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Limited edition of 199 copies on red/yellow galaxy vinyl, incl. gatefold cover and download.

Forged in the twilight of grand manor halls and secret gardens, this album unfolded like a whispered legend between 2021 and 2024 — where shadows dance with light and time drifts softly through castle ruins.

Adorn is more than just a musical endeavour; it is an act of devotion—to the transcendence of art once liberated from the sterile confines of modernity, to the melancholy of deserted halls, and to the fading glimmer of courtly love. By fusing romanticism with atmospheric blackened metal into compositions that veer between solemnity and splendour, the trio creates sonic worlds that shimmer with longing and luminosity.

At the helm is Coeur Loyale (vocals, guitar, bass), whose soul-shaped songs seek to revive a dreamed, not simply lost, world. He is joined by Valliant Desire (violin, piano, choral arrangements), whose melodies sound like ghosted letters from ancient hands, and Bon Valour (drums), whose rhythms echo through cathedral ruins like hooves.

Together, they form Adorn, a sacred community of song and sorrow that resurrects the grandeur of the past by utilising the emotional majesty of the present. They take listeners to a world of twilight where the stars are low, the roses never die, and the heart endures, ever ablaze with noble intent. Their music does more than just play; it hurts, mourns, and exalts.

Adorn is a gift for those who dream in sepia and find the modern world too pale for their desires. A cry into the night. A garland laid upon the altar of lost time. Romantic music for dreamers.

Forged in the twilight of grand manor halls and secret gardens, this album unfolded like a whispered legend between 2021 and 2024 — where shadows dance with light and time drifts softly through castle ruins.

Adorn is more than just a musical endeavour; it is an act of devotion—to the transcendence of art once liberated from the sterile confines of modernity, to the melancholy of deserted halls, and to the fading glimmer of courtly love. By fusing romanticism with atmospheric blackened metal into compositions that veer between solemnity and splendour, the trio creates sonic worlds that shimmer with longing and luminosity.

At the helm is Coeur Loyale (vocals, guitar, bass), whose soul-shaped songs seek to revive a dreamed, not simply lost, world. He is joined by Valliant Desire (violin, piano, choral arrangements), whose melodies sound like ghosted letters from ancient hands, and Bon Valour (drums), whose rhythms echo through cathedral ruins like hooves.

Together, they form Adorn, a sacred community of song and sorrow that resurrects the grandeur of the past by utilising the emotional majesty of the present. They take listeners to a world of twilight where the stars are low, the roses never die, and the heart endures, ever ablaze with noble intent. Their music does more than just play; it hurts, mourns, and exalts.

Adorn is a gift for those who dream in sepia and find the modern world too pale for their desires. A cry into the night. A garland laid upon the altar of lost time. Romantic music for dreamers.

Adorn is more than just a musical endeavour; it is an act of devotion—to the transcendence of art once liberated from the sterile confines of modernity, to the melancholy of deserted halls, and to the fading glimmer of courtly love. By fusing romanticism with atmospheric blackened metal into compositions that veer between solemnity and splendour, the trio creates sonic worlds that shimmer with longing and luminosity.

At the helm is Coeur Loyale (vocals, guitar, bass), whose soul-shaped songs seek to revive a dreamed, not simply lost, world. He is joined by Valliant Desire (violin, piano, choral arrangements), whose melodies sound like ghosted letters from ancient hands, and Bon Valour (drums), whose rhythms echo through cathedral ruins like hooves.

Together, they form Adorn, a sacred community of song and sorrow that resurrects the grandeur of the past by utilising the emotional majesty of the present. They take listeners to a world of twilight where the stars are low, the roses never die, and the heart endures, ever ablaze with noble intent. Their music does more than just play; it hurts, mourns, and exalts.

Adorn is a gift for those who dream in sepia and find the modern world too pale for their desires. A cry into the night. A garland laid upon the altar of lost time. Romantic music for dreamers.

After two demo tapes, the essence of Serpent Dweller has been steeped into a deeper meditation of death worship. The first full length offering follows the experience of one unknowingly entering the afterlife; bewildering sights of what lies beyond the veil, dissolution of the ego, and the inescapable surrender at the end of mortality. Exploring themes of pain, loss, and the soul's journey through uncharted planes of existence, the omnipresent shadow of death is venerated at every turn.

Finally arriving, like an omen fulfilled in blood and mire, here lies Witchmoon's second full-length album, following up to the magnificent "Imprecation of Unbeing" A project dwelling in the shadows ever since its inception with 2017's demo, "Vampyric Curse", Witchmoon has been undoubtedly one of the best acts in American Raw Black Metal these years. Now with a definitely cleaner sound, a trajectory that plenty of Lampshade Tapes house projects have followed, the production is however still crude, harrowing, cold, like a gelid storm of icey riffs that carve through flesh ancient symbols, portals to a realm beyond.

re-issue on digipak CD + 5 bonus tracks

Silver Vinyl

Red [Blood] With Metallic Gold, Black And Halloween Orange Splatter

For the first time ever, a salacious selection of EDGE OF SANITY's obscure, earliest recordings are available officially. Titled “Elegy - Chapter I”, the band’s early (promo, rehearsal or studio) demos “Euthanasia” (1989), “The Immortal Rehearsals” (1990), “kur-nu-gi-a” (1990), “The Dead” (1990) and “Dead But Dreaming” (1991) were hearsed from the cemetary to the mortuary for reanimation by songwriter/frontman/producer Dan Swanö (Opeth, Dissection, Bloodbath).

Featuring a brand-new, hand-drawn cover by visual artist Mark Rudolph (Carcass, Undeath), “Elegy - Chapter I” is by the old guard for all guards to relive or unearth afresh. EDGE OF SANITY weren’t always on the bleeding edge of death metal. No, on “Elegy - Chapter I” the Swedes actually bled death metal. This is a collection of underground old school Swedish death metal at its best!

All five demos have been remastered by Swanö, with the 13 tracks of “Euthanasia”, “kur-nu-gi-a” and “The Dead”.