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YMIR's history stretches back to the late '90s. The band originally existed as a trio of vocalist/guitarist Vrasjarn, later of funeral doomlords Profetus; drummer Lord Sargofagian, who concurrently founded the prolific Baptism; and lead guitarist Toni Pölkki. With this lineup, YMIR released the Trollsword demo in 1999, mystical black metal firmly (and favorably) of its time. Seven more years would follow before another recording came from YMIR, as the brothers Vrasjarn and Lord Sargofagian were busy with the aforementioned bands (and many others), but the Silvery Howling demo at last arrived in 2006, courtesy of WEREWOLF, and saw the band scaled back to a duo and evincing a rawer, nastier sound whilst retaining the sweet stench of the '90s. Naturally, once again, more silence ensued...
But from the past comes the storms...of icy, grandiose, paradigmatically Finnish black metal, bearing the no-bullshit title of Ymir. As can be expected, YMIR's long-brewing debut album is both a summation of their sparse but no-less-considerable past and a strident extension into both present and future. Never before have the band sounded so invigorated, so robust and roiling in their sweepingly sumptuous ruminations; the aim may be for mystical black metal of a most mid-'90s vintage, but the palpable physicality present here puts Ymir in rarefied company, whether it's past or especially present. Suitably, YMIR create epic screeds which open portals of the imagination and ancient consciousness alike, reverent to the old ways of noble black metal faith but by no means tethered to reductive expression: simply put, YMIR are a black metal band and Ymir is a black metal record, but their collective scope is boundless, brave, and breathing deeply of an essence few are able to grasp in the nowadays scene.
At long last, the full fathom of MOONCITADEL's now-transcendent powers arrives with the band's long-awaited debut album, Night's Scarlet Symphonies. If past MOONCITADEL recordings bore titles evocative of their respective contents, then surely Night's Scarlet Symphonies trumps them all: here is a bountiful feast of splendorous, widescreen black metal mysticism that's reverent of the mid '90s whilst channeling energies new and untold. Everything about MOONCITADEL's debut album - spiraling melodicism, folkloric atmosphere, impassioned performance, engrossing totality - maximizes the duo's previous works to their fullest potential, all threaded together by a never-too-raw soundfield that heightens these elements further. Which is to say nothing of its attendant song titles; over the course of its impossibly vast 47-minute runtime, some of Night's Scarlet Symphonies include "Ablaze My Heart With Falling Stars," "Nightwind was the Passage Between Worlds," "Whispering Cry of Magick Undying," and especially "Monumental Silver Thorns" all conveying this (monumental, silvery, magickal) headspace.
A new modern classic of old mystical black metal has hereby been born with MOONCITADEL's Night's Scarlet Symphonies!
FORHIST is the latest incarnation of Vindsval, the faceless entity behind the legendary BLUT AUS NORD.
Inspired by the ‘90s Norwegian Black Metal scene, FORHIST is purely a raw, intimate and poetic Black Metal act: a solitary walk in deep woods, a haunted dreamworld which exposes the roots of one of the most anomalous protagonists in Black Metal’s history with entrancing cohesion.
Comes with a download card. Pressed on black heavy vinyl.
FORHIST is the latest incarnation of Vindsval, the faceless entity behind the legendary BLUT AUS NORD.
Inspired by the ‘90s Norwegian Black Metal scene, FORHIST is purely a raw, intimate and poetic Black Metal act: a solitary walk in deep woods, a haunted dreamworld which exposes the roots of one of the most anomalous protagonists in Black Metal’s history with entrancing cohesion.
Comes in a 6-panel digipack. First batch comes in black polycarbonate CD.
Comes with an A3 poster and download card. Pressed on black heavy vinyl. Once sold out, there will be no repress.
A compilation of early WHITE WARD material leading up to their debut record, “Origins” is more than a hint of greater things to come, these nine tracks evincing their own merits through an uncompromisingly despondent blend of stygian atmospheric black metal, post metal, and dark ambient. Moody spoken word and notes of somber jazz recall gloomy walls of rain and the rotting thoroughfares of darkened alleyways in a dismal omnibus which will appeal to die-hard fans and newcomers alike. Opening with a standout re-recording of “Walls”, the first WHITE WARD song ever written, and featuring tracks from the 2012 EP “Illusions” the 2014 split release with SAUROCTONOS and SILENCE OF THE OLD MAN, and the previously unreleased “Riptide” EP, “Origins” offers an unfiltered glimpse into the minds that would eventually craft such masterworks as “Futility Report”, and “Love Exchange Failure”.
Comes in a 4-panel digipack with a 16-page booklet. First batch comes in black polycarbonate CD.
A compilation of early WHITE WARD material leading up to their debut record, “Origins” is more than a hint of greater things to come, these nine tracks evincing their own merits through an uncompromisingly despondent blend of stygian atmospheric black metal, post metal, and dark ambient. Moody spoken word and notes of somber jazz recall gloomy walls of rain and the rotting thoroughfares of darkened alleyways in a dismal omnibus which will appeal to die-hard fans and newcomers alike. Opening with a standout re-recording of “Walls”, the first WHITE WARD song ever written, and featuring tracks from the 2012 EP “Illusions” the 2014 split release with SAUROCTONOS and SILENCE OF THE OLD MAN, and the previously unreleased “Riptide” EP, “Origins” offers an unfiltered glimpse into the minds that would eventually craft such masterworks as “Futility Report”, and “Love Exchange Failure”.
Clear Vinyl
With no further introduction needed, the early Norwegian black metal band Gorgoroth had been crushing everything on its path ever since their birth in 1992.
Clear Vinyl
The original '97 recordings finally made available again! In a world that'll never be the same anymore GORGOROTH released their third and even so unique masterpiece in 1997. Driven by the masterful riffing, the raw and cold drums and vocals "UNDER THE SIGN OF HELL" has been a breed apart ever since it's release. Now finally presented again with refreshed artwork and layout, supervised by Infernus
Ltd transparent red vinyl