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Double LP mastered at 45 RPM for best audiophile listening, gatefold cover, classic black vinyl... 100 copies limited

Following the concept of their first journey Meteahna Timpurilor, released via Avantgarde Music in 2019, Sur Austru is ready to present to you its natural follow up, their latest ritual called Obârşie. The band born from the ashes of beloved Negură Bunget is once again ready to take you to a trip through the endless forests of Romania and southern Carpathia with their ritualistic blend of black metal and local folklore.

With Obârşie, Sur Austru is opening new gates and sacred structures, developing the sound of the previous album and adding more layers of sounds, beautiful voices and choirs, massive sound walls, gloomy atmospheres, epic blast-beats as well as sacred traditional instruments, all in one single concept album. Obârşie is the Romanian word representing the concepts of origin, descent and source, whether it is the source of water in the mountains or an initiation ceremony.

You may want to add one copy of Sur Austru debut "Meteahna Timpurilor" on vinyl  now, in special offer -50% with the new album's preorder (click here to add "metehana.." double LP for only 12.00€ more)

Double LP mastered at 45 RPM for best audiophile listening, gatefold cover, galaxy green/black vinyl limited 150 

Following the concept of their first journey Meteahna Timpurilor, released via Avantgarde Music in 2019, Sur Austru is ready to present to you its natural follow up, their latest ritual called Obârşie. The band born from the ashes of beloved Negură Bunget is once again ready to take you to a trip through the endless forests of Romania and southern Carpathia with their ritualistic blend of black metal and local folklore.

With Obârşie, Sur Austru is opening new gates and sacred structures, developing the sound of the previous album and adding more layers of sounds, beautiful voices and choirs, massive sound walls, gloomy atmospheres, epic blast-beats as well as sacred traditional instruments, all in one single concept album. Obârşie is the Romanian word representing the concepts of origin, descent and source, whether it is the source of water in the mountains or an initiation ceremony.

You may want to add one copy of Sur Austru debut "Meteahna Timpurilor" on vinyl  now, in special offer -50% with the new album's preorder (click here to add "metehana.." double LP for only 12.00€ more)

Super deluxe Digipack edition with DIE-CUT front and UV spot ! 

Following the concept of their first journey Meteahna Timpurilor, released via Avantgarde Music in 2019, Sur Austru is ready to present to you its natural follow up, their latest ritual called Obârşie. The band born from the ashes of beloved Negură Bunget is once again ready to take you to a trip through the endless forests of Romania and southern Carpathia with their ritualistic blend of black metal and local folklore.

With Obârşie, Sur Austru is opening new gates and sacred structures, developing the sound of the previous album and adding more layers of sounds, beautiful voices and choirs, massive sound walls, gloomy atmospheres, epic blast-beats as well as sacred traditional instruments, all in one single concept album. Obârşie is the Romanian word representing the concepts of origin, descent and source, whether it is the source of water in the mountains or an initiation ceremony.

You may want to add one copy of Sur Austru debut CD "Meteahna Timpurilor"  now in special offer with the new album's preorder for only 5.00€ (click here to add "metehana.." digi CD)

No one album could ever capture the claustrophobia-to-catharsis of an Eyehategod show, but this compilation of live tracks and demos comes as close as it gets. Giving you an idea of Eyehategod’s uncompromising, single minded purity of expression and exertion of raw nerve, “10 Year Of Abuse” is a monumental document all the way from the demo era to their later, legendary relentless live tour set.
Many other bands have tried unsuccessfully to emulate Eyehategod and have never quite captured their dynamic. Formed in 1988 in New Orleans they have become one of the most well known bands to emerge from the NOLA metal scene.

Limited first pressing on purple vinyl and numbered. 500 copies.

Svart Records turn ears towards a new wave of sound from Sweden, PÅGÅ and their wildly original new album The Evil Year.

PÅGÅ describe The Evil Year in their own words:

Outlandish pop and psychedelic noir rock from Sweden’s Åhman brothers, Pelle and Gottfrid (ex vocalist and bassist from In Solitude). Hand-picked by Mat Kvohst McNerney (Hexvessel, Beastmilk, Grave Pleasures) for his Secret Trees imprint via Svart.

Kvohst describes PÅGÅ as “Post-Punk freakery, like Birthday Party era Cave, avant-garde Bowie and the darkness of Coil with unique artistic flair that’s in a world of its own.”

The Evil Year features beautifully outlandish artwork by Pelle Åhman with layout by Erik Danielsson (Watain). Deluxe ltd edition, numbered, purple coloured gatefold vinyl (first pressing limited 500 copies only!) with lyric & artwork booklet, digipak CD and digital release via all digital platforms.

Limited A5 digipak, 500 copies.

Svart Records turn ears towards a new wave of sound from Sweden, PÅGÅ and their wildly original new album The Evil Year.

PÅGÅ describe The Evil Year in their own words:

Outlandish pop and psychedelic noir rock from Sweden’s Åhman brothers, Pelle and Gottfrid (ex vocalist and bassist from In Solitude). Hand-picked by Mat Kvohst McNerney (Hexvessel, Beastmilk, Grave Pleasures) for his Secret Trees imprint via Svart.

Kvohst describes PÅGÅ as “Post-Punk freakery, like Birthday Party era Cave, avant-garde Bowie and the darkness of Coil with unique artistic flair that’s in a world of its own.”

