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Note:
Previously owned copy
Disc VG ++
Cover parts: VG ++
Nota bene:
Copia usata
Dischetto in condizioni buone
Copertine in ottime condizioni
Issued in a super jewel case. Red hype sticker applied.
Single leaf inlay card.
In 5.1 Dolby Digital, DTS
Tracks 2 & 3 are audio-only

B's legacy and the most extreme swansong of 2011
Lifelover's fourth and last album "Sjukdom" (English: disease) is a dark and challenging record. Following their critical acclaim-afforded and cathartic "Konkurs" in 2008, these elusive and mysterious misanthropes venture down an even more daring path with "Sjukdom" where the extremes of the characteristically idiosyncratic Lifelover sound are pushed to their utmost limit: the bittersweet melodies become more beautiful whilst the pulsing, coal-black heaviness becomes uglier. After the tragic death of B in September 2011, this is Lifelover's final studio album.
Gatefold LP (silver/black marble vinyl) in polylined inner sleeve and protection sleeve (500 copies)
This re-issue of Lifelover's third album, "Konkurs", is the band's first release on Prophecy. "Konkurs" paints a bleak, dystopian vision of modern urban despair with elements of black metal, indie-pop, post-punk, and shoegaze. Whether you love it or you hate it, "Konkurs" will forever alter your perceptions of what can be done with black metal or extreme metal.
Gatefold 2LP (clear/black smoke vinyl) in polylined inner sleeves and protection sleeve (500 copies)
1997 Digipak - NEAR MINT
gatefold jacket, inside colored
black poly-innersleeves
dinA2 poster
plastic protection sleeve
large booklet wth lyrics, impressions and info
transparent blue marbled
„Tempelschlaf" is THE RUINS OF BEVERAST's seventh full-length output and sees the band carrying on their sonic morbidity, noises and melodies of a human habitat in its sunset era, while maintaining and refining the widescreen low end that has been sustaining their sound almost from the beginning.
On the instrumental side, „Tempelschlaf" is stripped of quite some abdominal fat, forging the songs with a reduction in length and layers, cautiously leaning towards the stage part of things. Still, TROB's main discipline, the cineastic incarnation of audial nightmares, is omnipresent on the album. While synths and samples have always been playing a bizarrely adamant role in TROB's sound, they reach yet another level of psychedelia and insanity on „Tempelschlaf".
gatefold jacket, inside colored
black poly-innersleeves
dinA2 poster
plastic protection sleeve
large booklet wth lyrics, impressions and info
Gold Vinyl
„Tempelschlaf" is THE RUINS OF BEVERAST's seventh full-length output and sees the band carrying on their sonic morbidity, noises and melodies of a human habitat in its sunset era, while maintaining and refining the widescreen low end that has been sustaining their sound almost from the beginning.
On the instrumental side, „Tempelschlaf" is stripped of quite some abdominal fat, forging the songs with a reduction in length and layers, cautiously leaning towards the stage part of things. Still, TROB's main discipline, the cineastic incarnation of audial nightmares, is omnipresent on the album. While synths and samples have always been playing a bizarrely adamant role in TROB's sound, they reach yet another level of psychedelia and insanity on „Tempelschlaf".
„Tempelschlaf" is THE RUINS OF BEVERAST's seventh full-length output and sees the band carrying on their sonic morbidity, noises and melodies of a human habitat in its sunset era, while maintaining and refining the widescreen low end that has been sustaining their sound almost from the beginning.
On the instrumental side, „Tempelschlaf" is stripped of quite some abdominal fat, forging the songs with a reduction in length and layers, cautiously leaning towards the stage part of things. Still, TROB's main discipline, the cineastic incarnation of audial nightmares, is omnipresent on the album. While synths and samples have always been playing a bizarrely adamant role in TROB's sound, they reach yet another level of psychedelia and insanity on „Tempelschlaf".