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Oklahoma’s Chat Pile have had an exciting 2022; they released their album God’s Country, toured the midwest and east coast in support of the album, announced their appearance at Roadburn Festival 2023, and while the band is working on LP2, they’re revealing details for their score for the indie film Tenkiller. While not a proper full-length album, the Tenkiller score was written and recorded in the winter of 2020, and it waxes and wanes from the signature Chat Pile sound but also ventures into new ones— including arena country music. The band comments, “The music we made for Tenkiller is quite a bit different than what you may come to expect from us. We were given the freedom to really experiment and explore territories that we’ve never done before.” They continue, “It’s not going to be for everyone, but we hope some of you connect with what we set out to do.” “Chat Pile bring a sense of dirt and squalor to the table.” —The FADER “Oklahoma City’s Chat Pile are the perfect people to expose the dark, seedy underbelly of American life.” —Paste Magazine “Cleansingly punishing.” —Stereogum “Harrowing.” —Pitchfork
Oklahoma’s Chat Pile have had an exciting 2022; they released their album God’s Country, toured the midwest and east coast in support of the album, announced their appearance at Roadburn Festival 2023, and while the band is working on LP2, they’re revealing details for their score for the indie film Tenkiller. While not a proper full-length album, the Tenkiller score was written and recorded in the winter of 2020, and it waxes and wanes from the signature Chat Pile sound but also ventures into new ones— including arena country music. The band comments, “The music we made for Tenkiller is quite a bit different than what you may come to expect from us. We were given the freedom to really experiment and explore territories that we’ve never done before.” They continue, “It’s not going to be for everyone, but we hope some of you connect with what we set out to do.” “Chat Pile bring a sense of dirt and squalor to the table.” —The FADER “Oklahoma City’s Chat Pile are the perfect people to expose the dark, seedy underbelly of American life.” —Paste Magazine “Cleansingly punishing.” —Stereogum “Harrowing.” —Pitchfork
Blasphemic furious trio DEATHSIEGE unleash their first full length 'Throne of Heresy' after two blistering demos. Expect nothing less than a whirlwind of savageries and unrelenting iconoclastic fury!
Deathsiege was formed in 2019 by drummer and main songwriter A.M. (Har, Kever, and more) in the guts of a filthy rehearsal room in Tel Aviv Hell. Shortly thereafter joined by vocalist and guitarist J.S. (Svpremacist), the duo recorded its debut demo Cannibalistic Patricide, a ferocious and almost painful sounding letter of intent. With its spartan production tactics serving a fully formed sonic idea, Deathsiege soon recorded a second demo, Unworthy Adversary, released on casette by Dawnbreed Records and showcasing an honest brutality colored by a hefty dose of panic and urgency. Wildly treading the line between American death metal and an almost Marduk like approach to songwriting, this insane release soon garnered much attention throughout the underground, culminating with the band signing to Everlasting Spew records for the release of its upcoming debut album, Throne of Heresy. Joined this time around by new main guitarist T.D., the now international band unleashes all hell on this new LP, featuring longer songs and fearful lyrics, further exploring the band's established theme of pitch black nihilistic satanity
For fans of Perdition Temple, Concrete Winds, Degial, Angelcorpse.
Behold the ferocious display of the darkened, sinister and miasmatic death metal cruelty that BENOTHING have crafted for you and let yourself drown in the almost 30 minutes aural bliss that is temporal bliss surrealms!
The formation of the band dates back to 2017 when K.T and V.V teamed up to put together some musical ideas they had. in 2018 M.F joined the band on guitar/bass and the band evolved through a darker and complex songwriting. After roughly two years devoted to developing the songwriting process and with A.G joining the band in early 2019 the band was ready and aligned to channel their passion for the ancient and uncompromised manifestations of this morbid artistry and give finally birth to the first BENOTHING manifestation.
All the four tracks for the debut Ep were recorded live at rehearsal studio during summer 2020 and even though the recording consumed a lot of time because of the pandemic outburst and travel restrictions, nothing was more fitting for such bizarre times than to unfold the gates of their inner abyss and magnify the analog transmit death to execute the recordings for their debut EP "Temporal Bliss Surrealms". 100% DIY, recorded, mixed, and mastered by V.V and now ready to be unleashed upon this putrid earth!
For fans of Horrendous, Morbus Chron, Bedsore, Obliteration
Death Doom explorers ASSUMPTION are finally backwith their most ambitious, punishing and visionaire work.Prepare thee for a psychedelic and obscure journey!
For fans of diSEMBOWELMENT, Disma, Evoken, Oranssi Pazuzu
Comes in a 6-panel digipack. First batch comes in black polycarbonate CD.
"Nahab" - the second part of the Disharmonium cycle - finds BLUT AUS NORD returning, as if by compulsion, to the Weird nightmarish otherworlds of H.P. Lovecraft to reflect them through a new mirror of terrifying Black Metal lunacy.
In the dead-eyed trance of one demonically summoned, the band has once again channelled esoteric folklore and modern violence into another phenomenal slice of outsider art which befits its own Mythos and monstrosity. A Crowning Horror indeed.
Pressed on black/silver galaxy effect heavy vinyl. Comes with an A2 poster and a download card. Colors on final record may vary to a degree from the mockup.
"Nahab" - the second part of the Disharmonium cycle - finds BLUT AUS NORD returning, as if by compulsion, to the Weird nightmarish otherworlds of H.P. Lovecraft to reflect them through a new mirror of terrifying Black Metal lunacy.
In the dead-eyed trance of one demonically summoned, the band has once again channelled esoteric folklore and modern violence into another phenomenal slice of outsider art which befits its own Mythos and monstrosity. A Crowning Horror indeed.