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• Experimental, avant-garde death metal from Seattle 
• For fans of For fans of Portal, Ulcerate, Gorguts, and Artificial Brain  

• OKC industrial metal group return
• Tour dates planned throughout 2022 / 2023
• Features artwork by Jesse Draxler (Ghostmane, NIN, H09909, etc)
• Includes a remix track by Justin K. Broadrick of Godflesh
• For fans of Ministry, Godflesh, Front Line Assembly, Nine Inch Nails, Code Orange, Killing Joke, Youth Code, Skinny Puppy

• Debut album of putrescent Danish death metal filth
• Mixed and mastered by Greg Wilkinson at Earhammer Studios
• For fans of Immolation and Hyperdontia

• Triple guitar-attack old school doomy-death metal from NY scene 
• Features present and former members of Unearthly Trance, Afterbirth, Artificial Brain, Thaetas, Grey Skies Fallen, The Howling Wind, Buckshot Facelift 
• Produced by Colin Marston (Gorguts, Krallice, Artificial Brain, Imperial Triumphant)  
• For fans of Incantation, Immolation, Suffocation, Innumerable Forms 

• Debut album by all woman death metal band
• For fans of Cannibal Corpse and Suffocation
• Guest appearances by Dan Gonzalez (Possessed/Gruesome), Kenny Andrews (Obituary) and Moises Kolesne (Krisiun)
• Cover art by Jon Zig

***ON LIMITED SEA BLUE CLOUDY VINYL!!! The second split release of the year from 20 Buck Spin sees the return of Terminal Nation for the first time since the crushing Holocene Extinction album released in the bleak pandemic summer of 2020. Joining them on the split is Japan’s ultra heavy kingpins Kruelty, fresh off tour dates in both the U.S. and Europe after releasing the furious A Dying Truth and Immortal Nightmare in 2020.

Reinforcing the fact of being one of the heaviest bands on the planet, Terminal Nation offer three new tracks on the A side, declaring all out war on the imperial masters pulling the world’s strings. The darkness of death metal and Bolt Thrower’s tank march matched with the ferocious power of the hardcore breakdown, the songs are teeming with a nation’s rage on the brink of boiling over into full blown chaos.

Kruelty similarly have found the sweet spot where hardcore meets old school steamrolling death and doom metal. “Suppression” and “Under Your Pressure” reveal some of the bands most punishing, structure-leveling riffs and bloodied beatdowns to date.

Additionally each vocalist from Terminal Nation and Kruelty also appear with guest vocals on a track from the other with Tatami of Kruelty appearing on Terminal Nation’s “Sacrificial Capital” and Stan Liszewski of Terminal Nation appearing on Kruelty’s “Under Your Pressure.” Heaviest split of 2022? Easily…

***ON LIMITED COLORED VINYL!!! Edmontonian death merchants Begrime Exemious are back with a devastating long-player on the mighty Dark Descent Records. Rotting In The Aftermath marks the band’s fourth album, all of which were released through the Colorado label.

The band's tireless work ethic is renowned throughout the scene, with annual releases the order of the day. Yet six years have passed since 2016’s The Enslavement Conquest’—just what took them so long?!

“Following the release of The Enslavement Conquest in 2016, we started to write music for its follow up. We took our time over the next couple years writing the songs, as we were still supporting the last album on the road with tours across the US and Canada,” reveals vocalist / guitarist Derek Orthner. “Naturally, the new songs made their way into our set lists, and by 2018, we attempted to record. This session was aborted in favor of further refinement, as we felt these songs could benefit from faster tempos and even lower tunings in some cases. Finally, in 2019, we recorded the nine tracks of what would become our fourth full length, Rotting In The Aftermath. We pushed ourselves deeper into the realms of death metal, and as such, we feel that [this album] is the best representation of what Begrime Exemious is all about. It was truly forged on the road, and takes our brand of filth to the next level of apocalyptic devastation.”

***ON LIMITED COLOR VINYL!!! At long last the successor to 2017’s Deliverance From The Godless Void has been unconfined from the clandestine vaults of Dark Descent Records. Aptly titled Fires Of The Dying World, Finland’s Desolate Shrine delivers forty-six minutes of their unique death metal possession. The masterful craftsmanship on this fifth album is unmistakable—a true portrait of a band at their absolute peak.

Yet be forewarned before indulging from the poison chalice of Fires Of The Dying World, for it ensnares its victims in an inescapable maelstrom of death and futility. Absolute surrender is the recommended response, as one descends into a claustrophobic trance that erases the world around and reaches into one’s very soul. Upon awakening… nothing will be quite the same again… Let the fires burn.

Drawing frequent comparisons to mind-altering progressive death metal acts, Artificial Brain have distinguished themselves from their peers through an emphasis on rich, melancholic melodic figures, contextualizing the harmonic and emotive qualities of black metal within a more aggressive death metal framework. Dissonance is threaded through elegiac, otherworldly chordal structures; saturnine tremolo melodies float along in the high registers of the instruments; guitars and bass traverse distinct paths before locking into harmonic orbit. These elements, anchored by blast beats and bellowing guttural vocals, create a sense of contrast that has come to characterize the band’s sound over the past decade. 
Artificial Brain, the group’s final recording with original vocalist Will Smith (Afterbirth), is the terminal instalment in a trilogy that includes 2014’s Labyrinth Constellation and 2017’s Infrared Horizon. Smith’s lyrics on this eponymous album take a retrospective look at the sci-fi mythology developed on the previous records, using these ideas to explore themes of isolation, madness, and the inexorability of nature. Rounding out the recording is an impressive roster of guest performers, including death metal legends Mike Browning (Nocturnus A.D.) and Luc Lemay (Gorguts) as well as long time collaborators Paulo Paguntalan (Miasmatic Necrosis) and Colin Marston (Krallice).

This effort is now taking us towards one of Magnus Birgersson’s beatless albums, namely Altered - Second Movements.
Originally released in 2010 on a limited CD run and never reissued since, Altered is a reworked and beatless version of the album Movements, released one year before (and reissued by Sidereal in 2018). Such close connection can be seen in each track title, too, which clearly reminds of their original Movement version.
Altered is one of the many examples of Solar Fields ability to paint different moods, always maintaining a strong, recognizable personality. A darker, yet dreamy atmosphere permeates these eleven tracks, which wil find their way to wax for the first time ever.

Here at Sidereal we take our commitment to Solar Fields very seriously.
This effort is now taking us towards one of Magnus Birgersson’s beatless albums, namely Altered - Second Movements.
Originally released in 2010 on a limited CD run and never reissued since, Altered is a reworked and beatless version of the album Movements, released one year before (and reissued by Sidereal in 2018). Such close connection can be seen in each track title, too, which clearly reminds of their original Movement version.
Altered is one of the many examples of Solar Fields ability to paint different moods, always maintaining a strong, recognizable personality. A darker, yet dreamy atmosphere permeates these eleven tracks, which wil find their way to wax for the first time ever.

Limited to 200 copies!

- Compact Disc Audio with white base

- Jewel Box standard with black tray

- Booklet for Compact Disc 4-page printed on 180g matte paper