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In September 1986, the first comic book dedicated to the character of Tomas Caine was released; it was entitled "La Pastorale del Destino" (The Pastoral of Doom). It could have been one of the many comic books that filled the shelves of the Italian newsstands of those years, but it wasn't like that: the success of Tom Caine was extraordinary.
Balancing horror atmospheres typical of the time, irreverent irony, and love stories, Tomas Caine immediately met the tastes of the young Italians of the 80s. The texts by the late Mino Camogli were modern and full of expressions in vogue among young people, and the drawings by Steno Artebagni were dark and innovative compared to the boring standards of the Italian comics of previous years.
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In 1989 Docuvideo TV bought the rights to make a television drama starring Tomas Caine: a pilot episode was made, which aired in February 1990. Tony Soragna was chosen to play the role of the main character, coming from the success of some soap operas. Other actors in this episode were Margò Ramponi, Alexander Sarth, and Alfio Martinez.
Despite the excellent acting performance of Tony Soragna and the expert direction of Pio Malagutti, the script did not meet the tastes of the audience and was harshly criticized by Mino Camogli, the creator of Tomas Caine, who disavowed the project. Because of all this, no further episodes of the series were filmed and the project was shelved.
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However, among the most interesting things about that TV movie, there was the soundtrack by the Serbian experimental composer Ivan Ristic, credited as RIS.
The second album by the Polish newcomers MANBRYNE is upon us!
The album picks up where Heilsweg left off, opening another chapter of passionate Black Metal driven by solemn melodies balanced by rabid fury, while conceptually continuing the topics such as doubt, temptation, human relation with the divine and its impact on our reality both within and without.
Since their formation in 2007, MINENWERFER have pursued a proud 'n' pure vision of black metal idiosyncratically focused on World War I - idiosyncratic, in the sense that the band hail from America but mostly sing in German. What has resulted is a startlingly accomplished canon that has quietly built itself into prolific proportions, with their first album arriving in 2010, followed by albums in 2012 and 2019, and a slew of split releases and EPs in the interim.
Of those many short-length releases, Kriegserklärung can conveniently be seen as a companion to an album release – in this case, 2012's thick-yet-throttling Nihilistischen. And yet, where that album saw MINENWERFER inching closer to a palatable professionalism, the 24-minute Kriegserklärung fully bursts through those doors with a startling clarity, setting the stage for the band's grand 2019 full-length, Alpenpäesse. Which is all to say that MINENWERFER have been mining songwriting gold for many years now!
OSMOSE PRODUCTIONS have been fans of MINENWERFER for years, and is honored to unleash their once-underground back catalog on the wide scale it so deserves.
Re-issue, 400x heavyweight marble (gold/black) ) 12" (180g) in a black poly-lined innersleeve, download card, gatefold, full-color printed on 350g carton, all assembled in a plastic overbag.
Since their formation in 2007, MINENWERFER have pursued a proud 'n' pure vision of black metal idiosyncratically focused on World War I - idiosyncratic, in the sense that the band hail from America but mostly sing in German. What has resulted is a startlingly accomplished canon that has quietly built itself into prolific proportions, with their first album arriving in 2010, followed by albums in 2012 and 2019, and a slew of split releases and EPs in the interim.
Of those many short-length releases, Kriegserklärung can conveniently be seen as a companion to an album release – in this case, 2012's thick-yet-throttling Nihilistischen. And yet, where that album saw MINENWERFER inching closer to a palatable professionalism, the 24-minute Kriegserklärung fully bursts through those doors with a startling clarity, setting the stage for the band's grand 2019 full-length, Alpenpäesse.
OFC’s third and final album, An Ending in Fire, is a visionary masterpiece, the conceptual zenith of the band’s work, drawing a nexus between the chthonic depths of consciousness and the vast, black emptiness of the universe. Members went on to form Ares Kingdom, Angelcorpse, Vulpecula, etc.
A 2023 official release of the cult classic primitive Norwegian black metal recorded in 1992, featuring Dimmu Borgir’s Shagrath.
The sole release by Fimbulwinter, this edition includes additional tracks with 12" booklet and 2 posters
Fimbulwinter, though short-lived, created a sole cult release in the form of 1994’s ‘Servants of Sorcery’, which emerged as the “second wave” of Norwegian black metal was truly taking hold. The band was formed in Oslo 1992, led by the notable figure of Shagrath, becoming most known afterwards as mainman for the phenomenon that was Dimmu Borgir. A more raw affair than the symphonic majesty of Dimmu Borgir, Fimbulwinter demonstrated a primal and fierce black metal attack, and concocted a perfect example of the early-90s style, with an extra injection of praise to bands of the 80s.
