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Fourth and last album, this is Emperor´s swansong. The band left the death metal field for a more symphonic and metal opus.

Giving a follow up to a masterpiece like Black shining leatherà was hard, but C.F. confirms their unique class in creating a waird opus like this, true Black Metal.
 

The journey of Spirit Adrift has come full circle. With their sixth album in a decade, mastermind Nathan Garrett is ready to unleash the band’s final chapter. Infinite Illumination, the Spirit Adrift swansong, is a return to the wellspring that first inspired it all and testament to a band that in the last ten years has crafted an impeccable signature thoroughly their own, molded from the elemental matter of more than a half century of heavy metal exaltation.

Infinite Illumination has a directness to it, a sense of urgency and raw intensity. The songs feel inevitable, like they had to be driven out from deep within during a time of great upheaval. The fatalistic “Born in a Bad Way” summons a vengeful “broken relic from another age” that must “live again and make them pay” via Garrett’s swaggering snarl, while “White Death” impugns “God shined on a chosen few, we must kill the rest of you”. These songs have a palpable sense of malaise both spiritual and terrestrial, personal and universal, inflicted via crushing traditional doom riffs, thunderous mid-tempo marches and Garrett’s impassioned vocal delivery.

The journey of Spirit Adrift has come full circle. With their sixth album in a decade, mastermind Nathan Garrett is ready to unleash the band’s final chapter. Infinite Illumination, the Spirit Adrift swansong, is a return to the wellspring that first inspired it all and testament to a band that in the last ten years has crafted an impeccable signature thoroughly their own, molded from the elemental matter of more than a half century of heavy metal exaltation.

Infinite Illumination has a directness to it, a sense of urgency and raw intensity. The songs feel inevitable, like they had to be driven out from deep within during a time of great upheaval. The fatalistic “Born in a Bad Way” summons a vengeful “broken relic from another age” that must “live again and make them pay” via Garrett’s swaggering snarl, while “White Death” impugns “God shined on a chosen few, we must kill the rest of you”. These songs have a palpable sense of malaise both spiritual and terrestrial, personal and universal, inflicted via crushing traditional doom riffs, thunderous mid-tempo marches and Garrett’s impassioned vocal delivery.

Black Vinyl

Norwegian titan, Mork, was created by Thomas Eriksen in 2004, with the debut album ‘Isebakke’ eventually surfacing in 2013. Since then, Mork has been ceaselessly rising through the echelons of Black Metal, and on the heels of 2024’s intense and groundbreaking ‘Syv’ opus - which has resulted in the band branching out with tours in the Far East & Australia - Eriksen continues on this evolutionary path with the new album, and what is undoubtedly set to be a new benchmark, ‘Monolitt’.

“A stark monument to the unrelenting brutality of reality, the monolith looms above us, immovable, indifferent, eternal. Its crushing presence bears down on the spirit, suffocating hope and testing the limits of endurance. It is an experience carved in stone, unyielding”.

‘Monolitt’ is an album that further expands the sonic and atmospheric depth of existing Mork releases; unafraid to challenge the listener, while steadfastly rooted in the cold traditions of the genre. With this uncompromising vision and direction for ‘Monolitt’, Mork delivers a sound which is brutal yet expansive, whilst also heavy and epic, for a relentless journey through the shadows of Norwegian Black Metal, while forging new paths within that ancient and revered framework.

Across these songs, themes of collapse, transformation, isolation, and destruction form the central pillars. From the crushing burden of existence to spectral wanderings through forgotten landscapes, ‘Monolitt’ explores the human condition through bleak introspection and grand imagery. Nature rages, giants awaken, faith crumbles, all in pursuit of experience beyond the limits of flesh and mind.

Black Vinyl

Norwegian titan, Mork, was created by Thomas Eriksen in 2004, with the debut album ‘Isebakke’ eventually surfacing in 2013. Since then, Mork has been ceaselessly rising through the echelons of Black Metal, and on the heels of 2024’s intense and groundbreaking ‘Syv’ opus - which has resulted in the band branching out with tours in the Far East & Australia - Eriksen continues on this evolutionary path with the new album, and what is undoubtedly set to be a new benchmark, ‘Monolitt’.

“A stark monument to the unrelenting brutality of reality, the monolith looms above us, immovable, indifferent, eternal. Its crushing presence bears down on the spirit, suffocating hope and testing the limits of endurance. It is an experience carved in stone, unyielding”.

‘Monolitt’ is an album that further expands the sonic and atmospheric depth of existing Mork releases; unafraid to challenge the listener, while steadfastly rooted in the cold traditions of the genre. With this uncompromising vision and direction for ‘Monolitt’, Mork delivers a sound which is brutal yet expansive, whilst also heavy and epic, for a relentless journey through the shadows of Norwegian Black Metal, while forging new paths within that ancient and revered framework.

Across these songs, themes of collapse, transformation, isolation, and destruction form the central pillars. From the crushing burden of existence to spectral wanderings through forgotten landscapes, ‘Monolitt’ explores the human condition through bleak introspection and grand imagery. Nature rages, giants awaken, faith crumbles, all in pursuit of experience beyond the limits of flesh and mind.

