€0.00
Your cart is empty
Your cart is empty
Offers: CD, Vinyl, DVD, Merchandise and Second hand - Extreme Metal and Dark music
Limited 250 copies - 2024 repress in solid white vinyl
The Belarusian quintet delivers a fast-paced, cold and pure black metal which is looking at both the classic European sound and its more contemporary interpretations. You will find loads of riffs, as well as the odd solo and melodic hook, which will relentlessly drag you toward the Darkness.
6-track EP on CD, in digipak with 12-page booklet.
Sylvaine has grown into a guiding light for ambient post-metal, but new EP ‘Eg Er Framand’ traces back to Kathrine Shepard’s earliest influences.
The Norwegian artist grew up amidst the contrasts between nature and urbanity, on the outskirts of downtown Oslo. While studying music, dance and drama in high school, she performed several times at the Kampen Church. This 19th century relic is where Sylvaine recorded most of ‘Eg Er Framand’. The special sound of this room underline the EP’s music, which includes interpretations of traditional Norwegian folk songs, along with three of Kathrine’s own original songs to the cannon.
To this day, “Dagsens Augo Sloknar” still has mysterious origins, but the lyrics were written in 1891 by Elias Blix, a professor-turned-politician who also wrote hymns. Staying true to the original’s delicate, reverent melody, Sylvaine sings in a breathy, elongated whisper that’s haunting and soothing, like a shadow. But while it opens with just a steady hum of organ, her rendition ends by pulling you into a trance.
‘Eg Er Framand’ is a stark but soothing passion project from one of metal’s most commanding voices.
For fans of ANNA VON HAUSSWOLFF, LINGUA IGNOTA, CHELSEA WOLFE, MYRKUR, EIVOR, HELGA
200 copies Limited edition
Italian long-standing black metal pioneers Funeral Oration are back with their third album. Originally formed in 1989 in Taranto, Apulia, the band released their debut album Sursum Luna in 1996 on Avantgarde Music before dissolving the following year. Twenty years later, in 2017, guitarist and keyboardist Luca La Cara and singer and lyricist The Old Nick brought Funeral Oration back from the dead to release their sophomore album Eliphas Love in 2019, again via Avantgarde Music.
Five years have passed already, and the time has come for a new chapter. Antropomorte sees La Cara and The Old Nick banding with bassist Iblis (Handful Of Hate) and drummer David Folchitto (Stormlord and many others) to craft seven hymns of old-style, essential black metal from the ‘90s. As Funeral Oration describes it, Antropomorte is “a desperate litany of decadence and mystical delirium. Marcia funebre per il genere umano.”
Once again we deal with poetry, occultism and antichristian sentiment thanks to lyrics directly inspired when not directly translated from poets and artists from different ages. “Amor Obsessio” is a direct translation made by The Old Nick from ”La morte embaumée” by M. Rollinat (1883), “Cloaca Cattolica” (“Catholic Sewer”) is inspired by true events occurred in Varazze in 1907, “Il Serpente Della Genesi” (“Serpent from the Genesis”) is another translation from “Lilith” by R. de Gourmont (1892) and so is “Notturno Sepolcrale”, translated from “Ténèbres” by A. Samain (1895). “Stregheria”, on the other hand, is a direct quotation of Salvator Rosa’s “La strega”, from 1646.
"Purple" with clear, marble effect vinyl
By Magnus' own words "The origin and exact recording date of these two tracks are a mystery to me: I don't know when or why or how I made them" you can expect something unique from this release.
"Scarlet red" with clear, marble effect vinyl
By Magnus' own words "The origin and exact recording date of these two tracks are a mystery to me: I don't know when or why or how I made them" you can expect something unique from this release.
gatefold, 24 pages booklet, 2 posters
black and white swirl vinyls
Darkness is falling. A cold wind blows from the snow-covered Carpathians, making the windows rattle and the corners of the house creak. Something is coming, eyes flashing red in the night and its footprints filled with grave dirt. What nocturnal terror is this? Why, it’s the arrival of the long-awaited third album by The Coffinshakers, folks.
