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Band with ex members of Kawir,Nergal,Acrimonious from Greece.

Cd in slipcase

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Terrific debut album for this norwegian band who offers an album in the glorious 90's Norsk black metal style. For fans of Kvist, early Kalessin and Carpathian Forest

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Disponibile ora!

Although literally emerging from nothingness earlier this year, SHRINE OF INSANABILIS are no mere acolytes, instead evincing a master's knowledge across their debut album. Never more aptly titled, Disciples of the Void comprises six testimonies to the fiery aspiration for enlightenment through inconceivable nothingness. These testimonies are also manifested into this world by their corresponding sigils. SHRINE OF INSANABILIS vividly portray these visions through a heaving mass of obsidian black metal, forever rising and falling, surging and merging, offering glimpses of glory and valleys of despair in equal measure.

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Temple of the Adversarial Fire

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Shaarimoth's debut album, originally released on December 27th, 2005, via Carnal Records and re-released through W.T.C.Productions on the first of January, 2018.

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4 new hymns, recorded in the same session like Sargeist's latest full length masterpiece, Unbound, showing nothing but Satanic Black Devotion.

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The fifth full length album of German Black Metal Command, Nargaroth.

Inter Arma

Noble re-issue of "Black Metal ist Krieg" as Digipak CD incl. 20 pages booklet, with revised layout.

Inter Arma

Herzogian Darkness is a shadowy plunge into strange, shapeshifting depths. It is recognizably black metal by sound and vision - and, more or less, by name - but the febrile sensations these mysterious Poles emit elude safe 'n' staid categorization. Not for nothing do MEDICO PESTE here transform Bauhaus' classic "Stigmata Martyr" into one of their own, idiosyncratic creations.

6 panel Digipak CD.

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Digipack

One of the best of the history of Black Metal is back.
Horna's ninth full length album. The Band's previous full length album "Askel lähempänä Saatanaa" was something of a throwback to mid '90s black metal classicism. By contrast, Hengen Tulet carries forward a similar songwriting aesthetic - surging 'n' swooshing speed, spiraling melody both majestic and malevolent - but reinvigorates a foul, fetid primitivism. It's still a supremely varied yet focused spin, compact (and caustic) as ever, but the headbanging, hard-charging tropes are surely a sign of HORNA's well-oiled machinery lately on the live front, where Spellgoth has cultivated no small amount of infamy for his penetrating performances.

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