Nice price

"Scarlet red" with clear, marble effect vinyl

By Magnus' own words "The origin and exact recording date of these two tracks are a mystery to me: I don't know when or why or how I made them" you can expect something unique from this release. 

INFESTDEAD's “Satanic Serenades” unites all recordings by this Swedish death metal act led by Dan Swanö (Witherscape, ex-Edge Of Sanity, ex-Bloodbath), including the long deleted late 90's albums expanded with EP and demo material.
Remastered by Dan Swanö and featuring liner notes, all lyrics and updated artwork by Hjules (Destruction, Annihilator).
Legendary Swedish vocalist/multi-instrumentalist/producer Dan Swanö is perhaps best known for his work with Edge Of Sanity, Nightingale, Bloodbath, and recently Witherscape. Active since the early '90s, his career runs much deeper than this revered quartet, having produced seemingly countless bands from across the metal spectrum (Opeth, Dissection, Katatonia, Asphyx to name just a few) as well as launching or taking part in side projects including Moontower, Odyssey, Pan.Thy.Monium or Infestdead. The latter formed in 1993 and released two albums – “Hellfuck” (1997) and “Jesusatan” (1999) – plus EP/split releases.
From the debut EP “Killing Christ”, vocalist Dread (Tormented, ex-Marduk) and Dan had only one goal in mind: to create classic US inspired death metal like Deicide, Morbid Angel etc.!
The result was astonishing and in its remastered fashion sounds even more convincing and is blessed by Swanö's incredible songwriting talent. Even if it's just plain and violent death metal, Mr Swanö turns everything he touches into amazing music, be it prog or unholy extreme metal!
“Satanic Serenades” is an official 40+ tracks anthology release of the entire INFESTDEAD catalogue that now shall haunt the holy again!

gatefold, 24 pages booklet, 2 posters

black and white swirl vinyls

Sold out since a few years, here comes a new press in 'Aside-Bside' effect greeen with black vinyls

Emotionally raw and brutally savage release following in the tradition of 2015's Arpitanian Lands. Enisum have managed to mix elements of atmospheric black metal and doom metal into ten perfect songs for this album.


Ascolta su BandCamp

Darkness is falling. A cold wind blows from the snow-covered Carpathians, making the windows rattle and the corners of the house creak. Something is coming, eyes flashing red in the night and its footprints filled with grave dirt. What nocturnal terror is this? Why, it’s the arrival of the long-awaited third album by The Coffinshakers, folks.

While most bands quickly lose the spark, The Coffinshakers have stayed relevant – eternal like the undead. Though humor is their hallmark, there is also poignancy and something genuinely spine-tingling in their rugged, melancholy ballads. And this new offering shows them at the height of their baleful, campy power. They truly are a band that ages like fine wine – although vampires, of course, never drink… wine.

Much will be familiar to dedicated fans. Rob’s trademark malevolent chuckles still reverberate with sardonic glee, the deep rumble of his voice continuing to send all yellow-bellies hiding behind the barn. At the same time, his vocals have gained in both power and subtleness. The same goes for the guitar, bass, and drum work, now incorporating a broader array of classic Americana influences. These unholy badmen have drunk the blood straight from the neck of the authentic country, bluegrass, folk and other rootsy music of inbred US backwaters – and it has made their fangs sharper than ever.

And though The Coffinshakers still ride forth with tongue firmly planted in cheek, there is a new apocalyptic urgency to their third offering. From the marching drums of the desolate “Graves, Release Your Dead” to the echoing vocals of “River of Souls” and the cathartic cataclysm of “Down in Flames”, it all forebodes the imminent end of the whole dirty enchilada of existence. The band’s flippancy comes with a genuinely unsettling kernel of darkness – and black humor is always the most satisfying. Vampires may not cry, but we all know they laugh wickedly as they rise from the bone orchard.

Darkness is falling. A cold wind blows from the snow-covered Carpathians, making the windows rattle and the corners of the house creak. Something is coming, eyes flashing red in the night and its footprints filled with grave dirt. What nocturnal terror is this? Why, it’s the arrival of the long-awaited third album by The Coffinshakers, folks.

