Nice price

gatefold, 24 pages booklet, 2 posters

Black vinyls

A deluxe 3LP set housed in luxurious casewrapped slipcase; including a 20 page booklet with lyrics, artwork by Ketola (Watain, Kaamos), introduction by Metalion (Slayer magazine), liner notes by the band, old flyer designs and more. The set also includes a previously unreleased track, “Priest of Mendes”.

Sold out since a few years, here comes a new press in 'Aside-Bside' effect greeen with black vinyls

Emotionally raw and brutally savage release following in the tradition of 2015's Arpitanian Lands. Enisum have managed to mix elements of atmospheric black metal and doom metal into ten perfect songs for this album.


Ascolta su BandCamp

Voidescent is a Spanish black metal band that originated under the name Andhord. Having released a series of independent demos and EPs, the band underwent a significant artistic transformation to embrace a new chapter in their musical exploration, reflecting a deeper commitment to a darker and more mature concept. This evolution was initially announced in 2018 with the digital release of their first EP, Eleven Into Nox, and has now culminated in their debut album, Dust and Embers.

Dust and Embers is a musical exploration that delves into the mystical realm of mortality and introspection. With their debut, Voidescent weaves a narrative that embraces the awe-inspiring force of death, inviting listeners to contemplate its profound teachings and crushing might.

Within the sharp destructive melodies and piercing lyrics of Dust and Embers lies a transformative journey. It traverses the depths of human existence, unraveling the enigmatic nature of mortality and the profound lessons where life and death intertwine. It prompts introspection, urging us to explore the mysteries of our own existence and contemplate the timeless truths that lie within the realms of our own consciousness.

Voidescent beckons those who are intrigued by the mystical aspects of existence, inspiring them to explore the profound depths of destructive transformation

Edition in "coke bottle" translucent green vinyl 

Please note: mock-ups are purely indicative computer graphics: the final product sometimes varies considerably

Origin #02 features a collection of musical tracks and ideas that Magnus initially began crafting between 2003 and 2009. It wasn't until 2012-13 that he meticulously curated these tracks and embarked on a creative journey to bring them to completion. This album offering a diverse yet coherent palette of soundscapes and emotions.
Warm groovy rhythms set the pace while we drift through deep electronica washed by waves of ethereal pads and mesmerizing melodies.

The overarching concept of the Origin series is to breathe new life into previously unfinished musical pieces, allowing them to finally emerge into the world, free from obscurity.

Written and produced by Magnus Birgersson in Studio Jupiter, Gothenburg, Sweden and remastered by Robert Elster in 2023. 

New copy but arrived with a very small seamsplit and a light corner ding, nothing really serious but still, we can't sell it as perfect new copy... thus the special price 

Gatefold cover with A4 sized book insert
Double vinyl in two colors options: smoke gold/black on clear-vinyl (100) or black (200)

(This version: GOLD-BLACK MARBLE)

SPECIAL PREORDER PRICE: after 30/09 price will be increased and set to 22,00€

Voidescent is a Spanish black metal band that originated under the name Andhord. Having released a series of independent demos and EPs, the band underwent a significant artistic transformation to embrace a new chapter in their musical exploration, reflecting a deeper commitment to a darker and more mature concept. This evolution was initially announced in 2018 with the digital release of their first EP, Eleven Into Nox, and has now culminated in their debut album, Dust and Embers.

Dust and Embers is a musical exploration that delves into the mystical realm of mortality and introspection. With their debut, Voidescent weaves a narrative that embraces the awe-inspiring force of death, inviting listeners to contemplate its profound teachings and crushing might.

Within the sharp destructive melodies and piercing lyrics of Dust and Embers lies a transformative journey. It traverses the depths of human existence, unraveling the enigmatic nature of mortality and the profound lessons where life and death intertwine. It prompts introspection, urging us to explore the mysteries of our own existence and contemplate the timeless truths that lie within the realms of our own consciousness.

Voidescent beckons those who are intrigued by the mystical aspects of existence, inspiring them to explore the profound depths of destructive transformation

Printed on Gildan softstyle ring spun

SIZE S

REQVIEM The album of the Dead and the Metal from Colombia.

"When I first went into the studio for the REQVIEM Album I was about 20 years old living in Medellín city in the 80s. Medellín is the second most important city of Colombia; by that time, a place full of hate with this bitter taste on the air, reflection of what Death used to leave behind it's continuous presence in the streets and neighborhoods of the city. A huge percentage of Medellin's society was the result of poverty, lack of opportunities and the everlasting misery, a situation that soon was seen by the drug cartels as way of grow by imposing its own law and rules under the flag of dirty money while the government blind, deaf, and corrupt wasn't and still not a part of the solution for the current and upcoming generations.

