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A highly collectible, visually striking picture disc edition of the legendary 2003 Floridian death metal EP. This release pairs bone-crushing Floridian death metal with iconic Vincent Locke cover art physically printed on the vinyl, making it an essential display piece for any extreme metal collection.

Features previously unreleased outtakes recorded by the classic lineup, including George "Corpsegrinder" Fisher on vocals and includes killer, blood-soaked covers of tracks by Accept, Possessed, and Metallica.

Grab is a raw, underground, old school black metal project that was created by War and Wrath (Dødsferd, Leeches) in August of 2005, in order to summon the first days of the underground movement. It's a German word that means Grave in English translation. The band continues since 2018 with Bacchus on Wrath's side, after War left this world and chose to live in total isolation! Eternal Misanthropy!  

- Behold Your future, demo I (2006) self released, limited in 100 hand numbered copies / Tape Format
Tracks 1 - 5

- Grab, Demo II (2007), released by Nykta Records limited in 111 copies / Tape Format
Tracks 6 - 9

- 3 way split with Apolion and Helwulf (2008) / Strike (Disgust for Human Imbecility) released by Bylec Tum Productions, limited in 333 hand numbered copies / Tape Format
Tracks 10 - 11

Gatefold Double Vinyl with Inlaycard including Lyrics and 1 bonustrack! 

FIRTAN's new album, Helios, charts the brutal path to enlightenment. Not as an escape, but as a conquest. Named after the sun itself, the album explores what it means to become the strongest and clearest version of oneself in a world designed for distraction and decay.

Fusing the raw, atmospheric ferocity of black metal with the crushing weight of death metal, Helios mirrors the album's core theme of clarity forged through struggle.

Evocative acoustic and electric violin melodies weave through the compositions, creating tension and complexity with their melancholic and experimental tones. This enhances the band's intricate riffing and unexpected musical shifts. The incorporation of acoustic instruments, ritualistic chants and analogue synthesizers adds layers of depth and atmosphere.

With CALL, Urisk confront the intertwined loss of wilderness, Gaelic culture, and the mythical in Scotland and beyond. The album takes its title from a tension between two meanings: the Scottish Gaelic call (/kauL/), meaning “loss”, and the English “call”, a calling out as much as an invocation to remember and reclaim what’s been marginalised or erased.

Moving between atmospheric passages and bursts of aggressive black metal, the songs on CALL create deliberate spaces for grief and mourning that naturally follow calamity and loss. Yet, this is not an album resigned to despair. Beneath the voices of melancholy and wrath runs the red thread of hope in the possibility of return, recovery, and reconnection through ways of worshipping the wild.