.

Founded in 1984, Heir Apparent issued a pair of ground-breaking albums between 1986 and 1989. Prior to the formation of Heir Apparent band was called Nemesis for a year. When vocalist Corey Rivers left the band in early 1984, the three remaining members recruited singer Paul Davidson, and the band's name was changed to Heir Apparent. The music of this Seattle-based band spans a range from progressive speed metal to acoustic-driven power ballads, fused with melodic and intelligent lyrical themes, and respected for their intense and emotive live performances. Since 2000, Terry Gorle has reformed Heir Apparent for several festival concerts in Europe, and numerous local shows around the Seattle area. In 2015, a line-up was solidified for additional European festivals, and a third studio album release in 2018. This album, ‘Foundations II’ contains the cult demo ‘Triad’ from 1988 (13 tracks) and Demo 2003 (3 tracks). https://www.facebook.com/HeirApparentOfficial

Seen Through The Veils Of Darkness (2^nd Spell) is GEHENNA`s first full-length album which was originally released in 1995.
They kept their characteristic sound intact, yet stepped each and every element of their sound up a notch or two. The highly melodic sound which has over the years become one of the band`s trademarks, presents itself refined with subtle details.
For the first time, GEHENNA dare to incorporate fast-paced passages into their songs too.
Considering the high compositional level of the album, one is simply awe-struck by the band`s enormous development within only 2 years since GEHENNA`s inception.
Seen Through The Veils Of Darkness (2^nd Spell) is a symphonic Black Metal masterpiece and a highlight of the genre.

The songs were completely new remastered by Patrick W. Engel at the Temple of Disharmony to ensure the best possible sound for this timeless Black Metal classic.

Luxurious hardcover digibook-CD.
It contains the new interview and many never before-seen pictures spread over a 28 pages booklet.

Icons of goth and doom, PARADISE LOST will release their long-awaited, 17th album Ascensionon September 19th. The band’s first album in 5 years, following 2020’s critically acclaimed Obsidian, was produced by guitarist Gregor Mackintosh and mixed/mastered by Lawrence Mackrory. Ascension is a testament to the band’s longevity and relevance over their 35+ year career, encompassing their signature styles of gothic, death and doom fans have cherished along the way.

Ascension’s album cover fittingly features the painting The Court of Death (1870-1902) by renowned British artistGeorge Frederic Watts, which hangs in the ate Gallery in London. The painting depicts Death as an enthroned angel flanked by allegorical figures of Silence and Mystery guarding sunrise and the star of hope, while a warrior surrenders his sword and a duke his coronet, showing that worldly status offers no protection. The painting’s bleak, prophetic vision embodies Ascension’s dark, tormented soundscapes as mournful verses collide with dire, foreboding riffs

In the mist-shrouded realm of black metal, GRAVENOIRE emerges as a phantasm, a spectral echo of the genre's most unyielding and arcane iterations. Combining the talents of present and past members of Anorexia Nervosa, Seth, BÂ’A and Diablation, this harbinger of the aether marries the raw, unfiltered essence of 90s black metal with the enigmatic lore of its ancestral land - France.

‘Devant la porte des étoiles’ is a portal, cast from the ancient stones of primordial rites and cosmic despair. This GRAVENOIRE debut, forged in the live crucible of rehearsal chambers untainted by modernity's corroding touch, channels the unsanctioned, unbridled energies of realms both spectral and telluric. From the inaugural summoning rites of the instrumental “Pavens” to the devotional desolation of “Granit”, each track serves as a tome, inscribed with the ink of rebellion, mysticism, and the unquenchable thirst for transcendence. GRAVENOIRE invites the listener to tread the forgotten paths beneath the starlit dome, to reunite with the ancient forces that pulse in the earth's hidden veins.

For fans of GORGOROTH, ARCKANUM, DARKTHRONE, EMPEROR.

SEAR BLISS’ ‘Grand Destiny’ is one of their most ‘obscure’ releases. Now finally re-released on Cd. ‘Grand Destiny’ is their 3rd album from 2001. Cover art work by Kris Verwimp (Absu, Marduk). Remastered and complete new booklet design. Hungarian black metal at its best!

Gatefold DLP including a A4 12 pages booklet.

The inimitable Funeral Mist – one of the most iconic bands on the NoEvDia roster – has delivered unto us “Deiform”. Seven musical pieces contemplating the nature of divinity and mortal existence through the fiery lens of black metal.

Info : Sweden's MARDUK are not only one of the most long running and respected black metal acts out there, but also one of the most productive. Even fourteen albums into their storied career, the quartet have never ever delivered a weak album and never wavered from their path of utter blasphemy and misanthropic contempt. 2004's “Plague Angel” was the first release featuring current vocalist Mortuus (Funeral Mist, Triumphator) who played a pivotal role in MARDUK's reinvigoration after the departure of previous singer Legion. He brought a new level of vocal and lyrical intensity plus a frightening stage presence into the game catapulting the group to new heights. Now, it will finally be made available! Remastered by Patrick W. Engel.

By their hammer let none be saved – Misþyrming return to lay down the law. Með hamri is the sound of the iron heel of Black Metal trampling the face of musical modernity.

Með hamri is deeply saturated with the vibrantly alive energy that Misþyrming capture so effectively on stage. The drums sound organic and powerful, the guitar distortion has a vicious bite, and D.G.’s vocals are as brutal and evocative as ever. The underlying spirit is one of action. There is melancholy, bitterness, and filth, but one of the album’s foremost characteristics is its relentless surge of determination. Never before have Misþyrming sounded livelier and more confrontational.