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Back in stock - Extreme Metal and Dark music
Hymns from the deep is an exploration of the dark depths of Moria from J.R.R. Tolkien’s venerated The Lord of the Rings. The lyrics are one long epic poem written by Myrddin Evans, based on the chapter 'The Bridge of Khazad Dum' from The Fellowship of the Ring. This spans across the tracks of the album which musically draws influence from funeral doom, death metal, black metal and dark ambient. All music and instrumental performances come from Daniel Scrivener with Matthew Surry channeling the voice of the Balrog to complete the project. This is cavernous and foreboding funeral doom that is highly recommended to fans of EVOKEN, THE RUINS OF BEVERAST, ESOTERIC.
An immense compilation spanning over 2 hours and originally released by Tabu Recordings on CD in 2004. "Valfar, Ein Windir'' was released to honour Valfar's unfortunate passing in early 2004 and features covers, live recordings, unreleased tracks and re-recordings.
Deathheadz is honoured to bring this monumental collection of songs out of the darkness and into the light for one more time on Double CD format housed in a printed Slipcase.
Comes in gatefold cover sleeve, inside jackets are printed with lyrics.
250x SWAMP GREEN COPIES
Black vinyl
• For fans of Disembowelment, Abigor, Thorns of the Carrion, Limbonic Art, Ceremonium, Evoken, Emperor, Obtained Enslavement, Atramentus, Unhol
B4 - Aqua blue / Halloween orange merge
Ulthar create something uniquely arcane within the Bay Area metal underground. The trio comes together on their debut full length Cosmovore to unleash its feral urgency for dizzying Absu-like black metal with death metal’s bludgeoning violence. Thematically heavy on weird and supernatural horror with a bizarre Rudimentary Peni-like surrealism, the band are a difficult to classify spectral entity. Over the course of the album’s forty minutes, the band careens forward at primarily unrelenting velocity, with the opening title track instantly battering with primal persistence. The album’s middle section, a blinding storm of ghastly black dread, leads into the thirteen-plus minute epic “Dunwich Whore” where the Ulthar universe becomes all consuming with proggy synth bookends, vertiginous tempo variation, grinding technical violence, and thrashed madness.
Baby Pink/Black Merge
With the release of Cosmovore in 2018, Ulthar presented a twisted warped dystopia where furiously paced, inverted death metal and scathing, angular blackness defined a new way forward. Now the band returns with the grotesquely intangible Providence, whereby they stretch the fabric of previously trod worlds into idiosyncratic new forms and elevated levels of primal intellect. The unyielding Ulthar attack doubles down here with figures becoming more sickening and shapes more savage. An immensity like spiraling, ancient monoliths too tall to comprehend and bending inward upon themselves envelops adherents to this realm. Duly diabolic voices guide this odyssey through the incongruous caverns of absurdity, obscure texts and manifold vitriol. Released at a time where the world has devolved into a surrealistic nightmare of viral trepidation and encased solitude, Ulthar’s Providence becomes a prescient view into the strange paradoxes that only months ago seemed unbelievable but now all too possible. Where horizons cease, where grace is dead, where nothing lives, so be it amen.
