Other sounds

The continuous accumulation, a society driven towards destruction, an increasingly extremist religiosity, a reality distorted by information. Misleading information, right and wrong words, non-communication between people except with false hatred or hypocritical love, the return to parochialism between states, false prophets and new dictators: the technological Middle Ages have arrived.
 

CD, 6-panel digisleeve, ltd. 200 copies

CD, 6-panel digisleeve, ltd. 200 copies
Richard B. Lewis
Involving electric drone music; static backgrounds surrounded by occasional field recordings, distortions, hums, metallic sounds, gongs, Tibetan bowls with subliminal oriental suggestions. Compositions that are sometimes coloured or guided by short, deep, hypnotic melodic phrasings of electric guitar, hints of slide guitar, pounding piano notes, or violated by sudden modulations of sibilant electronic waves alternating with bombastic electric pulsations; chaotic mechanical noises enhanced by deep reverberations and spatial delays... And more whispered voices accompanying more melodic and structured passages, dark atmospheres, progressions with solemn and dramatic elements... A long and unpredictable journey led in an original and creative way by the eclectic electric guitar of Richard B. Lewis.

"Below/Light" by Filer Coleman is a selection of ambient works by Jim Filer Coleman. It represents an antidote, or perhaps a counterpart, to the more aggressive music that he may be more known for such as Cop Shoot Cop and Human Impact.
These tracks were recorded over a span of a few years, slowly evolving and seeking definition. Electrocoustic in nature, the approach was always exploratory and playful, searching for balance and connection with the natural world.

Jim Coleman was an instrumental member of Cop Shoot Cop, who played keyboards and created samples for this band. After this experience he worked in other groups with more electronics - like Baby Zizanie along with J.G. Thirlwell, and Here with Teho Teardo - and recorded a solo album as Phylr. He also released an ambient album entitled "Trees" under his name.
Additionally, Coleman has scored a good number of indie films, like "Exposed" by Beth B and "Stay Then Go" by Shelli Ainsworth, and TV series. He has also worked with directors such as Todd Phillips, Hal Hartley, Richard Kern and Danny Leitner.

CADE is Bruno Dorella and Giovanni Lami. We come from different backgrounds and trainings, but we found a common ground in our open view to different disciplines, and our curiosity towards unorthodox approaches to music. "CADE" is our first ever album to be released, part of a wide archive of sessions that we recorded in 2019-2020, with no kinds of pressure. Dorella plays some traditional instruments such as guitar and percussions, while Lami processes them with different electronic instruments, including a reel-to-reel recorder and granular synthesizers. For the moment we have decided to keep CADE out of social media.
 

Italian musician and producer Bruno Dorella guides us to "Paradiso", his new solo album, with the music for the homonymous choreographic project of gruppo nanou, to be released on CD and digital on November 25th, 2022 by the independent label 13 / Silentes.
"Paradiso" was born for the choreography of the new show by gruppo nanou, a contemporary dance and performing arts company, founded by Marco Valerio Amico, Rhuena Bracci and Roberto Rettura. The collaboration between Dorella and the company has started almost a decade ago and over time has also involved Ronin and OvO, the main bands of the Ravenna-based musician - OvO were on stage in 2021 for Canto Primo: Miasma | Arsura, an encounter between sounds and infernal images, with Dante's recurring reference.

The ten tracks on the album struggle to fit into the category of pop music and even more so they shy away from the commonly understood song form. “Nada! Nada! Nada!” it is a complex ecosystem where disturbing trip rock coexists with ethnic impulses and mystical moments. Heartbreaking screams punctuated by hypotonic percussion loops, industrial suites full of saturated distortions are then alternated with diabolical chants. Almost a sound psychoanalysis of contemporary society, almost the soundtrack of a Dante's song. CIGNO increases the dose with visionary texts, where he paints frescoes of contemporaneity between a socio-political and economic criticism of the West, up to ascetic verses whispered and sung recited.
Anarchic and against the current, CIGNO's artistic proposal also passes through the cover which symbolically depicts the heretic. The engraving represents the symbol of the human condition.

300 edition CD comes in a beautiful matte 6 panel digipak with artwork by Simon Heath

Alphaxone present us a dark space ambient album filled with layered drone and harmonic textures that takes us deep into unexplored alien worlds

Recommended for fans of space ambience and deep atmospherics

Dead Melodies returns with the immersive interdimensional sci-fi odyssey, The Aberration of Time and Space. An atmospheric journey of haunting choirs, ethereal droning synths and futuristic sound design.

"Right there before his very eyes was a window into another version of reality; like a looking-glass only looking back upon himself basking in the triumph of succeeding in his life's work. The collider beeped again and another window appeared; now looking upon a new version of himself, but in this world, the experiment had failed. With each beep, another window appeared, each time revealing further, more extreme divergences and with each new world the windows grew in size."
Excerpt from Booklet
 

"Purple" with clear, marble effect vinyl

By Magnus' own words "The origin and exact recording date of these two tracks are a mystery to me: I don't know when or why or how I made them" you can expect something unique from this release.