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Improved version of OG release. Includes 3 double sided A2 posters and 12 pages A5 booklet,

Includes insert. Very limited to 220 copies only

THIRTIETH ANNIVERSARY EDITION OF SIGH’S SECOND STUDIO ALBUM OF MASTERFULLY CRAFTED EASTERN ATMOSPHERIC BLACK METAL, NOW ON PEACEVILLE, WITH NEW AUDIO MASTER. PRESENTED ON DOUBLE CD.

Japanese black metal legends Sigh formed in 1989/1990. The genre-classic debut ‘Scorn Defeat’ followed on Euronymous’ Deathlike Silence Productions in 1993 & with each subsequent release, Sigh grew to become one of the country’s greatest & most revered metal exports. With a journey through the strange & the psychedelic, incorporating a whole eclectic mix of genre styles & experimentation throughout their career, Sigh has remained a vital creative force in the avantgarde field whilst maintaining their old school roots, as witnessed with the stellar 2022 album, ‘Shiki’. 2025 also saw Sigh reimagining their ‘Hangman’s Hymn’ album for a release on Peaceville as part of the band’s 35th anniversary celebrations, in the shape of ‘I Saw The World’s End: Hangman’s Hymn MMXXV’.

Marking thirty years since its original release & kickstarting a string of reissues of Sigh’s revered yet hard to find classic early catalogue, this edition of ‘Infidel Art’ contains a new master created by Patrick Engel at Temple of Disharmony, featuring a new transfer from the original DAT source. The release also includes a new interview with main-man Mirai Kawashima conducted by Dayal Patterson of Cult Never Dies, delving into the history & legacy of the album.

This edition of ‘Infidel Art’ is presented on double CD format, including a rare first mix of the entire album, as well as additional tracks ‘The Zombie Terror’ from the ‘Far East Gate In Inferno’ compilation, plus songs originally included for a split release with Kawir, having also received a new transfer from the original DAT source.

THIRTIETH ANNIVERSARY EDITION OF SIGH’S SECOND STUDIO ALBUM OF MASTERFULLY CRAFTED EASTERN ATMOSPHERIC BLACK METAL, NOW ON PEACEVILLE, WITH NEW AUDIO MASTER. PRESENTED ON DOUBLE CD.

Japanese black metal legends Sigh formed in 1989/1990. The genre-classic debut ‘Scorn Defeat’ followed on Euronymous’ Deathlike Silence Productions in 1993 & with each subsequent release, Sigh grew to become one of the country’s greatest & most revered metal exports. With a journey through the strange & the psychedelic, incorporating a whole eclectic mix of genre styles & experimentation throughout their career, Sigh has remained a vital creative force in the avantgarde field whilst maintaining their old school roots, as witnessed with the stellar 2022 album, ‘Shiki’. 2025 also saw Sigh reimagining their ‘Hangman’s Hymn’ album for a release on Peaceville as part of the band’s 35th anniversary celebrations, in the shape of ‘I Saw The World’s End: Hangman’s Hymn MMXXV’.

Marking thirty years since its original release & kickstarting a string of reissues of Sigh’s revered yet hard to find classic early catalogue, this edition of ‘Infidel Art’ contains a new master created by Patrick Engel at Temple of Disharmony, featuring a new transfer from the original DAT source. The release also includes a new interview with main-man Mirai Kawashima conducted by Dayal Patterson of Cult Never Dies, delving into the history & legacy of the album.

This edition of ‘Infidel Art’ is presented on double CD format, including a rare first mix of the entire album, as well as additional tracks ‘The Zombie Terror’ from the ‘Far East Gate In Inferno’ compilation, plus songs originally included for a split release with Kawir, having also received a new transfer from the original DAT source.

THIRTIETH ANNIVERSARY EDITION OF SIGH’S SECOND STUDIO ALBUM OF MASTERFULLY CRAFTED EASTERN ATMOSPHERIC BLACK METAL, NOW ON PEACEVILLE, WITH NEW AUDIO MASTER. PRESENTED ON DOUBLE CD.

Japanese black metal legends Sigh formed in 1989/1990. The genre-classic debut ‘Scorn Defeat’ followed on Euronymous’ Deathlike Silence Productions in 1993 & with each subsequent release, Sigh grew to become one of the country’s greatest & most revered metal exports. With a journey through the strange & the psychedelic, incorporating a whole eclectic mix of genre styles & experimentation throughout their career, Sigh has remained a vital creative force in the avantgarde field whilst maintaining their old school roots, as witnessed with the stellar 2022 album, ‘Shiki’. 2025 also saw Sigh reimagining their ‘Hangman’s Hymn’ album for a release on Peaceville as part of the band’s 35th anniversary celebrations, in the shape of ‘I Saw The World’s End: Hangman’s Hymn MMXXV’.

Marking thirty years since its original release & kickstarting a string of reissues of Sigh’s revered yet hard to find classic early catalogue, this edition of ‘Infidel Art’ contains a new master created by Patrick Engel at Temple of Disharmony, featuring a new transfer from the original DAT source. The release also includes a new interview with main-man Mirai Kawashima conducted by Dayal Patterson of Cult Never Dies, delving into the history & legacy of the album.

