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The band's fifth full-length brings an essential dark stir of eerie, haunting & melancholic total Norwegian Black Metal! Fronted by Doedsadmiral of Nordjevel, NATTVERD have created an album to top their legacy, and to dwell in sinister realms for ages to come! Featuring guest vocals by Hoest (Taake) and Von Hellreich.

Necrogod is the perfect expression of atavistic death metal brutality spearheaded by none other than Rogga Johansson (Paganizer, Revolting, Eye of Purgatory) who has teamed up with the revered The Master Butcher (Morbid Stench, Insepulto) to make this feat possible. It's a product of careful deliberation and years of experience, with Rogga Johansson laying down the heaviest music of possibly his entire career and The Master Butcher just taking things to another level with his barrage of unearthly roars. This is the culmination of death metal mastery, a groovy, pummelling record that imbibes the best elements of Swedish and American death metal  scenes to create a truly fearsome record without parallel. What's surprising is that despite the face-blasting aggression and unbridled vocal delivery, the music is well-rounded with thought-out structures, tempo changes, build-ups, solos and even traces of sick melodies. Clearly a marked deviation from the usual Rogga Johansson fare that one is acquainted with, this is some next level old school brutality that will knock you flat and will have you crawling back for more.  

For fans of - Undeath, Grave, Paganizer, Cannibal Corpse, Broken Hope, Baphomet, Of Feather and Bone, Malignant Altar

Cutterred Flesh have evolved to play what’s beginning to resemble a progressive form of brutal death metal. Without reducing the wholesome girth, they are able to pull off amazing feats that will stop the listener in his tracks and have him mentally slot them in a higher category than what he had originally pegged them at. While not as slick as some of their contemporaries skittishly moving about with hardly any impact, Cutterred Flesh’s music carries real weight and boasts of similar diversity if not more and is littered with unpredictable parts. Each of the songs on their sixth full length have a special thing going on and close listens only reveal the intricate structuring and even traces of emotive facets. It’s rare to come across a brutal death metal album that scratches the bludgeoning heaviness itch and also leaves a lasting impact that’s not purely external. Cutterred Flesh have clearly mastered their craft at this stage and come up with an album that is unfathomably heavy yet versatile and engaging which easily stands out from the one-dimensional ones languishing in the narrow confines of the brutal death metal realm.

For fans of: Benighted, Aborted, Cattle Decapitation, Monument of Misanthropy, Devourment, Enragement

The highly anticipated 2nd full-length by this Romanian band. Hailing from Transylvania, Putred was formed by Uriel on guitars (Morbicus, Vorus, Reveler) and Filip on vocals / bass (Necrotum, Vorus, Demoted) back in June 2020. Dante (Slaughter Ceremony, ex-In Obscurity Revealed, ex-Infested) joined the band behind the drumkit right after writing the first two songs, titled "Necroza" and "Devorat de Viermi." These tracks were self-released as a promo/demo tape in July 2020. In late 2021, Corina (ex-Deimos, Vorus, Reveler) joined the band as a bass player and Filip stuck to vocals only. In October 2022, Doru (ex-Necrovile, Vorus, Malpraxis) replaced Dante on drums, and the band immediately started playing live all over Romania. After myriad splits and more demos, Putred released their debut album, "Repulsie Post-Mortem", in early 2023. If that simple-yet-sublime debut full-length firmed up their filthy foundation, then Putred´s second album surely builds that foundation ever higher -and deeper- with miles of slime! Titled "Megalit al Putrefacției", Putred perfect pounding, ponderously mid-paced Death Metal of a most eldritch nature. Rancid and foul-smelling as ever, the Romanians´ tank continues to crush forward at a patient gait, exhibiting brutality and all-out heaviness not through sheer speed or dazzling displays of technique, but rather through thoughtful songwriting, slamming/slithering riffing and none-slimier atmosphere. The leads are especially eerie, as are the multi-tracked high/low vocals, with Corina´s wandering bass-work instilling a truly unsettling feeling. Sonic references across "Megalit al Putrefacției" are many -Mortician at half-speed, Cianide at their world-eating best, early Necrophagia´s weird textures, Apparition/Sorrow with a shot of energy, and of course the unholy trifecta of Bolt Thrower, Asphyx and Grave- but Putred manage to integrate their own personality into proceedings, particularly their lyrics, all written and growled in their native tongue, telling short horror-drenched stories about death, horror, the occult and the afterlife. The closing cover of Autopsy´s "Critical Madness" simply underlines that spiritual center. Completed by absolutely perfect cover artwork courtesy of Jan Pysander Whitney, Putred´s "Megalit al Putrefacției" is prime-grade Death Metal for those who want it slower, deeper and harder.

The full album De Tyfus De Teerling by Dutch Necro-rockers Grafjammer!

Time To Kill Records together with the publishing house Hollow Press, specialized in publications "Dark Weird Fantasy" join forces to give birth to a collaboration for the release of the cyber game "Cyberflesh" where extreme music, horror comics and "dark Weird" experience merge.

Created by Simone Alberto Grifone (game designer), David Genchi (drawings) and Marco Taddei (texts), and published by Hollow Press with soundtrack of the masters of Italian death Fulci and the hypnotic sounds of Talpah.

This collaboration was born as a soundtrack for "Cyber Flesh", a comic that mixes elements of cyberpunk, science fiction and horror. Through the music of Talpah and the Fulci, the comic comes to life in a symphony of distorted sounds and horror visions, taking the listener on a sensory journey through the dark depths of the human mind and beyond.
 

“Invisible Threads” is a sonic assault that penetrates the darkest depths of existence. This album explores themes of human degradation, unspoken fears, and wars that ravage not only bodies but also minds. A fierce manifestation of death metal, “Invisible Threads” overwhelms the listener with a crescendo of sonic brutality and raw emotions—an unrelenting frontal impact from the first to the last track, destined to leave a lasting mark.

MURDERWORKS is the third full album of Rotten Sound and is also considered as the stepping stone for the band, which also got us finally touring internationally. We had been doing more crusty stuff at first on Under Pressure and earlier releases. Then we added elements of death metal on Drain and finally started blasting more than ever on Murderworks.
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Murderworks was created mostly during 2001, when Keijo already lived in Tampere while others still were based in Vaasa. Keijo had moved already in 1997, but on 2001 he was rehearsing more than before with others, who were also spending a lot of time together at the rehearsal place. That extensive rehearsing made the release and entire band tighter than before, which probably has a lot to do with how the album ended up being.