Norwegian titan, Mork, was created by Thomas Eriksen in 2004, with the debut album ‘Isebakke’ eventually surfacing in 2013. Since then, Mork has been ceaselessly rising through the echelons of Black Metal, and on the heels of 2024’s intense and groundbreaking ‘Syv’ opus - which has resulted in the band branching out with tours in the Far East & Australia - Eriksen continues on this evolutionary path with the new album, and what is undoubtedly set to be a new benchmark, ‘Monolitt’.

“A stark monument to the unrelenting brutality of reality, the monolith looms above us, immovable, indifferent, eternal. Its crushing presence bears down on the spirit, suffocating hope and testing the limits of endurance. It is an experience carved in stone, unyielding”.

‘Monolitt’ is an album that further expands the sonic and atmospheric depth of existing Mork releases; unafraid to challenge the listener, while steadfastly rooted in the cold traditions of the genre. With this uncompromising vision and direction for ‘Monolitt’, Mork delivers a sound which is brutal yet expansive, whilst also heavy and epic, for a relentless journey through the shadows of Norwegian Black Metal, while forging new paths within that ancient and revered framework.

Across these songs, themes of collapse, transformation, isolation, and destruction form the central pillars. From the crushing burden of existence to spectral wanderings through forgotten landscapes, ‘Monolitt’ explores the human condition through bleak introspection and grand imagery. Nature rages, giants awaken, faith crumbles, all in pursuit of experience beyond the limits of flesh and mind.

This will be available as M, L or XL: kindly state your size in the order's notes...

After release date (20/6) this will be offered on a "print on demand" basis: so please consider 7/10 days time to manufacture before shipping

Formed in 2020 by AS, Inherits The Void is a French project of atmospheric and melodic black metal, inspired by the frozen visions of Vinterland, the incantatory fury of Misþyrming, and the melodic intensity of Dawn.

Since its inception, the project has explored the tension between melody and atmosphere, blending emotional intensity with celestial melancholy. Through several releases - Monolith of Light (2021), The Impending Fall of the Stars (2023), Scars of Yesteryears (2024), all released via Avantgarde Music - Inherits The Void has established itself as a singular voice within the modern French black metal scene.

The Silent Abscission, the fourth Inherits The Void studio album, is a true turning point: a concept album about erasure, cosmic implosion, and isolation. Conceived as a journey through eight visions, it moves between incantatory convulsions and silent abysses, leading to an inevitable and overwhelming resolution. Like the collision of celestial bodies, the music whirls, riffs lash, dissonances burn, and harmonies collapse into silence. A total black metal experience, where matter and spirit are consumed within the same incantation, standing at the frontier between despair and eternity.

Formed in 2020 by AS, Inherits The Void is a French project of atmospheric and melodic black metal, inspired by the frozen visions of Vinterland, the incantatory fury of Misþyrming, and the melodic intensity of Dawn.

Since its inception, the project has explored the tension between melody and atmosphere, blending emotional intensity with celestial melancholy. Through several releases - Monolith of Light (2021), The Impending Fall of the Stars (2023), Scars of Yesteryears (2024), all released via Avantgarde Music - Inherits The Void has established itself as a singular voice within the modern French black metal scene.

The Silent Abscission, the fourth Inherits The Void studio album, is a true turning point: a concept album about erasure, cosmic implosion, and isolation. Conceived as a journey through eight visions, it moves between incantatory convulsions and silent abysses, leading to an inevitable and overwhelming resolution. Like the collision of celestial bodies, the music whirls, riffs lash, dissonances burn, and harmonies collapse into silence. A total black metal experience, where matter and spirit are consumed within the same incantation, standing at the frontier between despair and eternity.

This box-set comes with three LPs:

LP1: Those of the Unlight
Contains the full-length with considerably improved audio due to Devo Andersson`s remaster. Also, Those of the Unlight is for the first time officially rereleased with a faithful reproduction of the original cover and layout.
LP2: Unlicht 1994 – Live in Berlin/GER
Features a live show from the Sons of Northern Darkness tour in 1994.
LP3: Darkness Breeds Immortality – 30th anniversary show – Norrköping/SWE
Contains the 30th anniversary concert of Those Of The Unlight where the band played the album in its entirety.

Next to the 3 LPs, this limited box-set includes:
A huge double-sided A1 poster.
And a massive 60-page 12“ booklet with a lot of never-before-seen pictures plus a new interview with Morgan Håkansson.

Available as:
– black vinyl box (lim. 400)
– grey/black marble vinyl box (lim. 400)

Long-due official reissue!

Ships around June 5th 2026, limited to 250 copies.

Mithotyn’s Viking Metal classic remastered and with new artwork by Kris Verwimp!

First time on vinyl and digi-CD. 

If you’re already a fan of Viking or Black Metal, you’ll know roughly what to expect: longer songs with some variation, harsh growled vocals balanced with cleaner chorus sections, and a strong sense of atmosphere. It’s a familiar formula, but one that works well and captures what makes this style of music so enjoyable.