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Deluxe cross-shaped 10-panel Digipack CD with partial glossy UV Varnish and SoftTouch finish. Limited to the first pressing.
Debut album from new occult/doom rock act from Poland - Drowned in Silver.
Drowned in Silver is a project formed by musicians from the black metal and experimental music scenes. Their music finds a unique balance between occult rock and trance-like expression, drawing inspiration from the spiritual intensity of artists like The Devil’s Blood, Dead Can Dance and Wardruna.
The band’s signature sound, blends the dark atmospheres of occult and doom rock with a distinct gothic rock touch.
Limited to 400 copies Galaxy Green Vinyl. 370gsm gatefold cover with printed insert.
Third album from Furia re-released on LP format with new mastering made specially for vinyl!
Reissue of the second Furia album. Limited edition of 400 copies on GREEN GALAXY VINYL.
370G cover with UV SPOT and matt lamination, 220g printed innersleeve, alternate graphic design than CD.
When it was first released in 1999, Cradle to Enslave, the second EP by Cradle of Filth, offered a glimpse of the band refining and broadening their sonic identity, which would eventually lead to the creation of a distinctive genre. This collection of intense and theatrical tracks features heavy driving riffs, sweeping orchestral touches, and the unmistakable voice of frontman Dani Filth. These tracks provide an accessible introduction to the band's ornately gothic extreme metal style and remain a highly sought-after release for collectors and new fans alike. It has been re-pressed in special formats, including red and black vinyl and a recycled eco-CD.
On their tenth full-length "Aba Khan", NYTT LAND pick up the stylistic thread that they had previously woven with "Ritual" (2021). This means, the music is generally based on a foundation of current ritual dark folk to which the duo from Siberia adds elements from the native traditions of their home among other ingredients. Although NYTT LAND return to the less strict and rather popular formula with "Aba Khan", their inspiration has still come from a whole year of travelling through the vast territories of Siberia. The couple discovered new areas and got acquainted with spiritual traditions of the indigenous peoples that they met. The result of this journey is a collection of priceless treasures that has been respectfully translated into a contemporary musical language. NYTT LAND was created in August 2013 as a ritualistic Nordic folk band and driven by the musical vision of the husband and wife duo Natalya and Anatoly Pakhalenko. The couple lives in the Western Siberian town Kalachinsk that is located on the banks of River Om and crossed by the Trans-Siberian Railway. True to their often dark and mysterious subjects, the lyrics of NYTT LAND echo myth and stories from legends and historical sources. Those are told in the languages of both indigenous Siberian tribes and Old Norse, with the balance gradually shifting towards the former over time. NYTT LAND dedicate "Aba Khan" to the ancient, beautiful, and great lands of Siberia. Join them on a journey through time and space where spirits rule, shamans protect the people, and old gods whisper.
FIVE YEARS AFTER THEIR LAST ALBUM, VREID RETURN WITH “THE SKIES TURN BLACK”!
On March 6th, 2026, Vreid will release The Skies Turn Black, their first studio album in five years and a powerful statement from one of Norway’s most enduring metal bands. The album marks a renewed creative chapter, shaped through a challenging but ultimately transformative process in which the band reconnected with the essence of their Sognametal roots while exploring new dimensions of their sound.
Throughout the album’s eleven tracks, Vreid merges fragments of their past with a revitalized artistic drive. The early breakthrough came with From These Woods, written during a late-night session in a remote mountain cabin. The song captured the emotional core of the album and helped steer the band back toward the heart of their identity.
The title track The Skies Turn Black also holds a central place on the album. Written by bassist and songwriter Jarle Kvåle as a tribute to Ozzy Osbourne and the music that has shaped his life, the song carries a deeply personal foundation. Kvåle’s experience attending Black Sabbath’s farewell concert in Birmingham, after previously helping to organize the band’s final Norwegian shows along with Ozzy’s, left a profound mark and sparked the creative energy that shaped the song’s weight and atmosphere.
