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Fourth and last album, this is Emperor´s swansong. The band left the death metal field for a more symphonic and metal opus.
Giving a follow up to a masterpiece like Black shining leatherà was hard, but C.F. confirms their unique class in creating a waird opus like this, true Black Metal.
Six keys opened six doors, and their poison crept into our world.
Five years has passed since the doors of perdition were opened with the release of Escumergament’s debut studio album ...ni degu fazentz escumergamënt e mesorga..., and now it is time to explore the corrupted wastelands at these entrances.
Apparebat Eidolon Senex speaks of anger, resignation and misfortune. A glimpse into the smoldering ruins of temples and oceans filled with corpses. Of haunting spirits and mad gods. Of betrayal and unfathomable loss. Seven songs where the demon appears at different places depending on time, place and intent.
Just like ...ni degu fazentz escumergamënt e mesorga..., Apparebat Eidolon Senex was recorded in the Chapel of the Wanderers on old and unpredictable equipment during days and nights of storms and torment.
These spells of uncompromising black metal are designed to curse and bring ruin.
Six keys opened six doors, and their poison crept into our world.
Five years has passed since the doors of perdition were opened with the release of Escumergament’s debut studio album ...ni degu fazentz escumergamënt e mesorga..., and now it is time to explore the corrupted wastelands at these entrances.
Apparebat Eidolon Senex speaks of anger, resignation and misfortune. A glimpse into the smoldering ruins of temples and oceans filled with corpses. Of haunting spirits and mad gods. Of betrayal and unfathomable loss. Seven songs where the demon appears at different places depending on time, place and intent.
Just like ...ni degu fazentz escumergamënt e mesorga..., Apparebat Eidolon Senex was recorded in the Chapel of the Wanderers on old and unpredictable equipment during days and nights of storms and torment.
These spells of uncompromising black metal are designed to curse and bring ruin.
Three years after The Necrotrophic Abyss, Australian one-man band Snorlax is back to wreak havoc.
Brendan Auld’s signature style, blending death metal with an oppressive and obscure black metal vibe takes a turn towards the lands of grindcore, both musically and conceptually.
Toxic Current is the new studio album by the multi-instrumentalist from Brisbane, and it comes with two covers from Australian grind and hardcore bands, Agents Of Abhorrence and The Fevered. To those familiar with Auld’s work, particularly Snorlax, these influences have always been part of his art, but never to such a clear extent.
Ancient Future Black Metal Meets Blackened Psychedelia… Mysterious UK-US experimental black metal trio Qasu announce their debut album A Bleak King Cometh, co-released via Phantom Limb & extreme-metal tastemakers Apocalyptic Witchcraft. Described by the band as “ancient future black metal,” the upcoming record (out on 30th January, 2026) delivers a crushing and otherworldly sound that fuses blackened psychedelia, occult techno, and warped sound design into a singular, terrifying vision.
Formed by members of “somewhat known” existing acts, Qasu hit an immediate and confident stride of finessed songwriting on their debut release. Its riffs are cataclysmic, whether agonisingly slow or razor sharp; its blastbeats are breakneck and meaty; its vocals are howled with torturous passion; its mythology is crafted with narrative totality…
"A Bleak King Cometh is a visionary debut. Voidborne, unrelenting, and unlike anything else in the extreme metal landscape. Qasu have crafted an immersive world where ancient ritual collides with futuristic terror, and we’re proud to help bring it into the light… or the abyss." - Conor Droney, Apocalyptic Witchcraft
Ancient Future Black Metal Meets Blackened Psychedelia… Mysterious UK-US experimental black metal trio Qasu announce their debut album A Bleak King Cometh, co-released via Phantom Limb & extreme-metal tastemakers Apocalyptic Witchcraft. Described by the band as “ancient future black metal,” the upcoming record (out on 30th January, 2026) delivers a crushing and otherworldly sound that fuses blackened psychedelia, occult techno, and warped sound design into a singular, terrifying vision.
Formed by members of “somewhat known” existing acts, Qasu hit an immediate and confident stride of finessed songwriting on their debut release. Its riffs are cataclysmic, whether agonisingly slow or razor sharp; its blastbeats are breakneck and meaty; its vocals are howled with torturous passion; its mythology is crafted with narrative totality…
"A Bleak King Cometh is a visionary debut. Voidborne, unrelenting, and unlike anything else in the extreme metal landscape. Qasu have crafted an immersive world where ancient ritual collides with futuristic terror, and we’re proud to help bring it into the light… or the abyss." - Conor Droney, Apocalyptic Witchcraft
Finnish death metal 7" box set series to be released via Svart Records - Part I with Abhorrence, Disgrace & Messiah Paratroops out in April
This is part of the story of the birth of early Finnish death metal. The late ’80s and early ’90s were a time when underground extreme metal flourished, and the main centrifugal force that got bands known globally was tape trading. Influences spread like a disease, and young, emerging death metal groups were eager to be more brutal than the next. Lack of money meant that studios couldn’t be booked for weeks, so the first logical release for starting bands was usually a self-released demo tape or a seven-inch vinyl, where they could squeeze in two to four tracks.
Even though we are talking about Finnish death metal here, the American record label Seraphic Decay, run by Steve O’Bannon, plays an important role in this story. It was the label that originally released the first 7” records for three Finnish bands: Disgrace's Debts of God (1990), Abhorrence's Abhorrence (1990) — the band that later morphed into Amorphis — and Messiah Paratroops' The Past (1992).