While most bands quickly lose the spark, The Coffinshakers have stayed relevant – eternal like the undead. Though humor is their hallmark, there is also poignancy and something genuinely spine-tingling in their rugged, melancholy ballads. And this new offering shows them at the height of their baleful, campy power. They truly are a band that ages like fine wine – although vampires, of course, never drink… wine.
Much will be familiar to dedicated fans. Rob’s trademark malevolent chuckles still reverberate with sardonic glee, the deep rumble of his voice continuing to send all yellow-bellies hiding behind the barn. At the same time, his vocals have gained in both power and subtleness. The same goes for the guitar, bass, and drum work, now incorporating a broader array of classic Americana influences. These unholy badmen have drunk the blood straight from the neck of the authentic country, bluegrass, folk and other rootsy music of inbred US backwaters – and it has made their fangs sharper than ever.
And though The Coffinshakers still ride forth with tongue firmly planted in cheek, there is a new apocalyptic urgency to their third offering. From the marching drums of the desolate “Graves, Release Your Dead” to the echoing vocals of “River of Souls” and the cathartic cataclysm of “Down in Flames”, it all forebodes the imminent end of the whole dirty enchilada of existence. The band’s flippancy comes with a genuinely unsettling kernel of darkness – and black humor is always the most satisfying. Vampires may not cry, but we all know they laugh wickedly as they rise from the bone orchard.
Darkness is falling. A cold wind blows from the snow-covered Carpathians, making the windows rattle and the corners of the house creak. Something is coming, eyes flashing red in the night and its footprints filled with grave dirt. What nocturnal terror is this? Why, it’s the arrival of the long-awaited third album by The Coffinshakers, folks.
While most bands quickly lose the spark, The Coffinshakers have stayed relevant – eternal like the undead. Though humor is their hallmark, there is also poignancy and something genuinely spine-tingling in their rugged, melancholy ballads. And this new offering shows them at the height of their baleful, campy power. They truly are a band that ages like fine wine – although vampires, of course, never drink… wine.
Much will be familiar to dedicated fans. Rob’s trademark malevolent chuckles still reverberate with sardonic glee, the deep rumble of his voice continuing to send all yellow-bellies hiding behind the barn. At the same time, his vocals have gained in both power and subtleness. The same goes for the guitar, bass, and drum work, now incorporating a broader array of classic Americana influences. These unholy badmen have drunk the blood straight from the neck of the authentic country, bluegrass, folk and other rootsy music of inbred US backwaters – and it has made their fangs sharper than ever.
And though The Coffinshakers still ride forth with tongue firmly planted in cheek, there is a new apocalyptic urgency to their third offering. From the marching drums of the desolate “Graves, Release Your Dead” to the echoing vocals of “River of Souls” and the cathartic cataclysm of “Down in Flames”, it all forebodes the imminent end of the whole dirty enchilada of existence. The band’s flippancy comes with a genuinely unsettling kernel of darkness – and black humor is always the most satisfying. Vampires may not cry, but we all know they laugh wickedly as they rise from the bone orchard.
CD box set from dark ambient/symphonic black metal master VINTERRIKET!
Started in late 1996 VINTERRIKET (Norwegian and Swedish for "The Winter Realm") was founded by German musician Christoph Ziegler in order to capture the dark side of Mother Nature.
The first demo tape was released in early 2000 and since then, VINTERRIKET has been extremely productive, releasing a total of 6 demos, 13 studio albums, 11 EPs, 20 split albums and 12 compilations, some in very small editions.
The albums included on this amazing collection are '...Und Die Nacht Kam Schweren Schrittes' (2002), 'Der Letzte Winter - Der Ewigkeit Entgegen' (2005), 'Lichtschleier' (2006) and 'Gebirgshöhenstille' (2008).
