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19-tape box with all official releases + many never heard recordings.
This box will include the 19 tapes, a hugh hardcover book with many unseen pictures, a metal-pin, 2 patches, a shaped backpatch, a flag, 5 posters and a handnumbered certificate.
All housed in a heavy & massive luxurious matte black canvas casewrapped box with golden hot foil stamped printing.

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Official 7-tape box with the complete work from 1986-1990 from the danish masters of occult Heavy Metal KING DIAMOND.
Housed in a heavy luxurious matte black canvas casewrapped box with silver hot-foil stamped printing.
This box is strictly limited to 1000 copies only and includes the 7 tapes, a booklet, 2 posters, a big shaped backpatch, a regular patch, a big flag and a metal-pin.

URGEHAL’s  second album from 1998 finally for the first time ever on limited music-cassette.
No words needed! Hail Trondr Nefas!
Limited edition of 333 copies.

URGEHAL’s debut album from 1997 finally for the first time ever official on limited music-cassette.
No words needed! The Night Armageddon Comes..
Limited edition of 333 copies.

The ultimate DEATH METAL debut from Sweden’s TRIBULATION finally for the first time ever on limited music cassette.
Limited to 500 copies only.

ON LIMITED NEON VIOLET / RED MERGE VINYL!!! Ascending from the odious decay of their first album, Cerebral Rot passes from animal to human contagion with a new more purulent virus on Excretion Of Mortality. A return of such festering decrepitude and anatomical canker as befits the true adherents of vile and sick underground death metal. Soaked in the swamp of radioactive sewage, Cerebral Rot’s tumor like growth on this release bludgeons with a hammering heaviness that few can manage or survive. A methodical focus on attaining maximum barbarism through every aspect of the production, from the meaty, dripping guitars to the immense rhythm section and Schwab’s nuclear travesty vocals, to the deceptively straightforward bludgeoning of the songs, exposes a scalpel-like cutting precision to this seemingly base display of horrid malevolence. Before leaving Jack Endino’s Soundhouse Studio in Seattle permanently uninhabitable for the next five hundred years, the pungent bubbling mess they set to tape on Excretion Of Mortality lingers there, and everywhere, like a malodorous putrescence at the crossroads of the excremental and the existential.

first full-length

"Ash of the Womb", the sophomore full-length from California's ILLUDIUM was born in the fiery pandemonium of the burning season of 2020 when huge tracts of the sunshine state went up in flames, while skies glowed orange at night. The many layers of dark and harsh metal shading on this album can easily be seen as a residue from those events. Yet the listener will still encounter those sun-drenched textures and honey-rich passages from the band's beginning on "Septem" (2016) that reflect the beautiful landscapes of the Pacific Coast with its redwood forests and the blue ocean that also inspire ILLUDIUM. Mastermind Shantel Amundson spent her formative years listening to SMASHING PUMPKINS, ISIS, KATE BUSH, and COCTEAU TWINS among many others, which makes it difficult to pin her own music down. While "Ash of the Womb" clearly builds on and expands "Septem", the new album intensifies the darker and heavier elements, which results in a more dynamic and holistic musical experience that ILLUDIUM elegantly balance against their dreamy and sophisticated side. Taking their name from a concept coined by Mircae Eliade, ILLUDIUM can be seen as the musical embodiment of the religious philosopher's idea of "illud tempus" ("that time"), which is referring to the mythical sacred time of the first creation of this world. With a degree in cultural anthropology and art history, it is hardly surprising that Shantel's lyrics revolve around mystical and metaphysical ideas. With "Ash of the Womb", ILLUDIUM have created an equally heavier, darker and yet more honey-combed vision of their musical exploration that gently asks for extra attention and diligent listening before revealing its true depths.

Gatefold Sleeve edition on reverse side print, with Gold hot foil print, printed inner sleeve.

With their new EP "Til Nord" (Eng.: "Northward") legendary Norwegian folk rockers Gåte achieve a stunning transformation. The band from Trøndelag, the area surrounding the ancient harbour city of Trondheim, is delivering an emotive, epic collection of tracks revisiting some of their own classics and adding a new track as a taste of great things to come.

What Gåte have done to their songs is both breathtakingly bold and amazing to hear. The first single and opening track 'Kjærleik' is the perfect example of how they have reimagined their sound. Taking away keyboards, electric guitar, and rock drumming, Gåte have added an archaic percussion style and used acoustic instrumentation. Gunnhild Sundli, has stripped some of the technical complexity from her singing style and placed emphasis upon folk attitude and expression. In stylistic terms, we see a shift from their energetic folk rock to a darker, more down to earth, Norse-atmospheric folk expression.

Gåte were founded in 1999 by violin player and keyboardist Sveinung Sundli, recruiting his sister Gunnhild as singer. Sveinung's violin and Gunnhild’s folk song technique “kveding” brought to the sound a firm base in traditional music, which was complemented and contrasted by modern bass, drums, and electric guitars. The resulting folk rock blows both minds and ears!

With their new EP "Til Nord" (Eng.: "Northward") legendary Norwegian folk rockers Gåte achieve a stunning transformation. The band from Trøndelag, the area surrounding the ancient harbour city of Trondheim, is delivering an emotive, epic collection of tracks revisiting some of their own classics and adding a new track as a taste of great things to come.

What Gåte have done to their songs is both breathtakingly bold and amazing to hear. The first single and opening track 'Kjærleik' is the perfect example of how they have reimagined their sound. Taking away keyboards, electric guitar, and rock drumming, Gåte have added an archaic percussion style and used acoustic instrumentation. Gunnhild Sundli, has stripped some of the technical complexity from her singing style and placed emphasis upon folk attitude and expression. In stylistic terms, we see a shift from their energetic folk rock to a darker, more down to earth, Norse-atmospheric folk expression.

Gåte were founded in 1999 by violin player and keyboardist Sveinung Sundli, recruiting his sister Gunnhild as singer. Sveinung's violin and Gunnhild’s folk song technique “kveding” brought to the sound a firm base in traditional music, which was complemented and contrasted by modern bass, drums, and electric guitars. The resulting folk rock blows both minds and ears!

Black 12" double vinyl in gatefold sleeve. First pressing 500 copies worldwide.

Founded in Czestochowa, Poland in one night in 2015 by Hellscythe and Draugr, dark black metal band MISANTHUR begun to take form.Inspired by metal and non-metal genres, MISANTHUR merge trance percussion, earthbreaking bass, crushing guitars and hellish vocals with (post)apocalyptic ambient landscapes and noise to create its own ouvre and paint the stories and scenery of mundane spiritual wasteland.
This is metal at its darkest.

For fans of REGARDE LES HOMMES TOMBER, GAEREA, WHITE WARD, THE RUINS OF BEVERAST.

CD in Jewel case with 12-page booklet.

Founded in Czestochowa, Poland in one night in 2015 by Hellscythe and Draugr, dark black metal band MISANTHUR begun to take form.Inspired by metal and non-metal genres, MISANTHUR merge trance percussion, earthbreaking bass, crushing guitars and hellish vocals with (post)apocalyptic ambient landscapes and noise to create its own ouvre and paint the stories and scenery of mundane spiritual wasteland.
This is metal at its darkest.

For fans of REGARDE LES HOMMES TOMBER, GAEREA, WHITE WARD, THE RUINS OF BEVERAST.