Even though ‘Servants of Sorcery’ as a release didn’t see the light of day until 1994, the tracks themselves were recorded back in the winter of 1992, and so stand as an essential and influential early example of what was to form a whole new chapter in metal history. Joining Shagrath was Skoll (Ved Buens Ende, Ulver, Arcturus) on bass, with the line-up completed by Necronos & Orbweaver.
This edition of ‘Servants of Sorcery’ - a title consistently requested by fans for a proper reissue for many years - notably includes material plus additional songs sourced and transferred from the band’s own tape collection (with work overseen by Shagrath himself), to present this most complete and comprehensive edition of Fimbulwinter’s work and legacy. Alongside Fimbulwinter’s own original material of spellbinding lo-fi grim chaos are storming cover versions of ‘Morbid Tales’ by Celtic Frost (which featured on the original ‘Servants of Sorcery’ release), plus ‘The Watchtower’ by Darkthrone, which is now included for the first time.
A 2023 official release of the cult classic primitive Norwegian black metal recorded in 1992, featuring Dimmu Borgir’s Shagrath.
The sole release by Fimbulwinter, this edition includes additional tracks and presented on CD format including 16 page booklet.
Fimbulwinter, though short-lived, created a sole cult release in the form of 1994’s ‘Servants of Sorcery’, which emerged as the “second wave” of Norwegian black metal was truly taking hold. The band was formed in Oslo 1992, led by the notable figure of Shagrath, becoming most known afterwards as mainman for the phenomenon that was Dimmu Borgir. A more raw affair than the symphonic majesty of Dimmu Borgir, Fimbulwinter demonstrated a primal and fierce black metal attack, and concocted a perfect example of the early-90s style, with an extra injection of praise to bands of the 80s.
Even though ‘Servants of Sorcery’ as a release didn’t see the light of day until 1994, the tracks themselves were recorded back in the winter of 1992, and so stand as an essential and influential early example of what was to form a whole new chapter in metal history. Joining Shagrath was Skoll (Ved Buens Ende, Ulver, Arcturus) on bass, with the line-up completed by Necronos & Orbweaver.
This edition of ‘Servants of Sorcery’ - a title consistently requested by fans for a proper reissue for many years - notably includes material plus additional songs sourced and transferred from the band’s own tape collection (with work overseen by Shagrath himself), to present this most complete and comprehensive edition of Fimbulwinter’s work and legacy. Alongside Fimbulwinter’s own original material of spellbinding lo-fi grim chaos are storming cover versions of ‘Morbid Tales’ by Celtic Frost (which featured on the original ‘Servants of Sorcery’ release), plus ‘The Watchtower’ by Darkthrone, which is now included for the first time.
Special preorder promo price! After 15/10 price will be increased and set to 22.00€
After four years of waiting, Aeon Winds are back with their new album Night Sky Illuminations. Their third full-length studio album, it follows up the themes the band dealt with in their previous album Stormveiled (2019) and the EP Extinguishing the Light (2022).
The mythological legacy of pre-Christian times intertwines with the mystical fascination of Carpathian sceneries and blends into seven long, hymnic and powerful songs.
Recorded, mastered and produced at Tryzna Studio, Aeon Winds new studio album features a painting by Russian digital illustrator Yaroslav Gerzhedovich, and will be released on CD, LP and digital November 17th, 2023 via Avantgarde Music.
By command of the Hermetic Order of Ytene, "Nova Nativitas Mundi" is a majestic, soaring and Diabolical Black Metal space opera in 3 acts. In Act 1 the listener follows the journey of the royal alchemist, Myrddin, as he is appointed his holy mission to, one way or another, set the ball rolling on the formation of a new Galactic Imperium in the name of the king. The King has long viewed the distant astral bodies as a means to connect with divinity, and now after communion with what he perceives to be Jesus Christ, he sees it as his destiny to reach them and become a godlike figure himself. In Act 1 Myrddin develops his unholy formula to propel man to the stars and reach the neutron star that the king perceives to be his portal to divinity. In Act 2 the listener follows Myrddin and his crew to the stars, where they reach the neutron star to find only that it is no such thing. The crew is sucked into a wormhole and greeted not by divinity, but by Satan himself. It was he that visited the king that fateful night, A diabolical trick by the prince of darkness to tempt the once holy men into the construction of a new Galactic Imperium, but not in the name of a divine god king, but in the name of dark and powerful entities. In Act 3 the listener follows the crew as they undergo this iniquitous task, by first constructing a cosmic temple to Satan, where worship and sacrifice will replace life on earth with the rule of galactic satanic worship and eventually the formation of the final Galactic Imperium.