Nice price

Remah is a black metal entity born from a long-standing friendship and split between Paris and Brussels. Dea and ABR have known each other for a very long time and played black metal together since the beginning of their friendship, 17 years ago.

After a 10-year gap in their musical relationship, they gathered once more to create Une Main, Remah debut album, of which Dea wrote and produced all the music and clean vocals while ABR wrote and sang the lyrics. The result is a mixture of ice-cold, blade-sharp black metal with deep roots in several different styles: there’s the circular riffing of Blut Aus Nord most atmospheric and industrial works, the profound suffering of Xasthur depressive black metal records and of course furious, relentless blasts of rage coming from a Scandinavian heritage.

But Remah do not end in black metal. Thanks to a diverse musical background and previous multi-colored experiences (Emptiness, Soror Dolorosa, Luminance and others), Dea’s music is greatly influenced by cold- and darkwave, as the musician specifically names the likes of Lycia among his influences, as well as the early psychedelic rock scene (Ultimate Spinach, The Zodiac, etc).

All these elements find their own place in Une Main, a black metal album capable of delivering the widest range of emotions. Abrasive at times, ominously psychedelic at others, Remah music have a vibe of its own. 

Remah is a black metal entity born from a long-standing friendship and split between Paris and Brussels. Dea and ABR have known each other for a very long time and played black metal together since the beginning of their friendship, 17 years ago.

After a 10-year gap in their musical relationship, they gathered once more to create Une Main, Remah debut album, of which Dea wrote and produced all the music and clean vocals while ABR wrote and sang the lyrics. The result is a mixture of ice-cold, blade-sharp black metal with deep roots in several different styles: there’s the circular riffing of Blut Aus Nord most atmospheric and industrial works, the profound suffering of Xasthur depressive black metal records and of course furious, relentless blasts of rage coming from a Scandinavian heritage.

But Remah do not end in black metal. Thanks to a diverse musical background and previous multi-colored experiences (Emptiness, Soror Dolorosa, Luminance and others), Dea’s music is greatly influenced by cold- and darkwave, as the musician specifically names the likes of Lycia among his influences, as well as the early psychedelic rock scene (Ultimate Spinach, The Zodiac, etc).

All these elements find their own place in Une Main, a black metal album capable of delivering the widest range of emotions. Abrasive at times, ominously psychedelic at others, Remah music have a vibe of its own. 

Reissue limited to 1000 copies

Recorded and produced by The Choir Of Vengeance and Morth at Thy Studio.
Tracks 1-5 recorded in April 1996
Tracks 6-8 previously unreleased, recorded in 1997

Comes in a Jewelcase with 10-Page Booklet.

Hailing from Perth, Western Australia’s SEANCE OF.... started as a side-project during a Grave Worship hiatus, initiated with the release of the 2006 Fuck Black Metal split tape. With the passing of years and erratic slumber of Grave Worship, SEANCE OF... became the main vessel for AR’s expression and exploration, continuing and evolving black metal in its many forms.

Dark Folk from France

CD in Digipack with golden hot stamping

For fans of folk guitars, rainy ambiences and medieval sorcery

This 2nd release and first full length long player from ABSTRACT THE LIGHT, sees a continuation and further development of the sounds and feelings touched on on the debut release “From Out Of The Void” yet steps further into the dark and mystical folk sounds and bleak and emotive black metal touched on in passages previously...

Further drawing influence from a life of experience, trials and tribulations, loss and sadness this album delves further into the psyche of man.

“MAGNA SAPIENTIA QUAERERE : to the depths of thy soul...” was again recorded, mixed and mastered by Jarred Nettle at the House Of SAP, and this time features some excellent vocal contributions from our friends Rowan London (Virgin Black), Gregor Pikl, Sandra Mortis, as well as guest lead guitar performance by Jason Van Den Driesen, and Cello played by Hannah Yates.

Swiss black metal void sculptors DSKNT are back with their immense sophomore LP "Vacuum γ-Noise Transition", a devouring nightmare of omnipotent sonic annihilation conceived at the most liminal edges of sanity. The reality-destroying album takes shape as a dark and multidimensional hallucination deep into reality's most cryptic and terrifying truths, a place where entropy and chaos assume near-corporeal and hyper-realist forms, becoming empirical laws and axioms of all manifestations therein, with the music serving as the abhorrent mathematical key that allows the listener to unlock this realm beyond and "see" the horrors that populate reality beyond the reach of the five senses and of the terrestrial dimension. Harrowingly evocative and devastating beyond comprehension, "Vacuum γ-Noise Transition" assumes its hideous form through a ravaging maze of managed guitar fractals, eviscerating compositional deconstructionism and an inhuman event horizon of decaying soundscapes and oppressive atmospheres that dismantle the listener piece by piece, forcing mind and soul apart to disintegrate in each other's reflection.

Digipack limited to 500 Copies

Re-release of this incredible Cascadian Black Metal Album.

6 Tracks for more than one Hour of Music.

Godsend, traditional doom metal by the mastermind Dan Swanö with cover art itself incredibly eerie, menacing, and rather atmospheric