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Other sounds - Anything that is not metal
fter the reckless barbarity of 2017’s Poisoned Blood 12-inch, Portland’s Witch Vomit dig deeper into the ground than ever before, disinterring Buried Deep In A Bottomless Grave, their second full length torrent of skullbashing wormridden horror from beyond. On this new album the band moves toward perfecting the surgical fusion of the driving Scandinavian-style violence and subconscious terror they’ve previously established, and a now gore-obsessed smashing of their American forbears. Subtlety is abolished for savage attack, imprinted on the listener’s withering mind like an impulsive stab to the throat from a crazed stranger, while all the while a dreadful sense of eerie melody rings throughout the album. With the permanent addition of second guitarist C.L., Witch Vomit achieve heightened levels of primal regression and blood-soaked madness. Buried Deep In A Bottomless Grave is a deadly addition to their growing catalog of atrocity.
A new musical project founded by Olivier J.LW and Michelle Nocon in early 2018
Marking 30 years since its original release, a 2021 remaster of the genre-defining debut from Pitchshifter.
Creating stunning concoction of walls of unrelenting primal aggression with a punishingly stark and brutal sound, Pitchshifter had found a highly effective signature sound to build upon when they entered Lion Studios in Leeds, in September 1990 (with Industrial coming together in a mere 72 hour)s. Upon the album's release, the band found supported acts such as Napalm Death and Paradise Lost, and notably caught the attention of John Peel(who invited Pitchshifter to perform a prestigious Peel Session).
180g vinyl with full lyrics and band photos.
Marking 30 years since its original release, a 2021 remaster of the genre-defining debut from Pitchshifter.
Creating stunning concoction of walls of unrelenting primal aggression with a punishingly stark and brutal sound, Pitchshifter had found a highly effective signature sound to build upon when they entered Lion Studios in Leeds, in September 1990 (with Industrial coming together in a mere 72 hour)s. Upon the album's release, the band found supported acts such as Napalm Death and Paradise Lost, and notably caught the attention of John Peel(who invited Pitchshifter to perform a prestigious Peel Session).
CD with a 12 page booklet including lyrics, rare photos, an overview of the early era of the band from Mark Claydon,and an additional interview conducted by writer Kevin Stewart-Panko.
An observational ode to shallow vessels of communication, “Romanticide” is the silkily somber spearhead to kick the door open for Asphodel Wine.
Sarah and Zachary’s universes collided in Autumn 2015, when their respective bands SubRosa and Minsk were both invited to support Cult of Luna on a West Coast U.S. tour.
‘Possessing an intention to pierce the clamour with silky rays of musical moonlight, the lyrics to each individual song are their own personal universe. But the album “Slowdance Macabre” as a sequential whole has a certain planned madness in the way of musical narrative- the ascension up the perceived mountain of one’s own spirit, that instead reveals itself as an active volcano- to its inevitable eruption and the subsequent plummet through the endless catacombs of the human experience.
Six panel Digipak.
This anniversary edition comes with a second CD containing a previously unreleased studio recording of the album.
A new musical project founded by Olivier J.LW and Michelle Nocon in early 2018
"Sembler Deah is one of many projects that you will find in the colossal parallel universe that is Church of Ra. If you don’t live under a damn rock, you will know that the mighty five-piece Amenra are one of the central pieces of that institution. Sembler Deah sees Colin H. Van Eeckhout and Mathieu J. Vandekerckhove from Amenra joining forces with the French Dehn Sora from TrehaSektori.
This is the debut of this three-piece, and the promotional flyer gives us a tiny glimpse of what we will find in these 35 minutes, divided into four different tracks. We read on the flyer: “Gathered by a sole ambience. Between ethereal soundscapes. Knotted drones and falls.A three-headed hand surrounding a light in a cold.Engulfing and ardent prayer”