The album also highlights Vreid’s cinematic side. Kraken was composed for a major upcoming film project and carries a personal dimension, as the film’s producer was the band’s first music teacher and helped them record their earliest demos more than thirty years ago. In contrast, Loving the Dead expands Vreid’s musical territory with a striking guest performance from Agnete Kjølsrud of Djerv, adding intensity and emotional depth that pushes the track into new terrain.
With hand-drawn artwork by Kim Holm and a powerful production shaped together with producer Anders Nordengen, The Skies Turn Black stands as one of Vreid’s most focused and expressive works to date. It reflects pride, resilience and a renewed creative fire that defines the next era of the band.
The Skies Turn Black will be released on March 6th 2026, with pre-orders opening on December 10th. The release aligns with Vreid’s return to European stages as they join Hypocrisy, Abbath and Vomitory on a major tour in 2026.
Vreid remains one of Norway’s most resilient and forward-driven metal bands, shaped by history, strengthened by adversity and still driven by an unshakable creative fire.
Second album of the trilogy on yellow and red marbled 12" vinyl (33 rpm) in deluxe gatefold with Pantone silver print and deluxe double sided insert with Pantone silver print.
Limited to 250 copies worldwide!
Had GREEN CARNATION never returned from hiatus, the Norwegian bards would always be remembered for completing one of the most ambitious individual epics in metal’s historic archives. However, there was one tale — or three, to be exact — that eluded them for more than three decades. Now, after reaching crushing new highs during its opening chapter, they’re descending into deeper, darker and more personal depths with part II of ‘A Dark Poem’.
If ‘The Shores of Melancholia’ set sail from a familiar place of melancholy, then ‘Sanguis’ opens with GREEN CARNATION far out at sea, fighting to stay afloat against the storm that’s raging in their minds. Over the course of nine minutes, the album’s epic title track vows to forgive and forget familial wreckage, washing away the bloody stains of the past with impassioned cleans and a chorus that radiates conviction — only for a traumatic memory to come flooding back during its doomy coda. The newfound heaviness from the first part of ‘A Dark Poem’ continues to age like a fine wine, balancing sweet meaty riffs with an underlying bitterness. “I Am Time” demands immediate recognition with a guitar melody that winds like the winds of change. But part II reveals the band at their most raw with ballads that unfold with the grace of a wilted flower.
“The end justifies the means, you’ll see”, Kjetil Nordhus sings with an eerily quiet confidence. As its final tale seeps beneath the moonlight, ‘Sanguis’ leaves fans hanging in suspense over where this trilogy will end.
For fans of OPETH, PARADISE LOST, KATATONIA, PAIN OF SALVATION.
Second album of the trilogy on black 12" vinyl (33 rpm) in deluxe gatefold with Pantone silver print and deluxe double sided insert with Pantone silver print.
1st pressing 500 copies worldwide.
Had GREEN CARNATION never returned from hiatus, the Norwegian bards would always be remembered for completing one of the most ambitious individual epics in metal’s historic archives. However, there was one tale — or three, to be exact — that eluded them for more than three decades. Now, after reaching crushing new highs during its opening chapter, they’re descending into deeper, darker and more personal depths with part II of ‘A Dark Poem’.
If ‘The Shores of Melancholia’ set sail from a familiar place of melancholy, then ‘Sanguis’ opens with GREEN CARNATION far out at sea, fighting to stay afloat against the storm that’s raging in their minds. Over the course of nine minutes, the album’s epic title track vows to forgive and forget familial wreckage, washing away the bloody stains of the past with impassioned cleans and a chorus that radiates conviction — only for a traumatic memory to come flooding back during its doomy coda. The newfound heaviness from the first part of ‘A Dark Poem’ continues to age like a fine wine, balancing sweet meaty riffs with an underlying bitterness. “I Am Time” demands immediate recognition with a guitar melody that winds like the winds of change. But part II reveals the band at their most raw with ballads that unfold with the grace of a wilted flower.
“The end justifies the means, you’ll see”, Kjetil Nordhus sings with an eerily quiet confidence. As its final tale seeps beneath the moonlight, ‘Sanguis’ leaves fans hanging in suspense over where this trilogy will end.
For fans of OPETH, PARADISE LOST, KATATONIA, PAIN OF SALVATION.