The Evil Year features beautifully outlandish artwork by Pelle Åhman with layout by Erik Danielsson (Watain). Deluxe ltd edition, numbered, purple coloured gatefold vinyl (first pressing limited 500 copies only!) with lyric & artwork booklet, digipak CD and digital release via all digital platforms.

The Red Black Clan of Nox Formulae returns with their second sonic grimoire of Higher Black Magic, delving deeper into the Draconian Universe and the Shadow Current emanating from the hidden and relatively unexplored realms of the Qlipha of the Concealers, Satariel, Archon of which is the second face of Lucifer, the Mighty King Lucifuge Rofocale. Drakon Darshan Satan is based—music and lyric wise—on the grimoire At The Outskirts Of The Shadow Current: The Dark Initiation, in this lifetime by Daemon Gharrassielh, and all those Dark Traditions offered by the Red Dragon to humanity. This album is a musical outcome of actual experiences that took place both on the physical and spiritual planes during the time years 2015-2019. The Shadow Allies are here, welcome the Arrival of Noctifer.

Abigail has been a staple in the roster of Nuclear War Now! since its earliest days nearly twenty years ago. In addition to multiple albums and EPs, the label released a collection of early EPs and the band’s contribution to a split, entitled “The Lord of Satan.” Now NWN! and Abigail conspire once again to further proliferate the spread of the band’s earliest material with the release of “Blasphemy Night.” This collection, presented on vinyl LP format, includes both “Demo 1” from 1992 and the “Blasphemy Night” demo from 1993. These tracks document the band’s original sound, which is best characterized as an unpolished, abrasive variety of black metal, in contrast to the sharper, more thrash-oriented sort that has resulted from the band’s evolution. As such, it is an essential addition to any Abigail fan’s collection and, more generally, to anyone who celebrates the true spirit of black metal.

Shaidar Logoth return with their brand new third album Chapter III: The Void God, a massive three-sided 2xLP that that sees the Minnesota black metal specters completing both musically and narratively their inaugural trilogy opened in 2011 with Chapter I: The Peddler. The Peddler has become The Ritualist, and now summoned The Void God to consume the world and rebuild it in its own image. Three years in the making, The Void God sees Shaidar Logoth dwell in familiar torments as well as evolve into a new transfiguration of themselves, dominated by a more defiant and unpredictable experimentation of moods and torn by a more profound and enigmatic dualism than ever before. Throughout the four monstrous songs that comprise the forty-eight minute double LP, the band's sound shapeshifts dramatically, designing increasingly claustrophobic and erratic trajectories and leaving the listener as helpless bystander to a disfigured and mangled ritual, while the songs evolve in and out of each other in a constant duality of ominous abjection and puzzling beauty. Sonically ungraspable but stylistically grounded in the fiercest and proudest black metal tradition, on Chapter III: The Void God, Shaidar Logoth have conjured the same inverted and lurid atmospheres we've seen in bands like Leviathan, Funeral Mist, Misþyrming and Sargeist, while their unique and unmatched penchant in eviscerating beauty and grace has given birth to their most luminous and magnificent album to date. Features an etched D-side.

The gut-wrenching debut LP from Canadian bestial death metal horde CEREMONIAL BLOODBATH -

Vancouver BC death metal horde Ceremonial Bloodbath finally issue “The Tides of Blood”, a long awaited and highly anticipated debut full length album of abhorrent and malformed dark death metal twilight and of complete sonic torment emanating from a place of utter wretchedness and abandon. With its members coming from otherestablished VC BC bands like Scum Division Cult, Nightfucker, Encoffinate, Radioactive Vomit, Grave Infestation, Mass Grave, Temple of Abandonment and Deathwinds, Ceremonial Bloodbath is an unholy coalition of some of Vancouver BC's most established and experienced musicians, who have come together to forge the most darkened, demented and hideous strain of bastard death metal they could fathom, taking cues from bands like Blasphemy, Sarcófago, Mystifier, Beherit, Archgoat, Vassafor, Mortician, Deicide etc. and blurring the sum of their influences into a sonic monstrosity devoid of any sanity or shape. Both extremely primitive and regressed, but highly unpredictable and experimental, Ceremonial Bloodbath's death metal is a place in which reference points and familiarity are nihl and set against the odds of complete insanity and chaos. With its barbaric riffs twisted and bent out of shape, its schizoid leads and diseased atmospheres, and an execution delivered with complete barbarism and deformity, Ceremonial Bloodbath have created one of the most inverted, hallucinogenic, crepuscular, and inhuman death metal absurdities that you will hear all year.

American death-doom titans Void Rot return with their colossal debut full-length LP "Descending Pillars," an imposing sonic monolith of obsidian slow death metal and dismal atmospherics that encases the listener into a monstrous sarcophagus of sound. In its immense forty minutes "Descending Pillars" conjures visions of otherworldly finality and of absurd forms of death and demise taking shape at the edge of a formless and implacable dark cosmos. With influences ranging from Grave, to Disembowelment, Incantation and Bolt Thrower, on "Descending Pillars" the Minnesota quartet re-establishes itself as visionary new act with an unparalleled sound and aesthetic of dismally towering proportions, cementing their reputation as one of contemporary death-doom's most promising and visionary prospects along the ranks of entities like Krypts, Spectral Voice, and Vastum.