While most bands quickly lose the spark, The Coffinshakers have stayed relevant – eternal like the undead. Though humor is their hallmark, there is also poignancy and something genuinely spine-tingling in their rugged, melancholy ballads. And this new offering shows them at the height of their baleful, campy power. They truly are a band that ages like fine wine – although vampires, of course, never drink… wine.

Much will be familiar to dedicated fans. Rob’s trademark malevolent chuckles still reverberate with sardonic glee, the deep rumble of his voice continuing to send all yellow-bellies hiding behind the barn. At the same time, his vocals have gained in both power and subtleness. The same goes for the guitar, bass, and drum work, now incorporating a broader array of classic Americana influences. These unholy badmen have drunk the blood straight from the neck of the authentic country, bluegrass, folk and other rootsy music of inbred US backwaters – and it has made their fangs sharper than ever.

And though The Coffinshakers still ride forth with tongue firmly planted in cheek, there is a new apocalyptic urgency to their third offering. From the marching drums of the desolate “Graves, Release Your Dead” to the echoing vocals of “River of Souls” and the cathartic cataclysm of “Down in Flames”, it all forebodes the imminent end of the whole dirty enchilada of existence. The band’s flippancy comes with a genuinely unsettling kernel of darkness – and black humor is always the most satisfying. Vampires may not cry, but we all know they laugh wickedly as they rise from the bone orchard.

Edition in "coke bottle" translucent green vinyl 

Please note: mock-ups are purely indicative computer graphics: the final product sometimes varies considerably

Origin #02 features a collection of musical tracks and ideas that Magnus initially began crafting between 2003 and 2009. It wasn't until 2012-13 that he meticulously curated these tracks and embarked on a creative journey to bring them to completion. This album offering a diverse yet coherent palette of soundscapes and emotions.
Warm groovy rhythms set the pace while we drift through deep electronica washed by waves of ethereal pads and mesmerizing melodies.

The overarching concept of the Origin series is to breathe new life into previously unfinished musical pieces, allowing them to finally emerge into the world, free from obscurity.

Written and produced by Magnus Birgersson in Studio Jupiter, Gothenburg, Sweden and remastered by Robert Elster in 2023. 

Origin #02 features a collection of musical tracks and ideas that Magnus initially began crafting between 2003 and 2009. It wasn't until 2012-13 that he meticulously curated these tracks and embarked on a creative journey to bring them to completion. This album offering a diverse yet coherent palette of soundscapes and emotions.
Warm groovy rhythms set the pace while we drift through deep electronica washed by waves of ethereal pads and mesmerizing melodies.

The overarching concept of the Origin series is to breathe new life into previously unfinished musical pieces, allowing them to finally emerge into the world, free from obscurity.

Written and produced by Magnus Birgersson in Studio Jupiter, Gothenburg, Sweden and remastered by Robert Elster in 2023. 

Nortfalke is a new and enthusiastic project creating a very unique and sophisticated form of complex electronic music. Fans of Ambient will be pleased with the new album Seefunktjonderee as will those who have taken to liking to Dungeon Synth. However, Nortfalke replaces the lo-fi aspect with something that is found too rarely nowadays: skill.

It is somewhat hard to describe the many details that make Norttfalke's first epos so special. Meditative and clearly fleshed out loops form an atmosphere of melancholy and dreaminess that immediately captures the listener and holds his attention throughout the entire running time. As opposed to some of the lesser artists creating similar material, the sound is fleshy and full, always pleasant and filled with many subtle nuances that make the songs interesting despite the lengthy running time.

Although Seefunktjonderee is rather homogenous, the three respective tracks still manage to evoke their own atmosphere and identity. The second song „Yn it schymenryk“ almost seems like a hymn from a fantasy film. Aetherial synthsounds and strong upfront melodies clothe the piece in a semi-medieval majesty that has been rarely reached before. The following Jeeuwne Mone is more calm but still highly catchy with its rhythmic qualities and allround superb composition. Seefunktjonderee by Nortfalke is a highly ambitious and well-crafted album which absolutely should not be missed! 

https://dungeonsdeeprecords.bandcamp.com/album/seefonktj-enderee