This edition of ‘Infidel Art’ is presented on double CD format, including a rare first mix of the entire album, as well as additional tracks ‘The Zombie Terror’ from the ‘Far East Gate In Inferno’ compilation, plus songs originally included for a split release with Kawir, having also received a new transfer from the original DAT source.

Track Listing

I Enthrall
II Sacrifice
III Enter the hall of ice
IV Call from the grave
V Totentanz
VI The darkest desire
VII Das Irrlicht
VIII Ende

Mortifero brings more ballads of woe and despair in The Baleful Tales where hymns to witches and seers of old are sung with ecstatic glee.

Expanding on the formula of haunting vocals and guitars are added layers of mysticism and instruments concocting a magickal formula to ascend corporal reality. Keeping in with the tradition of folk songs of old stories of life cut short are sung as cautionary tales.
Indeed death is celebrated in all forms, tragic, visceral, subtle but always as a great liberating force. Dress in rags, kneel before the goat and join in the soundtrack for the sabbath

ZARATUS were formed in 2018 by Bill Zobolas (Soulskinner, Thou Art Lord e.t.c) and Stefan Necroabyssius (Varathron, Katavasia e.t.c). The idea behind the creation of the band was the unity of forces of 2 members with history in the creation of the Greek scene of the 90s, where they will offer a fresh idea of how black metal should sound today. Based on the deep roots of authentic black metal, but with many elements of epic, majestic and beyond the limits, ZARATUS create a unique identity in both style and sound, which makes them stand out. In 2019 they released the Mini LP "The Descent", which is essentially an authentic imprint of the familiar Greek black metal sound of the 90's.

In the same year they recorded their first full-length album "In The Days Of Whore". The recordings and mixing were done in Red 7 studio by Bill, while the vocals and the mastering were done in Suncord Audiolab studio, by Achilleas Kalantzis. The album contains 7 tracks of a total duration of 48 minutes. It is a journey to ancient times, where darkness and light were one, when the primordial mysteries and the power of nature were integral parts of evolution. The music is inextricably linked to the lyrics, creating a unique atmosphere. Based on and with respect to their black metal roots, ZARATUS broke the bonds of the limits of the genre and passed to other dimensions, touching lyricism, epicism, classical periods, but also sometimes giving redemption to the listener through simplicity.

ZARATUS were formed in 2018 by Bill Zobolas (Soulskinner, Thou Art Lord e.t.c) and Stefan Necroabyssius (Varathron, Katavasia e.t.c). The idea behind the creation of the band was the unity of forces of 2 members with history in the creation of the Greek scene of the 90s, where they will offer a fresh idea of how black metal should sound today. Based on the deep roots of authentic black metal, but with many elements of epic, majestic and beyond the limits, ZARATUS create a unique identity in both style and sound, which makes them stand out. In 2019 they released the Mini LP "The Descent", which is essentially an authentic imprint of the familiar Greek black metal sound of the 90's.

In the same year they recorded their first full-length album "In The Days Of Whore". The recordings and mixing were done in Red 7 studio by Bill, while the vocals and the mastering were done in Suncord Audiolab studio, by Achilleas Kalantzis. The album contains 7 tracks of a total duration of 48 minutes. It is a journey to ancient times, where darkness and light were one, when the primordial mysteries and the power of nature were integral parts of evolution. The music is inextricably linked to the lyrics, creating a unique atmosphere. Based on and with respect to their black metal roots, ZARATUS broke the bonds of the limits of the genre and passed to other dimensions, touching lyricism, epicism, classical periods, but also sometimes giving redemption to the listener through simplicity.

Fordæðuskapr (Old Norse for ‘sorceryʼ or ‘witchcraftʼ) is a new band by S.D. which was started in early 2022. Similar to S.D.ʼs primary artistic output Árstíðir lífsins, ‘Hræflóð markar fjallaʼ is sung entirely in Icelandic and contains lyrics taken from the rich corpus of Old Norse skaldic poetry.

The texts have an apocalyptic character and mainly deal with themes related to death, violence and bloodshed. Appropriately, ‘Hræflóð markar fjallaʼ may be translated to ‘Carrion flood of the wood of the mountainsʼ. The album features six songs with a total playing time of 38 minutes and contains both modern and classic Black Metal elements stemming from older Norwegian and current Icelandic metal scenes.

Fordæðuskapr (Old Norse for ‘sorceryʼ or ‘witchcraftʼ) is a new band by S.D. which was started in early 2022. Similar to S.D.ʼs primary artistic output Árstíðir lífsins, ‘Hræflóð markar fjallaʼ is sung entirely in Icelandic and contains lyrics taken from the rich corpus of Old Norse skaldic poetry.

The texts have an apocalyptic character and mainly deal with themes related to death, violence and bloodshed. Appropriately, ‘Hræflóð markar fjallaʼ may be translated to ‘Carrion flood of the wood of the mountainsʼ. The album features six songs with a total playing time of 38 minutes and contains both modern and classic Black Metal elements stemming from older Norwegian and current Icelandic metal scenes.

 brown marble vinyl + double sided A3 insert 

Triumphant French Canadian black metal served icy and raw with plenty of riffs to get you stomping.This is the 3rd repress of this amazing debut full lenght by Montreal's Conifère. A records that fuses black metal and punk-ish riff together like no one else can. The band is at their absolute peak right here!