CD

Whilst admiration of the US American masters is unquestionable, Ageless Summoning display a jaw-dropping level of originality in their approach to the sub-genre. “Our goal has never been to just imitate what has come before, but we’re not trying to hide our influences either. We include plenty of deliberate references, but we’re also trying to develop our sound and continue the exploration of vast and desolate otherworlds.”

Featuring members of such long-running U.K. acts as Of Spire & Throne, Haar, Úir, Scordatura, and Abyssal, the band has several combined decades of desecration under their belts. Wrapped in one of the most stunning and sinister Paolo Girardi artworks in recent memory, Corrupting The Entempled Plane is not to be missed.

Brand new EP, comprised by 20 min of prime black metal from Ecuador.

Dedicated to all the nocturnal entities of the sinister side, who roam the shadowy southern temple.

Compilation of both demos, vinyl coming later in conspiracy with URTOD VOID.

All demonstration material recorded at the Apocalyptic Sunrise Family Bunker in Philadelphia Pennsylvania.

Contains the "Return Of The Empire" album + the "Can You Still See Reality?" and the "Limited USA Tour Edition" 7" singles as bonus tracks.

After releasing three albums in three years and then spending the next four in the wilderness, Tomb Mold has been reborn on fourth album The Enduring Spirit, a thoroughly unabashed step into vast new territories. Yet for all its frenetic daring and audacious exploration, it is never anything other than unmistakably Tomb Mold.

While the expanding Tomb Mold architecture could be heard on last year’s self-released Aperture Of Body tape, it comes into clear focus throughout The Enduring Spirit. Certainly Derrick Vella’s time creating within and expanding the doom genre in Dream Unending has seeped into the flesh of Tomb Mold, not to mention Payson Power and Max Klebanoff’s explorations in their own Daydream Plus project.

With album opener “The Perfect Memory (Phantasm of Aura)” the band’s angular dimension shifting riffing appears right out of the gate as the track travels through varying degrees of progressive death metal and some of the band’s most extreme material yet. “Will Of Whispers” enters with a jazz-like fantasy sequence before careening into a blinding white light barrage, tasteful guitar leads and back to a dreamy serpentine pattern, encompassing whole universes in its nearly seven minute run-time.

With a past that stretches back to the late '90s and a patient path that began in 2013 with a moniker change, Brazil's THE KRYPTIK burst forth into brilliance when they aligned with PURITY THROUGH FIRE. In the autumn of 2019 came their acclaimed second album, When the Shadows Rise, a startlingly immersive gem of symphonic black metal, and many finally took notice. A year late came the 40-minute Behold Fortress Inferno, which poignantly expanded on their vast canvas despite "only" being a mini-album. Between these two records especially, THE KRYPTIK proved that "symphonic black metal" need not be a dirty word; with no outside influence from the nowadays "black metal" scene, the duo dependably practiced their mystical arts and erected a grand citadel of sound - an atavistic awakening of when all was simply BLACK METAL, heedless of appellations. 

And so it goes with THE KRYPTIK's massive third album, A Journey to the Darkest Kingdom. Truly titled, the seven-track/70-minute A Journey to the Darkest Kingdom reveals the duo's grandest vision yet: neo-ancient symphonic black metal drenched in the dark waters of the cosmos, a castle of crystalline ice whose spires reach into boundless space. The band's ebon flow continually crests and cascades, synths swirling all about and with utterly magickal effect. The production here in this Darkest Kingdom is clear and sharp - all murk excised for maximum immersion, gorgeous swell, and pulsing violence - altogether sounding incredibly vintage and era-authentic yet somehow fresher than most nowadays black metal recordings. But, that magick largely resides in THE KRYPTIK's songwriting, as each song is an epic in its own right and then are all threaded together as one fever dream: melodicism, majesty, and malice in perfect balance. Thus, A Journey to the Darkest Kingdom follows logically in THE KRYPTIK's continuum whilst pushing their creativity to even-more-breathtaking heights. Have they delivered a classic on par with Witchcraft, The Sad Realm of the Stars, or even Stormblåst? Only time shall be the judge...

Collector's Edition in 4-panel digipack, limited to 500 copies.

Hån's third album "Conquering Magnificent Halls" marks a significant evolution in the band's song structures while maintaining their trademark infectious melodies and steadfast aggression. Mixed and mastered once again at Liquid Aether Audio Studio, this album promises to showcase Hån's relentless dedication to pushing the boundaries of Black Metal.

Collector's Edition in 4-panel digipack with 12-page booklet, limited to 500 copies.

Boréalys is a black metal project formed in northern Québec (in Abitibi). It was around 2015 that Abstrus (ex-Brumes) gave birth to the first guitar riffs, which will eventually serve the EP "Là où les eaux se séparent" (label: Winter Sky/Les Fleurs du Mal/ Non Posse Mori, recorded in the ''Black Amp Studio'' and ''Dans l'Antre'') and the first album "L'héritage" (label: Northern Silence Productions, recorded in the ''Black Amp Studio'' and ''Dans l'Antre''). Somewhere in 2018, Julius (from Black Empire) joined the project for the drums, and later K. (from Wendess) for bass and mix/mastering. In 2020 K. left the band and it is Abstrus who took over the bass for the album "L' héritage", now making Boréalys, a duo.

Only in French, Boréalys is rooted in its history, these tales, and these legends of its terroir. In a defined atmosphere that tells you the memories and customs of their past, the wounds and efforts of their ancestors who colonized this land, but also, a feeling of freedom coming from the infinite forests and the many rivers that make it their fortress. In order to pay tribute to its native language, faithful to its Francophone origins, Boréalys is, and will remain, a project only in French. 

In a heavy and melancholic atmosphere, Boréalys draws its influences from the Scandinavia of the '90s and bands such as Drudkh and Abyssic Hate.

Winter Suicide (2007) Demo
Verzweiflung (2008) - Full Lenght
Ambient Stuff

Jewelcase

Following the incredible success of the debut, the second full length, entitled ”Militant, Penitent, Triumphant”, builds on this rock solid foundation. It showcases the unique sound and song structures that so many people appreciated about “Six Voices Inside”, thus making it instantly recognizable as none other than Faidra. To keep that typical sound and atmosphere was indeed a very conscious decision. The familiar structures, ambient synth sounds and slow tempos from the first album are present and continue that tradition, while also including occasional new elements and influences.

The work on this new album started almost immediately after the release of the debut album, knowing that it would take a long time to complete because of rather limited free time. The project was worked on from time to time during almost three years without a consistent work flow, where sometimes months passed by without a single note recorded.

Where the debut tackled a lot of different subjects, the new album has a very specific theme running through almost every track. The larger concept handles the themes of sin, penitence and redemption; also mirroring the title of the album, which are the three states of the Catholic church.