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For the first time in any format, Pier Paolo Pasolini’s controversial 1975 adaptation of the Marquis de Sade’s *The 120 Days of Sodom*, characterized by classical compositions of great beauty and dissonance, stands in stark contrast to the shocking and cruel events unfolding on screen. Three weeks before the scandalous release of “Salò, or the 120 Days of Sodom,” Pasolini was brutally murdered in Ostia, Italy. In the wake of the tragedy, legendary composer Ennio Morricone wrote “Addio a Pier Paolo Pasolini” for the late director, which was included in the final cut. Following the narrative of one of Pasolini’s most significant cinematic moments, the soundtrack opens with Ennio Morricone’s “Son Tanto Triste,” descends into the melancholic minor chords of Bach, Chopin, Orff, Puccini, and Graziosi, incorporates sinister interpretations by the cast, and includes Morricone’s somber tribute to the director.
In 1985, the second studio album by the legendary thrash metallers Slayer was released. This year marks the 40th birthday of Hell Awaits and of course there is also a 40th Anniversary Edition for fans and collectors on this occasion.
The album is available as a 3 CD earbook including a poster and a 60-page book, as well as as a 3 vinyl box set, which additionally contains several tour replicas from the 1985 tour, another poster, a slipmat for your record player and 2 flyers.
In 1985, the second studio album by the legendary thrash metallers Slayer was released. This year marks the 40th birthday of Hell Awaits and of course there is also a 40th Anniversary Edition for fans and collectors on this occasion.
The album is available as a 3 CD earbook including a poster and a 60-page book, as well as as a 3 vinyl box set, which additionally contains several tour replicas from the 1985 tour, another poster, a slipmat for your record player and 2 flyers.
Five love songs for the time-ridden, mouldy Catholic cunts;
Praised be and exalted
With words and tunes
Those saints of old age,
Who their fate and devotion wage,
Only lubricated by Christ’s breath!
“Benediction, Part 2” cultivates the same derelict impulse first heard on Sodality’s 2020 debut, “Gothic”, and sharpened further on “…Part 1”. This is Black Metal stripped of pretence, carrying all the hallmarks of esoteric warfare and devotion pushed to its breaking point. Five hymns for ruinous faith echo through a cathedral of spiritual collapse, upheld by the smothered breath of saints, the weight of silence, and the violence of belief. Guided by bursts of inspiration rather than deliberation, the material retains the immediacy of its creation. The riffs and melodies are swampy, evil, and suffocating, just like the Catholic sense of morality and the divine.
Sodality’s place within the NoEvDia catalogue traces back to the late Finnish artist Timo Ketola, editor of Dauthus – arguably the ultimate printed incarnation of the quintessential Death and Black Metal spirit. Dauthus also existed as a small but fiercely curated label, and it was in this capacity that Sodality were brought to our attention.
Timo’s steadfast conviction – that Sodality’s early material was a ‘self-inflicted gun wound, possibly even partly unintentional’ – paved the way for his label’s first music title since 2009, when Dauthus, NoEvDia, and The Ajna Offensive co-released Teitanblood’s debut.
After he completed the LP layout for “Gothic” but before it took physical form, Timo passed away – yet his impetus defined the trajectory which led to the ongoing “Benediction” cycle. “…Part 2” follows that same line of transmission: stark, intuitive, and drawn from the same raw nerve Timo recognised at the beginning.
Five love songs for the time-ridden, mouldy Catholic cunts;
Praised be and exalted
With words and tunes
Those saints of old age,
Who their fate and devotion wage,
Only lubricated by Christ’s breath!
“Benediction, Part 2” cultivates the same derelict impulse first heard on Sodality’s 2020 debut, “Gothic”, and sharpened further on “…Part 1”. This is Black Metal stripped of pretence, carrying all the hallmarks of esoteric warfare and devotion pushed to its breaking point. Five hymns for ruinous faith echo through a cathedral of spiritual collapse, upheld by the smothered breath of saints, the weight of silence, and the violence of belief. Guided by bursts of inspiration rather than deliberation, the material retains the immediacy of its creation. The riffs and melodies are swampy, evil, and suffocating, just like the Catholic sense of morality and the divine.
Sodality’s place within the NoEvDia catalogue traces back to the late Finnish artist Timo Ketola, editor of Dauthus – arguably the ultimate printed incarnation of the quintessential Death and Black Metal spirit. Dauthus also existed as a small but fiercely curated label, and it was in this capacity that Sodality were brought to our attention.
Timo’s steadfast conviction – that Sodality’s early material was a ‘self-inflicted gun wound, possibly even partly unintentional’ – paved the way for his label’s first music title since 2009, when Dauthus, NoEvDia, and The Ajna Offensive co-released Teitanblood’s debut.
After he completed the LP layout for “Gothic” but before it took physical form, Timo passed away – yet his impetus defined the trajectory which led to the ongoing “Benediction” cycle. “…Part 2” follows that same line of transmission: stark, intuitive, and drawn from the same raw nerve Timo recognised at the beginning.
Made from the biblical book of the pensieve of the songs of solomon
200 Limited Edition 12" Vinyl
Made from the biblical book of the pensieve of the songs of solomon
200 Limited Edition 12" Vinyl