Since then a tremendous passion for Metal Music has been living inside me.

BullMetal and I were making our dream come true. Without knowing we were creating one of the most iconic metal albums, not only here in Colombia but in South America and Worldwide as well.

An album transcending time and space which has permitted MASACRE write its own lines on the pages of this International Brutal Sound where time has been a silent witness of those who grow listening, screaming and headbanging their fucking heads off to get rid of a reality that still hurts and lives in every lyric as an eternal curse.

Difficult times, difficult days. We were forced to think different, hate a whole system, religion, morality, politics and society. From this living hell our lyrics were born and a raw dark sound transformed our music onto a personal signature, an alleviation. Funeral march of many.

REQVIEM, (sing to the dead) to Colombia past, present, and future. The massacred Colombia. REQVIEM can be summarized in two words. DEATH METAL, Metal of Death."

Alex Okendo

Re-release of the so CULT now album from 1991 of MASACRE Reqviem, the second release of Osmose Productions.

Special edition including the original recording from 1991, BUT also a complete re-recording, mixing, mastering of what it should have sounds!

So be prepare, cos after 32 years, the sound recording is just magick and reflect who is really MASACRE! A Pure Fucking Giant Band from COLOMBIA!

500x white 2x12"+7" (180g) in a black poly-lined innerbag, download card, insert 4 page, full-color on 250g, gatefold, full-color - black flood inside on 350g, all assembled in a PVC overbag.

Crystal clear 12" vinyl in gatefold with 4-page insert incl. Timo Kontio's liner notes and new art additions, limited to 300 copies worldwide!
This album is available for the first time on vinyl, limited to 300 copies worldwide!

With the fourth album Cypher, Finnish black metal outfit …and Oceans completed their transformation from predominantly symphonic influences to industrial inspirations. Being a group that has never played safe, this record transcended genres, broke all rules and was both lauded and hated for it.
A must have for the fan to complete their …and Oceans collection.

For fans of EMPEROR, ABORYM, SAMAEL.

Snorlax was born in unexpected circumstances during an experimental recording session in mid-2017 at Black Blood Audio in Brisbane, Australia. Recording engineer Brendan Auld stumbled upon the sound and found the voice of Snorlax while trialing new recording techniques. Following the stream of ideas and sounds that ensued, the result was what later became the unmastered release of The Splintering Demo. Having only played drums for a few short years at that point, Brendan's expectations were low, yet the release grabbed the attention of many black metal enthusiasts including Caligari Records, Jef Whitehead of Leviathan and even made #2 on a 2017 Decibel Magazine list of "Must Listen Underground Demos" compiled by the late Trevor Strnard of The Black Dahlia Murder.

Honing in on the Snorlax sound even further in 2020 with the release of II via Brilliant Emperor Records, more death metal-inspired elements began creeping into the foreground and soon the label "blackened death" was attached to project.

Jumping forward to 2023, Snorlax is set to release its third composition, mysteriously titled The Necrotrophic Abyss. Much like II, this full-length release clocks in at just under 30 minutes, delivering a concise, ruthless display of sonic violence and despair. This album is presented as a concept, with an overarching story that flows throughout, each song a chapter depicting a world so vile its own death is forced by the hands of nature. In the second half of the record Brendan introduces some new voices and layers of collaboration as the planet is laid to waste for eons resulting in a desolate baron abyss only creatures of the undead have a chance of surviving. The album closes with a slight glimpse of hope as the story eludes to an unlikely rebirth of evolution and a potentially inhabitable future after all.

This dark narrative is painted only by the lyrics, the music never loosening its grip, staying trve to the perpetual paralysis proclaimed on track 1 of the Snorlax first release. 

After the successful response of this album release, we are opening preorders for the Second press, available as cyan/blue color vinyl!

First release on our brand new Death Metal branch UNORTHODOX EMANATIONS!

Teratoma was formed in Germany 2020, consisting of members from four separate countries and boasting diverse musical backgrounds, but the death metal the band spews forth is streaked with all manners of bile and evil.
United in their love of classic, decidedly anti-modern death metal sounds, their debut release Purulent Manifestations contains a host of creepy-crawly riffs bolstered by a chunky rhythm section and packed into songs long enough to fit a few different gory diversions. Purulent Manifestations carries listeners along on a tide of momentum, indulging in primitive double-bass-driven savagery, but it also breaks away from these extremes to put them in context.
Throughout the record, there's a constant and welcome feeling of fun: from reveling in filthy tones to indulging in massive, ignorant grooves and wild solos, Teratoma's debut album is the work of musicians who love death metal in all its forms. As such, it's easy to recommend to even passing fans — even if you can't name what band might influence any given riff, it's easy to sense the energy and excitement Teratoma filled their album with.