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Five love songs for the time-ridden, mouldy Catholic cunts;
Praised be and exalted
With words and tunes
Those saints of old age,
Who their fate and devotion wage,
Only lubricated by Christ’s breath!
“Benediction, Part 2” cultivates the same derelict impulse first heard on Sodality’s 2020 debut, “Gothic”, and sharpened further on “…Part 1”. This is Black Metal stripped of pretence, carrying all the hallmarks of esoteric warfare and devotion pushed to its breaking point. Five hymns for ruinous faith echo through a cathedral of spiritual collapse, upheld by the smothered breath of saints, the weight of silence, and the violence of belief. Guided by bursts of inspiration rather than deliberation, the material retains the immediacy of its creation. The riffs and melodies are swampy, evil, and suffocating, just like the Catholic sense of morality and the divine.
Sodality’s place within the NoEvDia catalogue traces back to the late Finnish artist Timo Ketola, editor of Dauthus – arguably the ultimate printed incarnation of the quintessential Death and Black Metal spirit. Dauthus also existed as a small but fiercely curated label, and it was in this capacity that Sodality were brought to our attention.
Timo’s steadfast conviction – that Sodality’s early material was a ‘self-inflicted gun wound, possibly even partly unintentional’ – paved the way for his label’s first music title since 2009, when Dauthus, NoEvDia, and The Ajna Offensive co-released Teitanblood’s debut.
After he completed the LP layout for “Gothic” but before it took physical form, Timo passed away – yet his impetus defined the trajectory which led to the ongoing “Benediction” cycle. “…Part 2” follows that same line of transmission: stark, intuitive, and drawn from the same raw nerve Timo recognised at the beginning.
Five love songs for the time-ridden, mouldy Catholic cunts;
Praised be and exalted
With words and tunes
Those saints of old age,
Who their fate and devotion wage,
Only lubricated by Christ’s breath!
“Benediction, Part 2” cultivates the same derelict impulse first heard on Sodality’s 2020 debut, “Gothic”, and sharpened further on “…Part 1”. This is Black Metal stripped of pretence, carrying all the hallmarks of esoteric warfare and devotion pushed to its breaking point. Five hymns for ruinous faith echo through a cathedral of spiritual collapse, upheld by the smothered breath of saints, the weight of silence, and the violence of belief. Guided by bursts of inspiration rather than deliberation, the material retains the immediacy of its creation. The riffs and melodies are swampy, evil, and suffocating, just like the Catholic sense of morality and the divine.
Sodality’s place within the NoEvDia catalogue traces back to the late Finnish artist Timo Ketola, editor of Dauthus – arguably the ultimate printed incarnation of the quintessential Death and Black Metal spirit. Dauthus also existed as a small but fiercely curated label, and it was in this capacity that Sodality were brought to our attention.
Timo’s steadfast conviction – that Sodality’s early material was a ‘self-inflicted gun wound, possibly even partly unintentional’ – paved the way for his label’s first music title since 2009, when Dauthus, NoEvDia, and The Ajna Offensive co-released Teitanblood’s debut.
After he completed the LP layout for “Gothic” but before it took physical form, Timo passed away – yet his impetus defined the trajectory which led to the ongoing “Benediction” cycle. “…Part 2” follows that same line of transmission: stark, intuitive, and drawn from the same raw nerve Timo recognised at the beginning.
Made from the biblical book of the pensieve of the songs of solomon
200 Limited Edition 12" Vinyl
Made from the biblical book of the pensieve of the songs of solomon
200 Limited Edition 12" Vinyl
Comes in a sturdy boxed set with all 5 albums in their Digi-CD versions.
Scandinavian Folk Metal complete discography remastered and re-packaged!
“Folktronen (1995-2000)” gathers the complete Otyg recordings from 1995 to 2000 in one definitive collection. All demos and both full length albums, newly remastered in 2025 by Vintersorg.
The title carries a double meaning. Folktron refers to folklore and old beliefs, while tron also means throne. Together it reflects what Otyg stood for during these years. Deeply rooted in tradition, yet standing apart from trends. In hindsight, these recordings capture a period where Otyg truly ruled their own corner of folk metal.
From the raw power of “Bertagen” and “I Trollskogens Drömmande Mörker”, through the transitional “Galdersång Till Bergfadern”, to the full length visions of “Älvefärd” and “Sagovindars Boning”, this box set documents the complete journey.
Untamed, melodic, atmospheric, and unmistakably Scandinavian.
• The complete Otyg collection finally available in one box
• The boxset comes with a poster drawn by Vintersorg himself
• Remastered by Vintersorg from the original tapes for the best audio experience
• Featuring Andreas Hedlund of Vintersorg
For fans of: Storm, Vintersorg, Isengard, Falkenbach
Cult Scandinavian Folk Metal! Otyg’s demo recordings “I Trollskogens Drömmande Mörker” remastered from the original tapes!
“I Trollskogens Drömmande Mörker” is Otyg stepping further into their own world.
More bite, more movement, and more confidence than “Bergtagen”. The songs are tighter, the melodies sharper, and the playing more adventurous, without losing the natural Folk feel.
The violin and female vocals are woven into the music, not sitting on top of it. They add depth and character rather than decoration.
Remastered in 2025 by Vintersorg, this re-issue keeps the raw edge intact while giving the recordings the clarity they deserve.
Cult Scandinavian Folk Metal! Otyg’s demo recordings “I Trollskogens Drömmande Mörker” remastered from the original tapes!
“I Trollskogens Drömmande Mörker” is Otyg stepping further into their own world.
More bite, more movement, and more confidence than “Bergtagen”. The songs are tighter, the melodies sharper, and the playing more adventurous, without losing the natural Folk feel.
The violin and female vocals are woven into the music, not sitting on top of it. They add depth and character rather than decoration.
Remastered in 2025 by Vintersorg, this re-issue keeps the raw edge intact while giving the recordings the clarity they deserve.
