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Other sounds - Anything that is not metal
Six panels digipak CD
The quest for a complete Solar Fields reissue collection continues here at Sidereal, and this time we bring back to light the first installments in Magnus Birgersson’s unfinished tracks archive.
Origin #01, originally released in 2010, was the first compilation of Solar Fields finished unfinished pieces. A series of audio stems born in various periods of time, in this case from 2002 to 2008, then completed and refined.
Such a genesis makes the Origin series something different in the Solar Fields catalog, as the usual consistency and unity of Magnus’s studio albums is nowhere to be found here, in favor of a multi-faceted, various and fragmented approach. Every track is completely different from the other, and you never know what’s lying behind the next corner. Every note sounds 101% Solar Fields, but the spectre covered by Origin #01 was an entirely different width compared to what the Swedish producer released until that moment.
"oxblood & orange" vinyl
The quest for a complete Solar Fields reissue collection continues here at Sidereal, and this time we bring back to light the first installments in Magnus Birgersson’s unfinished tracks archive.
Origin #01, originally released in 2010, was the first compilation of Solar Fields finished unfinished pieces. A series of audio stems born in various periods of time, in this case from 2002 to 2008, then completed and refined.
Such a genesis makes the Origin series something different in the Solar Fields catalog, as the usual consistency and unity of Magnus’s studio albums is nowhere to be found here, in favor of a multi-faceted, various and fragmented approach. Every track is completely different from the other, and you never know what’s lying behind the next corner. Every note sounds 101% Solar Fields, but the spectre covered by Origin #01 was an entirely different width compared to what the Swedish producer released until that moment.
"gold & orange" vinyl
The quest for a complete Solar Fields reissue collection continues here at Sidereal, and this time we bring back to light the first installments in Magnus Birgersson’s unfinished tracks archive.
Origin #01, originally released in 2010, was the first compilation of Solar Fields finished unfinished pieces. A series of audio stems born in various periods of time, in this case from 2002 to 2008, then completed and refined.
Such a genesis makes the Origin series something different in the Solar Fields catalog, as the usual consistency and unity of Magnus’s studio albums is nowhere to be found here, in favor of a multi-faceted, various and fragmented approach. Every track is completely different from the other, and you never know what’s lying behind the next corner. Every note sounds 101% Solar Fields, but the spectre covered by Origin #01 was an entirely different width compared to what the Swedish producer released until that moment.
"Brown in Beer" vinyl (300 copies)
This effort is now taking us towards one of Magnus Birgersson’s beatless albums, namely Altered - Second Movements.
Originally released in 2010 on a limited CD run and never reissued since, Altered is a reworked and beatless version of the album Movements, released one year before (and reissued by Sidereal in 2018). Such close connection can be seen in each track title, too, which clearly reminds of their original Movement version.
Altered is one of the many examples of Solar Fields ability to paint different moods, always maintaining a strong, recognizable personality. A darker, yet dreamy atmosphere permeates these eleven tracks, which wil find their way to wax for the first time ever.
Forged in the Fires of the Underworld, Plamen Večnosti (The Flame of Eternity) represents a dark transmitter, black medium and the entity of the Otherness.
It came into being in year 2013. through Sifr Shraddha. Being a vessel of transformative energetic transmission, PV operates within a number of expression spheres. In order to capture the vibrations of its abyssal birthplace, handmade instruments where designed, crafted and utilized. Rattles, skin drums, flutes, pipes, percussions, strings and other tools in various shapes and sizes successfully serve the purpose of the transmission.
Together with drones and noises gathered during field recordings conducted on various liminal places, these vibes are then combined with proper ritualistic chants, vocals, whispers and hypnotic rhythms forming the sonic manifestations of PV. Nevertheless, the one particle able to activate these manifestations is never to be found on this side of the precipice. During years of spiritual devotion and practice, PV developed a systematic approach regarding the mechanics of its alchemical purpose.
Gatefold sleeve, limited red vinyl
