Other sounds

"Below/Light" by Filer Coleman is a selection of ambient works by Jim Filer Coleman. It represents an antidote, or perhaps a counterpart, to the more aggressive music that he may be more known for such as Cop Shoot Cop and Human Impact.
These tracks were recorded over a span of a few years, slowly evolving and seeking definition. Electrocoustic in nature, the approach was always exploratory and playful, searching for balance and connection with the natural world.

Jim Coleman was an instrumental member of Cop Shoot Cop, who played keyboards and created samples for this band. After this experience he worked in other groups with more electronics - like Baby Zizanie along with J.G. Thirlwell, and Here with Teho Teardo - and recorded a solo album as Phylr. He also released an ambient album entitled "Trees" under his name.
Additionally, Coleman has scored a good number of indie films, like "Exposed" by Beth B and "Stay Then Go" by Shelli Ainsworth, and TV series. He has also worked with directors such as Todd Phillips, Hal Hartley, Richard Kern and Danny Leitner.

CADE is Bruno Dorella and Giovanni Lami. We come from different backgrounds and trainings, but we found a common ground in our open view to different disciplines, and our curiosity towards unorthodox approaches to music. "CADE" is our first ever album to be released, part of a wide archive of sessions that we recorded in 2019-2020, with no kinds of pressure. Dorella plays some traditional instruments such as guitar and percussions, while Lami processes them with different electronic instruments, including a reel-to-reel recorder and granular synthesizers. For the moment we have decided to keep CADE out of social media.
 

Italian musician and producer Bruno Dorella guides us to "Paradiso", his new solo album, with the music for the homonymous choreographic project of gruppo nanou, to be released on CD and digital on November 25th, 2022 by the independent label 13 / Silentes.
"Paradiso" was born for the choreography of the new show by gruppo nanou, a contemporary dance and performing arts company, founded by Marco Valerio Amico, Rhuena Bracci and Roberto Rettura. The collaboration between Dorella and the company has started almost a decade ago and over time has also involved Ronin and OvO, the main bands of the Ravenna-based musician - OvO were on stage in 2021 for Canto Primo: Miasma | Arsura, an encounter between sounds and infernal images, with Dante's recurring reference.

The ten tracks on the album struggle to fit into the category of pop music and even more so they shy away from the commonly understood song form. “Nada! Nada! Nada!” it is a complex ecosystem where disturbing trip rock coexists with ethnic impulses and mystical moments. Heartbreaking screams punctuated by hypotonic percussion loops, industrial suites full of saturated distortions are then alternated with diabolical chants. Almost a sound psychoanalysis of contemporary society, almost the soundtrack of a Dante's song. CIGNO increases the dose with visionary texts, where he paints frescoes of contemporaneity between a socio-political and economic criticism of the West, up to ascetic verses whispered and sung recited.
Anarchic and against the current, CIGNO's artistic proposal also passes through the cover which symbolically depicts the heretic. The engraving represents the symbol of the human condition.

MARTHE is the solo project of Marzia, worldwide known for being Horror Vacui's guitar player and for drumming in Kontatto, Tuono, Campus Sterminii, Death From Above, Doxie and countless other bands. Between one practice and another with the aforementioned bands, she found the time to sit down by herself and record the tunes that became the "Sisters Of Darkness" demo tape, self-released a year ago and then repressed on tape by Caligari Records (USA). I'm personally not too much into metal, but the four songs on this demo blew my minds and I think they deserve to be released on vinyl too. Fans of Bathory's second wave will love this one so much that Marzia will be crowned as the Queen of Valkyrian Metal. Everything on this record has been written, performed and mixed by Marzia. Mastered by Jack Control at Enormous Door .

THIRD PRESS LIMITED TO 300 COPIES

300 edition CD comes in a beautiful matte 6 panel digipak with artwork by Simon Heath

Alphaxone present us a dark space ambient album filled with layered drone and harmonic textures that takes us deep into unexplored alien worlds

Recommended for fans of space ambience and deep atmospherics

Dead Melodies returns with the immersive interdimensional sci-fi odyssey, The Aberration of Time and Space. An atmospheric journey of haunting choirs, ethereal droning synths and futuristic sound design.

"Right there before his very eyes was a window into another version of reality; like a looking-glass only looking back upon himself basking in the triumph of succeeding in his life's work. The collider beeped again and another window appeared; now looking upon a new version of himself, but in this world, the experiment had failed. With each beep, another window appeared, each time revealing further, more extreme divergences and with each new world the windows grew in size."
Excerpt from Booklet
 

"Purple" with clear, marble effect vinyl

By Magnus' own words "The origin and exact recording date of these two tracks are a mystery to me: I don't know when or why or how I made them" you can expect something unique from this release. 

"Scarlet red" with clear, marble effect vinyl

By Magnus' own words "The origin and exact recording date of these two tracks are a mystery to me: I don't know when or why or how I made them" you can expect something unique from this release. 

House of Mythology proudly presents the official release of Ulver’s monumental Grieghallen concert from the 2018 Bergen International Festival.

Grieghallen 20180528 documents the pinnacle of Ulver’s 2017–2018 touring cycle, following the release of their landmark album The Assassination of Julius Caesar. A massive explosion of sound and light went off in Bergen that night, leaving the baffled audience floating somewhere between pleasure and fear.

Professionally multitracked by the Bright AS stage tech team, Kristoffer Rygg and Anders Møller were asked to mix the tracks for the 2020 “streaming edition” of the same festival. After having circulated as a YouTube bootleg, it is now being made official partly due to popular demand, and partly because we think of it as a magnificent companion piece to the studio version of Caesar – showing Ulver at the height of their live game.