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Selling vinyl - Extreme Metal and Dark music
Ikarie is a newborn band formed by experienced musicians from the Mediterranean coast of Spain. They describe themselves as a band developing “the concept we call cosmic existentialism, which is about our freedom and responsibility as a rational species, aware of its insignificant, terrifying and astonishing existence in the universe”.
Cuerpos En Sombra is the first album by Ikarie, a post-metal opus in the vein of Cult Of Luna and Year Of No Light, “a legend of ghosts, of those who emerge from the deepest wounds of the soul. Installed in their universe of silent and silenced scars, inspired by the desert and sea landscapes of the Spanish Levant where we grew up, it delves into the theme of the human being from its limits, where it almost ceases to be, in a world where perhaps it is not allowed to be”.
The album deals with “what happens and doesn't happen when we become an unproductive and annoying absence, showing a series of desolate places and characters as if they had come out of the collective imaginary of the uncomfortable, painful and demented”.
Cuerpos En Sombra is the first chapter of a trilogy in which Ikarie intend to denounce the stigma of being different, the lack of resources in everything related to mental illness and the pathologization of people with problems which are mainly structural.
A few copies (literally 50) back from a distributor's stock
white with black splatters, ltd 250 copies
Unpredictable, challenging and intricate Black Metal from Trondheim, Norway. What separates this band from the ‘usual Terratur releases’, whatever that really means, is the intense technical variations of this band. At times so dissonant it gets you to a breaking point, only to be left marveled by another genius twist with their ingenious songwriting. I stand in ave! Although the resemblance to a certain French act springs to mind, ISSOLEI delivers something unique if you ask me. Play loud repeatedly to fully grasp it all, this band requires your full attention.
- Full-colored jacket, black flooded inside
- Booklet
- Poster
- Black poly-lined inner-sleeve
- 180g black vinyl
- Plastic protection sleeve
Unpredictable, challenging and intricate Black Metal from Trondheim, Norway. What separates this band from the ‘usual Terratur releases’, whatever that really means, is the intense technical variations of this band. At times so dissonant it gets you to a breaking point, only to be left marveled by another genius twist with their ingenious songwriting. I stand in ave! Although the resemblance to a certain French act springs to mind, ISSOLEI delivers something unique if you ask me. Play loud repeatedly to fully grasp it all, this band requires your full attention.
When drummer/vocalist Proscriptor McGovern (Russ R. Givens) dissolved Absu on January 27th 2020, his main intention was to splinter the 30-year old faction into a renewed songwriting concord. Proscriptor McGovern’s Apsû is the obvious by-product of that chemical breakdown, which constitutes a new incarnation and direct continuation of Absu’s legacy. Securing the ranks, alongside McGovern, are continuing bassist/vocalist Ezezu (Absu: 2008-2020), new guitar virtuoso Vaggreaz (Possessed, Gruesome) and keyboardist Vorskaath (Zemial, Agatus). Since Absu’s last, unreleased album was to be penned as “Apsû,” McGovern fused the title with his name to form the group. With this much anticipated, self-titled album, McGovern’s objective was to append the signature sound of “mythological occult metal,” but to convolute it with bouts of psychedelia, fusion and vintage electronics. Written for those who are curious and unwearied in their quest of arcane knowledge, the album was chronicled at studios around the world and features an exclusive set of gues
Eard is the Old English noun for land, country and home. Consisting in harpist Glorya Lyr and multi-instrumentalist MK (Silence Thereafter, Duir), the band borrowed the title for their debut De Rerum Natura from the poem by Roman author Lucretius, composed in the first century BC and translated as On The Nature Of Things.
After contributing to Saor Forgotten Paths, writing and performing the closing track “Exile”, Eard set forth to craft their own music. The band’s focus is to investigate human nature, of which De Rerum Natura depicts several aspects mainly related to Old English and Italian poetics.
The duo has solid roots in melodic black metal, and adds their own twist with the extensive use of the celtic harp, the strings of which constantly intertwine with the classic black metal equipment. The result of such is De Rerum Natura, a familiar yet extremely personal blend of atmospheric, nature-infused black metal.
Eard is the Old English noun for land, country and home. Consisting in harpist Glorya Lyr and multi-instrumentalist MK (Silence Thereafter, Duir), the band borrowed the title for their debut De Rerum Natura from the poem by Roman author Lucretius, composed in the first century BC and translated as On The Nature Of Things.
After contributing to Saor Forgotten Paths, writing and performing the closing track “Exile”, Eard set forth to craft their own music. The band’s focus is to investigate human nature, of which De Rerum Natura depicts several aspects mainly related to Old English and Italian poetics.
The duo has solid roots in melodic black metal, and adds their own twist with the extensive use of the celtic harp, the strings of which constantly intertwine with the classic black metal equipment. The result of such is De Rerum Natura, a familiar yet extremely personal blend of atmospheric, nature-infused black metal.
Atmospheric, battle black metal from Uk!
"Even at their crucible, Cemetery of Scream was a force unto themselves. Original, dark and not afraid to experiment best sum up the bands humble beginnings. It’s always nice when you can listen to a band, put them in a category and do so without pointing out who they sound like if not a few resemblances to early My Dying Bride.
"Melancholy" finally finds new life again as a digipak CD and first time release on (double) vinyl
Double LP, black vinyl, gatefold cover
"Even at their crucible, Cemetery of Scream was a force unto themselves. Original, dark and not afraid to experiment best sum up the bands humble beginnings. It’s always nice when you can listen to a band, put them in a category and do so without pointing out who they sound like if not a few resemblances to early My Dying Bride.
"Melancholy" finally finds new life again as a digipak CD and first time release on (double) vinyl
Double LP, colored vinyl, gatefold cover
Great grim black metal, a mixture between early Immortal and early Burzum
