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Back in stock - Extreme Metal and Dark music
Ecco finalmente una ristampa volta a calmierare le quotazioni della stampa originale, giunta a prezzi esorbitanti su ebay e simili
1. Glück 11:09
2. Geisterschiff 07:53
3. Dunkler Mann 08:39
4. Findling 09:44
5. Der Pakt 07:56
6. Das Ende 08:38
- Digipak CD (7" cover size) Of 350gsm Stock Paper With Glued In Black CD-Tray, Scratch-resistant
Matt Lamination
- 20 Page Booklet, 168x168 mm, Full-color Printed On 150gsm Art Paper
- 336x336 mm One Sided Full-color Poster, Printed On 150gsm Art Paper
- All Assembled Into A Plastic Overbag
- Limited To 1000 Copies
- Track 8 Is A Bonus Song For The Japanese Vinyl And This CD Edition
Partially metalized clear substrate CDs in fold-out lotus shaped packaging, held together by an OBI strip
10TH ALBUM ANNIVERSARY EDITION
The album contains the tracks from the sold out 10″ MLP 20:11.
DIGIPACK: 4 panel color print, 300g b-b cardboard, glossy UV varnish
SLIPCASE: color print, silver laminate + glossy UV varnish; assembly and sealing into foil.
DIGIPACK: 4-panel, silver laminate + partial white underprint + glossy UV lacquer.
BOOKLET: 12 pages, 150gsm glossy paper.
SLIPCASE: silver laminate + glossy UV varnish.
“Krupinské ohne (The Fires of Krupina) is a concept work dealing with real and magical events that took place during 17th century in the town of Krupina. A coven of witches operated here and instilled fear in the area that has eventually led to their fiery deaths upon the pyres of Catholic Church. Adjusted to the conceptual nature of the album, the music is inspired by the specific mystique and adventurous spirit of 70s progressive rock albums, while still remaining true to its roots of Iron Curtain style obscure black/heavy metal. “
STRIDZIE DNI ("THE WITCHING DAYS") is a celebration of the countryside in Western Slovakia, with all its grotesque myths and lore. All lyrics are written in local dialect and they mostly deal with folklore legends based on rural witchcraft, drunkenness and also national pride.
Like the Slovak soul itself, these songs are often both grim and humorous, merry and melancholic at the same time.
VANHELGA's music can doubtlessly be classed as black metal, but that would be too restrictive a definition. Their music is cold and sinister but with melodies and melancholic moments that can draw you in and lull you into a false sense of security before you realize, too late, that you have been caught in an ominous web of sound that sends shivers down your spine.
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