Vinyl

Black 12" (140g) with 1/0 K labels in a black poly-lined innerbag, INSERT: 2pp., 1/1 K/K on 150gsm art paper, SLEEVE: simple pocket, 1/1 K/K - black flood inside on 350gsm uncoated (matte) w-w stock, 3mm spine, all assembled in a PVC overbag (vinyl aside of the sleeve)

second press, two color variants

High Roller Records, reissue 2021, bone vinyl, ltd 200, 425gsm heavy cardboard cover, lyric sheet, poster, restored original artwork, mastered for vinyl by Patrick W. Engel at Temple of Disharmony

Hailing from the cascadian gloom of British Columbia, Canada, Ulvik,
formed by Jade Fadel and George Allen, released a double length with
Avantgarde Music in 2019, Volume I & II. After spending the opening
months of the 2020 pandemic creating Isolation Motifs, a short concept
instrumental album and corresponding video series, Ulvik finished writing
and recording their sophomore album, Cascades.
Cascades is a hypnotic, atmospheric black metal album, incorporating the
old, organic textures of plucked and bowed bouzoukis and violins to create
ethereal interludes, in contrast to the visceral aggressive tone of each track.
This melding is mirrored by shared dual vocals, creating a counter balance
that weaves and crashes between malevolent and haunting.

The infamous MAYHEM return this year with an EP called “Atavistic Black Disorder / Kommando” that presents the band in a way that has never been heared before! The lords of darkness have dug deep and reflected their influences to create a musical odyssey that shows them multifaceted in several ways. For this goal, cover versions of bands like Discharge, Dead Kennedys, Rudimentary Peni and Ramones were chosen, which in typical MAYHEM manner impressively fit into their bursting and darkenened sound. Nevertheless, MAYHEM would not be MAYHEM, if this musical creation would do without own composed songs. In addition to named cover versions, a brand new track called “Voces Ab Alta” was recorded to continue the musical journey alongside previously released tracks “Black Glass Communion” and “Everlasting Dying Flame”, which were used as bonus tracks for the 2019 album “Daemon”. The EP comes as a 180g LP format which features a two-sided cover artwork and two-page insert, as well as a Ltd. CD Digipak with sleeve and 12-page booklet.

 Originally released on April 14th, 2014, IMPALED NAZARENE 12th studio album VIGOROUS AND LIBERATING DEATH is now re-issue properly. Recorded at City Lights and S/Mental studios, mixed at Studio Fungus by Max Kostermaa who also did the band's previous album Road To The Octagon.

Vigorous And Liberating Death continues the band´s brutal legacy, featuring 13 brand new songs.

Cover artwork was done by Impaled Nazarene´s former bass player Taneli Jarva (who is known as a tattoo artist). Vigorous And Liberating Death was mastered at Finnvox Studio by Mika Jussila (Nightwish, Children Of Bodom).

Reprint, 200 x grimace purple 12" (180g) in a microtene innerbag, printed innersleeve full-color on 220g, download card, A1 poster full-color on 150g art paper, gatefold jacket full-color on 350g, all assembled in a PVC overbag.

Dormant for over a decade, Beyond Man has been awakened like an ancient curse from an old and sandy burial ground. In an epoch of records in which resounds the dull embellished atmosphere of a cozy bedroom, Beyond Man‘s self-titled album smells of old amplifiers drenched in rotten blood, ash and whisky, the reek of a cave I dare you to enter, where the frustrations of a group of Satanic cowboys take sonic form together with their zealot visions and nightmares, veiled by a truly ferocious and sinister aura.

Call it black metal if you wish, or envision Morbid Angel sitting down with Black Sabbath and listening to Norwegian black metal while sharing a bottle of red wine followed by straight shots of heavy smoked whisky.

Nidrosian Black Metal at its very finest, straight from the source with MARE, ONE TAIL ONE HEAD etc. members